Lindblad Cove, Antarctic Peninsula, Antarctica, 11 January 2011

 

Jökulsárlón	Iceland	3/2/09. Where the glacier goes to die: Pieces of the great Breidermerkurjokull  washed up on the beach at Jokulsarlon, Iceland. The ice was originally created 500-700 years ago in snowstorms high on the great Vatnajokull Ice Cap. The Breidermerjokull is one of the ice streams draining the ice cap. The ice stream has been retreating since 1930, leaving the tidewater lagoon known as "Jokulsarlon." Calved into Jokulsarlon, the icebergs float across the lagoon, breaking into smaller and smaller pieces as they go, then flow into the waves of the North Atlantic. At high tide, they wash up on the beach, then are taken away by the sea when the high tide returns half a day later. Through the process of destruction, they are contributing, drop by drop, to the rise of global sea level. The chunks of ice have been dubbed "ice diamonds" by James Balog.

03_Balog

04_Balog

05_Balog

06_Balog

Cryoconite channles 68 deg 31.78'N 49 deg 40.56' W

08_Balog

Asian elephant (curtain), from SURVIVORS, photographed 1990

10_Balog 11_Balog

 

From "Anima", published 1984

13_Balog

Enjoy this collection of photographs by James Balog.

Learn more about James Balog here.

View more 12 Great Photographs collections here.

Explore The Essential Collection Of Quotes By Photographers.

Explore The Essential Collection Of Documentaries On Photographers.

1Humpbacks_

On our DPD (Digital Photo Destinations) 2018 Fly Antarctica Cruise The Polar Circle voyage, we’d spotted many humpback whales, from a distance. But late in the trip, we came face to face with them. Having seen, far in the distance, a whale breach high in the air, we moved our zodiacs closer to explore them further and found three whales relaxing and playing together.  We watched curiously as they spouted water into the air, made low rumbling noise as they exhaled, flapped their fins, rushed each other, and spun pirouettes to avoid collision at the last moment. Often, they would dive, leaving whirlpools behind them, as they disappeared from our sight. We’d continue searching for them with anticipation. We’d glimpse the flash of a white fin under water and then lose sight of them until a dorsal fin or two or three, and sometimes a tail, broke the surface once again Surprised to see where they would surface next, we were never disappointed, as they continued to return again and again.

Gradually the whales grew more curious about us and turned their attentions to us, coating us in spray (the slightly oily whale breathe smelling like old krill), waving their fins in the air, poking their noses above the surface and sometimes their eyes.  At one point, two whales, side-by-side, having just created a wet cloud that drifted onto us, lowered their noses just below the surface of the water and blew enormous bubbles. It was clear they were playing with us now.  They began rushing us, drawing closer and closer to the surface of the water, and finally one twirled its massive body, lifting its fin out of the water, inches away from our boat. It’s wake rocked us, but it didn’t touch us. I was so focussed on making photographs to bring home to my family that I failed to realized that if I had just extended my arm, I would have been able to touch the whale and he or she could have touched me.

In the end, it was us who left them, as we were called to return to the ship, which none of us wanted to do. It was one of the finest wildlife experiences of my life.

Learn more about my Antarctica photography workshops.

Download our ebook Antarctica Two Visions.

2Humpbacks_ 3Humpbacks_  5Humpbacks_  7Humpbacks_ 8Humpbacks_ 9Humpbacks_  11Humpbacks_   14Humpbacks_ 15Humpbacks_


During my recent South Africa Photo Safari (sponsored by NIK) in Mala Mala, South Africa, I spent several days photographing African wildlife. We saw all of the big five (lion, leopard, elephant, rhino, cape buffalo) and many other animals. It was the first time I made a concerted effort to make finished wildlife photographs. I gained an increased appreciation for how moments of peak action (or lack thereof) can make or break some photographs. I made many competent photographs, but only one that I felt began to have an inspired quality. I suspected I would have no intention of using these kinds of images professionally – and confirmed this. But, these images rekindled an old flame.

Making these images reminded me of the many hours I spent drawing animals. I quickly discovered that for what I wanted to depict, portraits weren’t enough, interaction and context were necessary. I was interested in how people, of many eras and cultures, react psychologically to animals and to the archetypal ideas of animals we share. One of my favorite essays is about an animal – the snake. Psychologist James Hillman’s A Snake Is Not A Symbol (from the book Dream Animals.) has an enormous amount to offer about how we respond to images of animals. He suggests we reanimate images, especially those we encounter in dreams, through an extended inner dialog with them.

Days later, after making these images, during which my guide repeatedly warned me about the potential for finding hidden snakes, I had a dream about a snake, which was very important to me personally. For me, it was one more in a long line of dreams about snakes. It’s fascinating to see how inner material resurfaces during the creative process and what we can do to stimulate and work with this process.

What images could you make to help you reconnect with and develop important material in your inner life?

Read more

See my Namibia images here.

Explore my Namibia Google Earth map here.

Find out more about my Namibia workshop here.


Subscribe

Get the RSS Feed  

Subscribe by Email