View new images here.

You’re invited!

to my

Exhibit Open Studio

New Work 2018


August 4-5, 2018

10 AM – 5 PM

Artist’s Talk 2 PM
Watch it live on Facebook.

73 Cross Road, Cushing, ME  04563

Find directions here.

Save 25% On Prints For A Limited Time Only!

Enter the code 25OFF during checkout.

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Don’t miss out! Browse + Bid on exceptional works by 36 leading and emerging artists. A great way to support The Center For Maine Contemporary Art / CMCA and contemporary art in Maine. Auction online through Paddle8. All proceeds directly support CMCA.

Participating artists include …
Bo Bartlett, John Bisbee, Katherine Bradford, Emily Brown, Tom Burckhardt, Tom Butler, John Paul Caponigro, Caleb Charland, Ann Craven, David Dewey, Lois Dodd, David Driskell, Betsy Eby, Inka Essenhigh, Linden Frederick, John Goodman, Ken Greenleaf, Peter Halley, Charlie Hewitt, Tanja Hollander, Yvonne Jacquette, Alex Katz, Rollin Leonard, Amy Lowry, Kayla Mohammadi, John Moore, Paul Oberst, Winston Roeth, Kate Russo, Peter Soriano, Aaron Stephan, Joyce Tenneson, Don Voisine, Todd Watts, William Wegman, Dudley Zopp

View the art works here.

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Download your free copy here.

From the solitary summit of Katahdin, to the deeps of more than 22,000 lakes and ponds, to the 3,500 miles of tidal coastline, the wild beauty of Maine is irresistibly beautiful. Inland you’ll find sweeping mountains, rivers, lakes, forests, and farms. Along the rocky coast, you’ll find countless islands, beaches, lighthouses, and fishing villages.

This ebook collects images of Maine made in the locations that I have returned to photograph most often for more than 25 years.

Each image is accompanied by a short description of the location.

Interactive links access Google Maps and additional resources.

This valuable resource will help you make the most of your explorations of Maine.

22 images

22 pages

Download your free copy here.

Find out about my Maine workshops here.

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© Dee Pepee

From the nineteenth century on, Maine and its scenic beauty has drawn some of the nation’s most prominent photographers to depict its many natural wonders, and its people, and to look beyond to the realm of the imagination. This exhibition, drawn  The Farnsworth Art Museum’s collection in Rockland, Maine, showcases past and present perspectives by photographers who have worked in Maine including Berenice Abbott, John Paul Caponigro, Paul Caponigro, Eliot Porter, Joyce Tenneson and many others.

Picturing Maine opens October 03, 2015  and closes March 27, 2016.

Plus, see more photographs in the exhibit Maine Collects through March 6, 2016.

Find out more here.

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Alumni Scott Tansey describes his recent feature on The Leica Camera Blog.

“I took these images on a Fall Color Workshop given by John Paul Caponigro at Acadia National Park. I had recently completed a huge five-year project taking panoramic images of Los Angeles (my home town). It was time for a change, and I needed a creative spark to do something different. As I mentioned previously I had attended a printing workshop given by John Paul Caponigro, which changed my photographic direction, and I thought his workshop would give me kick-start on my creativity. It did, but not in the way I intended. I was going to shoot the fall colors. Southern California is not as noted for its fall colors as Maine is. However, when I went to shoot the fall colors, they did little to inspire me. The light was lousy, and we missed the peak by a few days. On the second day of the workshop, after much frustration, I went to our last stop that was a rock pile. Oh, wow! The evening light and the colors and the patterns of the rocks spoke to me. For the rest of the trip I focused mainly on taking close-up images of rocks on the Maine coastline.”

Read more on The Leica Camera Blog.

Read a second feature on The Leica Camera Blog.

Find out more about my Maine Fall Foliage Workshop here.

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I find making images with my iPhone extremely stimulating. For me, the device implicitly offers an invitation to play, reminding myself how important spontaneity is in making good images, and to experiment, growth and innovation require risk. Doing this offers me an opportunity to make images in situations, of things, in ways I ordinarily wouldn’t. It also raises very important questions, “When should I use a more professional tool?”, “When should I return to my standard practices?”, “What’s gained and what’s lost?” I haven’t found a single easy answer. I’ve found many hard ones – and more questions. Simply engaging this process has made me see in more versatile ways and make stronger images, both studies and finished works.

Here are a few of my recent experiments.

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Use standard tools as props.

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Bring new props.

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Make postcards.

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Combine photographs and drawings.

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Make double exposures.

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Create composites.

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When I start making images with my iPhone that I would ordinarily make with a DSLR it’s probably time for me to switch tools – again.

Find out more about my Acadia Maine Fall Foliage Workshop.

Learn more about iPhone photography here.


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