“Advice on how to visualize your photos, from a rare interview with Ansel Adams. Photo visualization was so important to Ansel Adams that he made it the first chapter of his book on photography.”

“Don’t miss this story of Ansel Adams’ breakthrough when he first learned to visualize a photograph, moving from amateur to the true artistry he was known for. Then see previously unreleased footage of Ansel explaining exactly what he means by “visualization” and the points to master to be an “instinctive” photographer. All footage filmed in Yosemite National Park where Ansel lived and photographed for decades. By watching and following his advice you can advance your photography to new heights!”

View more in Marc Silber’s series on Ansel Adams here.

View more Ansel Adams videos here.

Quotes_Feelings

Enjoy this collection of quotes on feelings.

“Art is the concrete representation of our most subtle feelings.” – Agnes Martin

“If there is no feeling, there cannot be great art.” – Ray Bradbury

“Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility.” – William Wordsworth

“Photography records the gamut of feelings written on the human face, the beauty of the earth and skies that man has inherited, and the wealth and confusion man has created. It is a major force in explaining man to man.” – Edward Steichen

“Art makes us feel less alone. It makes us think: somebody else has thought this, somebody else has had these feelings.” – Alan Moore

“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.” – Ingmar Bergman

“I pay no attention whatever to anybody’s praise or blame. I simply follow my own feelings.” – Wolfgang Amadeus Mozart

Read more

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Read our conversation here.

Find out more about Stephen Johnson here.

Read Great Quotes By Photographers collections here.

View 12 Great Photographs collections here.

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Enjoy this collection of quotes by photographer Stephen Johnson.

“There were a huge variety of movements in photography during the 20th century, some based on 19th century landscape photography, some evolved as a reaction against realism in painting and photography, some evolved has a way of chasing the aesthetic of impressionism in painting. A single characterization really doesn’t get at what photography and beauty meant in the 20th century.” – Stephen Johnson

“It is clear, that the way I think about landscape photography in my world, largely of came out of the f64 group of photographers such as Edward Weston, Ansel Adams, Imogine Cunningham, Charles Scheeler and others. They relished the reality of the large format camera, and its clarity, seeing in that reality a great potential for abstraction. Their work became a large part of what landscape photography became.” – Stephen Johnson

“In the process of evolving this documentary power and the very real issues confronting us at the end of the 20th century, the beauty of the world often got lost in the accepted aesthetic of the Fine Art photography world. The famous quote by Cartier-Bresson about Weston and Adams photographing trees when the world was falling apart, comes to mind. Despite the enormous work and sometimes horrifyingly real world experiences it took to make them, it was easier to have photographs appreciated depicting the angst of the human experience. The dark side, the street photography of tragic circumstances, or peculiar people was the art, rather than responses to the beauty of the natural world, much less an appreciation for the wonder that it represents.” – Stephen Johnson

“It is come to the point that the world of landscape photography seems to exist in a place of perpetual sunrises and sunsets, the golden light, the perfect light, the waiting for the light, as though the ordinary experience of living seeing an experience in the planet does not in and of itself constitute a remarkable experience.” – Stephen Johnson

“I’m trying to make people aware that the Photography’s power to portray the real world is not only a power to portray our real human tragedy, but to also portray real human wonder, real human complexity and real human nuance and intricacy. The world is an intricate and nuanced place and I hope that photography can start to move toward understanding, appreciating, and portraying the common wonders of the world, rather than just the special wonders of the world.” – Stephen Johnson

“My own work is seeking to appreciate light in a different way than seems to have been previously appreciated in color photography. My affection for pastels, a more real world saturation, and not making transparent and open shadows into deep black holes (as film has traditionally done) is certainly an aesthetic I hope to propagate with whatever power my own work has to inspire.” – Stephen Johnson

“Because it is such a young media, the way we photograph, our own practices as well as those of our predecessors, have really made the history of photography. What we expect photography to be, has been largely determined by the photographs that we’ve seen and how we have understood the photographs that preceded ours.” – Stephen Johnson

“Photography has always been seen as wondrous, and much of that wonder came from its ability to render the real world.” – Stephen Johnson

“How photographers have approached these issues, their sense of truth in photography, their own sense of duty, how that has got folded into their work and both the interpreted power and documentary power of photography has influenced all of our perceptions of what photography is. We have tended the sub-categorize photography into photojournalism, landscape, documentary, fine arts, and some would argue we have different expectations from those different areas. I belive that regardless of the genre within photography, the understanding that remains a fundamental aspect of our perception of what photography is, is that it is in fact an image that was formed by a lens of the scene before the camera. However that might be influenced by our knowledge that photography can be manipulated into something that was not in front of the lens, we still have this instinct to believe, that is still at the heart of what makes this care about photographs.” – Stephen Johnson

“I try never to do anything to a photograph that I would characterize as enhancement or embellishment. I’ve said over and over again on many continents and for many years that the world is already self-embellished, it doesn’t need me to somehow make it better.” – Stephen Johnson

“Part of what we love about the photography process is the vicarious experience of a sense of place being appreciated without being in that place. It is actually inherent in photography’s basic power to let us know a world at some visual level that we haven’t actually seen.” – Stephen Johnson

“My fundamental fascination remains the photograph as witness to reality.” – Stephen Johnson

“The greatest wonder I experience in seeing new photography today is directly related to how many more people feel empowered to pursue photography and the variety of insights they bring to the medium.” – Stephen Johnson

Read our conversation here.

Find out more about Stephen Johnson here.

Read Great Quotes By Photographers collections here.

View 12 Great Photographs collections here.

EarthDay2016

Celebrate Earth Day!

Join Earth Day Networks Billion Acts Of Green.

Find out what you can do today here.

“Al Gore has three questions about climate change and our future. First: Do we have to change? Each day, global-warming pollution traps as much heat energy as would be released by 400,000 Hiroshima-class atomic bombs. This trapped heat is leading to stronger storms and more extreme floods, he says: ‘Every night on the TV news now is like a nature hike through the Book of Revelation.’ Second question: Can we change? We’ve already started. So then, the big question: Will we change? In this challenging, inspiring talk, Gore says yes. ‘When any great moral challenge is ultimately resolved into a binary choice between what is right and what is wrong, the outcome is foreordained because of who we are as human beings,’ he says. ‘That is why we’re going to win this.’”

Support the Climate Reality Project here.

Support Earth Day here.


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