{"id":10738,"date":"2013-03-07T08:18:10","date_gmt":"2013-03-07T12:18:10","guid":{"rendered":"http:\/\/www.johnpaulcaponigro.com\/blog\/?p=10738"},"modified":"2013-03-07T08:18:10","modified_gmt":"2013-03-07T12:18:10","slug":"images-that-work-why-participants-antarctica-2013","status":"publish","type":"post","link":"https:\/\/www.johnpaulcaponigro.com\/blog\/10738\/images-that-work-why-participants-antarctica-2013\/","title":{"rendered":"Images That Work & Why \u2013 Participant\u2019s Antarctica 2013"},"content":{"rendered":"

Feedback on work produced during a workshop is an important part of each learning experience. Useful feedback usually starts with identifying core strengths before a discussion about how to improve (no matter how successful images are) and identifying possible next steps.
\nHere\u2019s a collection of participant images from our Antarctica Crossing The Circle 2013 Voyage<\/a> and a quick note about each image\u2019s core strengths.
\n\"\"<\/a>
\nGinette Vachon presents peak action in a way that elicits empathy
\n\"\"<\/a>
\nCathrine Spikkerud enlivens an other-worldy stage with quiet understated action
\n\"\"<\/a>
\nNancy Leigh animates an already dramatic stage with an energetic gesture
\n\"\"<\/a>
\nMarilynn Nance uses rhythm and perspective to make an historic building even more interesting
\n\"\"<\/a>
\nRobert Pettit use repetition to create a play between balance and imbalance
\n\"\"<\/a>
\nFusako Hara explores the transitions between realism and abstraction
\n\"\"<\/a>
\nBenoit Feron uses line and texture to reveal natural processes
\n\"\"<\/a>
\nJodie Willard uses opaque layers a strongly felt sense of space through design
\n\"\"<\/a>
\nKarin Pettit use transparent layers to portray depth
\n\"\"<\/a>
\nNorm Larson uses abstraction to portray not just an external reality but also to suggest an internal state
\n\"\"<\/a>
\nCelie Placzek uses number and proximity to suggest community
\n\"\"<\/a>
\nJim Brewster uses negative space to highlight important figures amid chaos
\n\"\"<\/a>
\nDennis Lenehan uses mass and volume to create dramatic contrasts
\n\"\"<\/a>
\nGeir Morten Skeie employs a delicate palette to create a transcendant mood for a monolithic structure
\n\"\"<\/a>
\nJoelle Rokovich expresses contrasts in scale to express size and distance with a minimalist efficiency
\nFind out about our 2014 Fly Antarctica Sail Across The Circle Voyage here.<\/a>
\nOnly 9 spaces are left.<\/p>\n","protected":false},"excerpt":{"rendered":"

Feedback on work produced during a workshop is an important part of each learning experience. Useful feedback usually starts with identifying core strengths before a discussion about how to improve (no matter how successful images are) and identifying possible next steps. Here\u2019s a collection of…<\/p>\n","protected":false},"author":3,"featured_media":10740,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[361,888],"tags":[657,3127,60],"post_folder":[],"yoast_head":"\nImages That Work & Why \u2013 Participant\u2019s Antarctica 2013 - John Paul Caponigro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.johnpaulcaponigro.com\/blog\/10738\/images-that-work-why-participants-antarctica-2013\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Images That Work & Why \u2013 Participant\u2019s Antarctica 2013 - John Paul Caponigro\" \/>\n<meta property=\"og:description\" content=\"Feedback on work produced during a workshop is an important part of each learning experience. Useful feedback usually starts with identifying core strengths before a discussion about how to improve (no matter how successful images are) and identifying possible next steps. 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