Tonight & Tomorrow – 2 Seminars In Atlanta

October 4, 2012 | Comments Off

During the Atlanta Celebrates Photography Festival I’m presenting two seminars.

Thursday Oct 4 at 6:30-9 pm at ASMP I’m presenting a new seminar Process. I reveal many aspects of my creative process in ways designed to help others. This Canon sponsored event is free and open to the public. So far the response to my new exhibit/book Process has been very enthusiastic. Find out more here.

Friday Oct 5 at 7-9 pm at Showcase Photo Video I’m presenting a new seminar Game Changers.See it and you’ll think about making photographs in many new ways.Find out more here.

Find more of my upcoming  events here. 

Learn more with my free enews Insights.

Category: Event
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I’m having a great time printing this series of images!

At first glance, they look like classic black and white images. In reality, they’re full color captures of a near neutral subject, processed and printed as color images. The trace amounts of color from the original subject make a very subtle but meaningful addition to the final image and print.

The trace amounts of color in the image are so subtle, I wasn’t sure which color management options would yield the best printed results; shadow detail, gradation, neutrality and graybalance all play major roles.

To get the final prints today, I tested multiple printer color management routes (Photoshop, Printer, Printer Adv B&W)(my ImagePrint tests are pending). Using Printer color management  for color offered the results I was looking for – not Photoshop, which clipped deep shadow detail and not Printer Adv B&W which rendered warm grays by default and cool toning solutions added more cool toning to the highlights than the shadows making the prints look like they carried a faint color cross).

They’re really touchy images. I found out how touchy when I went from 4×6 proofs to 11×14 prints, which when enlarged looked slightly lighter and lower contrast. A contrast curve for enlargement solved this.

At larger scale the noise became an issue, which I’m sleeping on. On the one hand, the subject is made of particles of water, which you can see when you are there. On the other hand it looks distracting to people who don’t know this. Water blurs with motion but the motion is frozen in these very fast exposures. I polled other people around me (including my father). Then I settled on an unexpected solution. I let some of the noise come through only in the areas of greatest focus, drawing slightly more attention to them. (Some noise can makes images appear sharper.)

There was a another surprise. I tested the images on glossy paper (Epson Exhibition Fine Art Paper). The extra depth in the blacks made another improvement in the image, so much so that it was worth the trade off for the soft surface of the matte paper. I made a similar test with a related series, Fumo, and didn’t make this choice. But here it was clear. This is the first time I’ve made my final prints on glossy paper.

I made these images while scouting my 2011 Focus On Nature workshop with Ragnar Th Sigurdsson and Arthur Meyerson. Arthur and I, two colorists who love the colors black gray and white and talk about them as colors.

I’m looking forward to returning to Iceland (and this waterfall) this August to lead a workshops again for Focus On Nature with +Einar Erlendsson , +Ragnar Th. Sigurdsson and +seth resnick .  +Arthur Meyerson Arthur Meyerson will join us at the end of our Iceland workshop for our Arctic Voyage workshop/cruise from Longyearben to Greenland and finally back to Iceland.

We have a few more spaces left our Iceland workshop.

There’s one space left in our Greenland workshop.

There are a two more spaces in my Fine Digital Print Advanced workshop.

Learn more in my digital photography and digital printing workshops.

Category: Printing, The Making Of The Print
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“Ron Martinsen is an internationally renowned commercial photographer who has educated over 800,000 visitors on his popular Photography and Photoshop blog. His printing series last year was a huge hit, but there was so much great information to share that his loyal readers asked for a book. Printing 101 Notebook: An Introduction to Fine Art Photography Printing is an eBook that is designed to help frustrated ink jet printer users get the most out of their investment by educating them on everything they will need to make great prints.”

Ron Martinsen’s ebook Printing 101 is packed with digital printing tips and tricks, peppered with links to more resources. In a casual personal tone he offers advice based on his real world experience. While the book is applicable to photographers using any inkjet printer, it offers more information on Canon printers than any other source I’ve encountered. The supporting interviews with industry leaders in printing offer even more information from a diverse group of individuals.

Find out more about Ron Martinsen here.

Get your copy of the Printing 101 Notebook at Flatbooks.

Learn more with my free digital printing ebooks.

Learn more in my digital printing workshops.

Category: eBooks
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Bambi Cantrell, Douglas Dubler, Greg Gorman, Jay Maisel, Steve McCurry, and Jeff Schewe share their thoughts and feelings on their work and how they relate to it when it’s printed.

View my Epson video interview here.

Find out more about Epson Focal Points here.

Category: Printing, Video
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In this video, I share my thoughts and feelings on photography and printing.

Find out more about printing here.

Read other interviews here.

Read my artists statements here.

Category: Interviewed, Printing, Video
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This one day seminar is one of the best values in the industry!

Thousands of dollars of free giveaways are provided by Adobe, X-Rite, NIK, OnOne, HDRSoft, Imagenomic, Chromix and more!

Find out about the latest advances in digital printing. You’ll learn to evaluate printers, inks, media, RIPs, and profiles. See the latest Epson printers and media in action. Take the results home!

Discover what’s unique about a fine art workflow designed to maximize quality. See it in action. See it detailed step-by-step. See the results. John Paul and Mac will build a file from the ground up and show you the final results in print.

You’ll learn to seamlessly integrate Adobe software Lightroom, Bridge, Camera Raw, and Photoshop. You’ll learn a variety of tools and techniques that will help improve and refine both your digital files and prints. We’ve heard time and time again, “That one tip was worth the price of admission.” And there are dozens of these!

You’ll leave with the knowledge you need to get the results you’re looking for and the confidence that it’s the very best.

Topics include:

  • Evaluating printers
  • Comparing media
  • Quick color management
  • How to analyze images to determine an optimum strategy
  • Raw conversion
  • Sophisticated color adjustment strategies
  • Selections and masking
  • Upsampling
  • Noise reduction
  • Sharpening — input, creative, and output
  • Softproofing and proofing
  • Equipment maintenance and fine-tuning
  • Print finishing and handling
  • Fine art market practices

Preview our DVDs Fine Art Digital Printing and Fine Art Digital Workflow.

Learn more in our Fine Art of Digital Printing Workshop.

 

Category: Seminar
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Epson recently announced a new addition to it’s line of photo printers.

It’s a smaller version of the Epson R3880.
Epson Ultrachrome K3 with Vivid Magenta Ink Technology
13″ wide
It lists for $849.99.
Find it at B&H for $834.95 here.

Industry-leading pigment ink technology

Epson UltraChrome K3 with Vivid Magenta Ink Technology for stunning color and black-and-white prints with intense blues and violets and improved skin tones

Individual high-capacity ink cartridges

Change cartridges less often with nine 25.9 ml individual ink cartridges

Advanced Media Handling

Offers consistent, reliable performance with front-in, front-out paper path; accommodates cut-sheet and roll paper in sizes up to 13″ wide; supports photographic and fine art paper, canvas, art boards and CD/DVDs

Unparalleled connectivity

Hi-Speed USB 2.0, wireless 802.11n and 100 Mbit Ethernet support

Auto-switching Black inks

achieve the highest black density and superior contrast on glossy, matte or fine art papers from either Matte or Photo Black ink

Leading-edge image-quality architecture

Smoother color transitions and outstanding highlight and shadow detail with AccuPhoto™ HD2 imaging technology

Precision 9-color, 8-channel print head technology

Innovative MicroPiezo® AMC™, one-inch wide print head with ink-repelling coating for more accurate dot placement and reduced maintenance

Professional control

Advanced Black-and-White Photo Mode to easily create neutral or toned black-and-white prints from color or monochrome images

Learn more about the Epson R3000 here.
Find the tools I use here.
Read more in my digital printing lessons.
Learn more in my digital printing workshops.

Category: Equipment, Printing
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This one day seminar is one of the best values in the industry!

Thousands of dollars of free giveaways are provided by Adobe, X-Rite, NIK, OnOne, HDRSoft, Imagenomic, Chromix and more!

Find out about the latest advances in digital printing. You’ll learn to evaluate printers, inks, media, RIPs, and profiles. See the latest Epson printers and media in action. Take the results home!

Discover what’s unique about a fine art workflow designed to maximize quality. See it in action. See it detailed step-by-step. See the results. John Paul and Mac will build a file from the ground up and show you the final results in print.

You’ll learn to seamlessly integrate Adobe software Lightroom, Bridge, Camera Raw, and Photoshop. You’ll learn a variety of tools and techniques that will help improve and refine both your digital files and prints. We’ve heard time and time again, “That one tip was worth the price of admission.” And there are dozens of these!

You’ll leave with the knowledge you need to get the results you’re looking for and the confidence that it’s the very best.

Topics include:

  • Evaluating printers
  • Comparing media
  • Quick color management
  • How to analyze images to determine an optimum strategy
  • Raw conversion
  • Sophisticated color adjustment strategies
  • Selections and masking
  • Upsampling
  • Noise reduction
  • Sharpening — input, creative, and output
  • Softproofing and proofing
  • Equipment maintenance and fine-tuning
  • Print finishing and handling
  • Fine art market practices

Preview our DVDs Fine Art Digital Printing and Fine Art Digital Workflow.

Learn more in our Fine Art of Digital Printing Workshop.

Category: Seminar
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The folks who make the software I use pass on great discounts to my readers.
That’s you!

Here’s a list of links to the codes you’ll need to get them.

Discount Adobe
Discount Epson
Discount FotoQuote
Discount Imagenomic
Discount OnOne
Discount PhotoKit

Stay tuned! There are more discounts coming!
You’ll find a growing list of links on my blog sidebar.

Learn more about the tools I use here.

Category: Discount
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Successfully managing color for digital printing requires that the color in an image file be converted from its device neutral color space to a device specific color space. (Typically this occurs by converting from Adobe RGB 1998 or Pro Photo RGB  to a device specific color space defined by an ICC profile characterizing a specific combination of printer, ink, paper, and driver.)

Using Photoshop, you can either convert color in an image before you send it to a printer driver or after you send it to a printer driver.

Choose one method of color management – not two. Easily made, a classic mistake is using both. Double color management typically results in a print that is too light and magenta.

The Epson printer driver provides many ways to manage color conversions and get reasonably good color. Two methods offer the best results; the Photoshop route and the Epson route.

How do you do you choose either of these methods?

Let Photoshop’s Print window (under Color Handling) guide you – Let Photoshop Determine Colors and Let Printer Determine Colors. (While the principle is the same for most printers, interfaces will vary. Here’s information for the most current Epson interface.)

If you choose Let Photoshop Determine Colors under Color Handling, select a profile for Photoshop to make the conversion with (a paper/ink/driver specific profile not the interface default of Working RGB) under Printer Profile, choose a Rendering Intent of either Relative Colorimetric or Perceptual, and then click Print Settings. In the Print window choose the correct Printer and then change Copies and Pages to Print Settings. Select the correct Media Type, uncheck High Speed, and choose the highest printer resolution available. Finally change Print Settings to Color Management and select Off (No Color Adjustment). The Photoshop route turns Photoshop’s color conversion on and turns the printer’s color conversion off.

The Photoshop route tends to hold slightly more saturation but it’s rendition of neutral colors and gray balance is usually not as good as the Epson route. The Photoshop route is the route to take when you want to use a custom profile. Use it if you are printing with either third party inks or papers which require the use a custom profile to accurately describe the behavior of the alternate media.

If you choose Let Printer Determine Colors under Color Handling, choose a Rendering Intent of either Relative Colorimetric or Perceptual, and then click Print Settings. In the Print window choose the correct Printer. Change Copies and Pages to Print Settings to select the correct Media Type, uncheck High Speed, and choose the highest printer resolution available. Finally change Print Settings to Color Management , choose EPSON Standard (sRGB) under Mode, and select Color Controls. The Epson route turns Photoshop’s color conversion off and turns the printer’s color conversion on.

The Epson route tends to deliver significantly improved rendition of neutral colors and gray balance with slightly less saturation. Try it when printing neutral colors. Use the Epson driver’s Advanced B&W Photo feature for black and white images.

Each route works well. Each route yields slightly different results. Test them to see the differences. (Note that you cannot see the differences between printing routes when softproofing; you have to make physical proofs to see these differences. They can significant.)

Read more

Category: Color Management, Printing
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