Jay took a risk. He brought in large scale photographs printed on canvas for review. They were different. This triggered a long dialog on mixed media and installations. Now he’s no longer thinking in conventional terms about making prints. In 30 minutes we listed dozens of ideas for expanding the possibilities of printmaking and presentation; multiple media – silk, mylar, metal, transfers; multiple picture languages – photographs, blueprints, text, code; and multiple installations – hung on walls, becoming the walls, drapes, projections. This is one of the things that’s so stimulating about teaching. It’s inspiring to see diverse perspectives. And it’s a privilege to be able to help others realize their visions. I highly recommend you take time to explore your options. Think of the possibilities! You might surprise yourself … and us!

How many ways can you think of enhancing your images with media? Make a list. Then rank the list and try the most promising options.

These are the kinds of dialogs Mac Holbert and I have every day with participants in our the Fine Art of Digital Printing workshop during our extensive One on One and Review sessions. This week we’re at the Hallmark Institute of Photography.

Check out Jay’s website here.

Find out about the Hallmark Institute of Photography here.

Find out more about The Fine Art of Digital Printing workshop here.
Find out about my The Fine Digital Printing workshop series here.


Today, Mac Holbert and I started teaching The Fine Art of Digital Printing at the Hallmark Institute of Photography in Turners Falls, MA. Epson shipped in new 2880 printers for this special event. Epson’s new 2880 uses UltraChrome K3 with Vivid Magenta. How much does Vivid Magenta expand the gamut? Check out these diagrams – 2D, 3D, and 3D looking at Dmax. The 2400 is in white and the 2880 is in full color. Both are graphing Epson Premium Luster Paper. The graphs indicate warm blues, magentas and greens are where it pays off. Slight increase in Dmax. It’s not a dramatic increase but in specific images (polarized skies and saturated foliage, it can be significant. There are also slight tradeoffs in other areas of the spectrum (wherever the white volume extends beyond the color volume).

Words and pictures can work together to tell a fuller story. These diagrams were made with Chromix’s ColorThink. I use it to graph ICC profiles and compare substrates and to compare inksets. Doing this more clearly illustrates the pros and cons of each.

It’s something I do in all of my color management sessions (like the whirlwind tour of color management participants in the FADP workshop got this morning and the sessions you’ll find on my DVD 6 Simple Steps to Color Management).

Check out my Review of Chromix’s ColorThink used to make these graphs.
Check out Chromix here.

Check out my earlier post on the 2880 here.
Check out the 2880 here.

Check out our workshop the Fine Art of Digital Printing here.
Check out my Fine Digital Print workshop series here.

Check out Hallmark’s post on today’s session.

See it first and use it at Caponigro & Holbert’s The Fine Art of Digital Printing workshop series. Epson’s newest 13″ photo quality printer, the Epson R2880 (list $799)(“The world’s best 13″ printer.”) will be available for participant use at the Hallmark Institute of Photography July 20-25.

Last fall, at the Brooks Institute of Photography, participants were able to use the recently unveiled Epson Exhibition Fiber Paper. Special guests often appear, like Gregory Heisler and Vincent Versace. There are always many surprises in these workshops!

Gregory Heisler said, “Together, Mac and John Paul cover all aspects of fine art digital printmaking in a logical, easily understood format. They generously share their time-tested techniques, sure-fire shortcuts and invaluable personal observations while patiently demystifying the process of digital printmaking at its highest level. Yet they never lose sight of the ultimate goal: to realize the vision of the artist. The image remains paramount.”

Vincent Versace said, “Rarely, if ever do you get the oppertunity to have a teacher show you something that changes the way think and create. Even rarer is when lightening strikes twice. I have never had workshop experience effect me and my work as profoundly as the workshop taught by John Paul Caponigro and Mac Holbert.”

This premiere workshop is the chance of a lifetime. Learn from two master digital print makers at the same time, fresh off their highly successful tour in the Epson Print Academy. The workshops will be held in the state-of-the-art labs of today’s premier photographic educational institutions. This workshop will expose you to a world of new possibilities. The workshop translates photographic language and practices from traditional to digital and exposes participants to a world of new possibilities.

Only a few spaces in both venues are left. Register today!
And if you want to get priority status for next year’s FADP workshops sign up for the Waiting List.

July 20-25, 2008
Hallmark Institute of Photography
Turners Falls, MA

October 26-31, 2008
Brooks Institute of Photography
Santa Barbara, CA

Find out about the Epson R2880 here.

Find out more about The Fine Art of Digital Printing workshop here.

Find out about The Fine Digital Print workshop series here.


« go back

Subscribe

Get the RSS Feed  

Subscribe by Email