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View this video on Ruth Bernhard.

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This is a raw scan. Uses BVJ perfect calibration of August 2000 per Yule-Nielsen curve. It has not been sharpened nor spotted. See Notes Layer for original reflectance densities. --End--


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This is a raw scan. Uses BVJ perfect calibration of August 2000 per Yule-Nielsen curve. It has not been sharpened nor spotted. See Notes Layer for original reflectance densities. --End--

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Read 24 great quotes by Wynn Bullock.

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Get to know photographer Jock Sturges better with this video interview.

Read my conversation with Jock Sturges here.

View 12 Great Photographs By Jock Sturges here.

Read 25 Great Quotes By PhotographerJock Sturges here.

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Enjoy this collection of quotes by photographer Jock Sturges.

“That’s my ambition: that you look at the pictures and realize what complex, fascinating, interesting people every single one of my subjects is.” – Jock Sturges

“Physical beauty is such a strange thing.” – Jock Sturges

“Different members of different cultures will think that some things are beautiful.” – Jock Sturges

“The truth is that from birth on we are, to one extent or another, a fairly sensual species.” – Jock Sturges

“As soon as you forbid something, you make it extraordinarily appealing. You also bring shame in as a phenomenon.” – Jock Sturges

“If somebody’s pointing a trembling finger at your pants and saying you shouldn’t be doing that, follow that finger back, go up the arm and look at the head that’s behind it, because there’s almost always something fairly woolly in there.” – Jock Sturges

“A virulent, aggressive minority has decided that Americans don’t know themselves what it is they should see, and need to be protected by people who are wiser than they are, even if they are only a tiny sliver of the population.” – Jock Sturges

“That dichotomy between the public consumption of the work and my intent and practice in making it is an uneasy one for me, on occasion.” – Jock Sturges

“I found myself serving a sentence of public denial from the very second the raid on my apartment happened.” – Jock Sturges

“I’m guilty of extraordinary naivete, I suppose. But it’s a naivete that I really don’t want to abandon, not even now.” – Jock Sturges

“But empirically I’ve come to understand that my photographs really don’t do any harm.” – Jock Sturges

“I became good at defending myself, but as far as I was concerned, that was a transient skill.” – Jock Sturges

“The world is shrinking as we see more and more of it in the media, and the more we see of the world, the smaller we are, the more aware we are of how insignificant any one of us is.” – Jock Sturges

“We live in an age where anonymity is growing in magnitude like a bomb going off.” – Jock Sturges

“Every child is going to grow up. You can see it happen in the books: They get older and older and belong to themselves to a greater and greater extent.” – Jock Sturges

“Before, I’d photograph anything. I didn’t think there was anything more or less obscene about any part of the body.” – Jock Sturges

“Any artist that’s involved in their work is inevitably going to have a focus in what they do.” – Jock Sturges

“I’m an artist that’s attracted to a specific way of seeing and a way of being.” – Jock Sturges

“I know the families that I photograph extremely well, and I’ve known them for a very long time.” – Jock Sturges

“All my life I’ve taken photographs of people who are completely at peace being what they were in the situations I photographed them in.” – Jock Sturges

“I don’t photograph any two people who are remotely the same.” – Jock Sturges

“I’d rather get back to making art than talk about it.” – Jock Sturges

Read our conversation here.

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This video offers insights into an inimitable icon in photography.

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Artist’s often use consistent palettes for separate bodies of work, some use a consistent palette for a lifetime. This not only makes their work more readily identifiable, it also clarifies the nature of the statements they make. When an artist does this color becomes more than attractive, it becomes a message.

Joyce Tenneson has done this masterfully. Her typically airy palette both light and desaturated give her nude or near nude portraits a distinctive look. The delicacy of her palette not only makes a statement about the more sensitive nature of her subjects but also reveals her own sensitive approach and relationships with her subjects. Her high key palette suggests a concern with spirituality, perhaps more strongly than her occassional inclusions of painted light.

Tenneson often portrays figures in ways that defy conventional representations of the body, selecting alternate body types or ages, posing them in uncharacteristic ways that create expressively complex distortions, and including unusual props.

In Kristin Hands In The Air, the woman’s lack of hair gives this image an edgy undercurrent. Viewers would not be wrong to guess that the woman is struggling with illness. As with so many of Tenneson’s portraits, this image strips away the daily concerns of persona and fashion to show a deeper character in her subjects, tenderly but unflinchingly revealing both their fragility and an uncommon strength in these fleeting moments of grace made more durable by the act of photographing them.

Find my comments on other Masterworks In My Collection here.

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