{"id":17772,"date":"2017-03-08T16:56:22","date_gmt":"2017-03-08T21:56:22","guid":{"rendered":"http:\/\/www.johnpaulcaponigro.com\/blog\/?p=17772"},"modified":"2021-04-18T02:25:22","modified_gmt":"2021-04-18T02:25:22","slug":"photoshops-match-color-may-change-way-see","status":"publish","type":"post","link":"https:\/\/www.johnpaulcaponigro.com\/blog\/17772\/photoshops-match-color-may-change-way-see\/","title":{"rendered":"Photoshop\u2019s Match Color May Change The Way You See"},"content":{"rendered":"

\"2_Source\"<\/a><\/strong><\/p>\n

Source<\/em><\/p>\n

\"3_Target\"<\/a><\/strong><\/p>\n

Target<\/em><\/p>\n

\u00a0\"9_4Blended\"<\/a><\/strong><\/p>\n

Final Effect<\/em><\/p>\n

\"MatchColor\"<\/a><\/strong><\/p>\n

Photoshop’s\u00a0Match Color<\/em><\/p>\n

 <\/p>\n

Little explored and capable of opening up whole new frontiers in color adjustment, Photoshop\u2019s Match Color is a tool every user should be aware of – even if it\u2019s only to know what\u2019s possible.<\/p>\n

There are three primary reasons to consider using Match Color: one, to match two colors exactly; two, to remove strong color casts; and three, to creatively apply the color in one image to another.<\/p>\n

Match Colors Precisely<\/strong><\/p>\n

When a precise color match is critical, for instance when matching the same products in two images, Match Color is hard to beat. And, in terms of easy of use, using it beats placing sample points and moving sliders to make the targets match. You can create statistics from and apply the effect to either an entire image or only a portion of an image using selections.<\/p>\n

Remove Strong Color Casts<\/strong><\/p>\n

Match Color does an exceptional job of removing strong color casts. One of the primary reasons it was developed and most common uses for it is to remove the strong color cast in underwater images. It does an amazing job at revealing the complex color relationships below the color cast. Here, you don\u2019t even need a source image. Just check Neutralize. If the effect is too strong you could use the Fade slider, but I recommend you apply the effect to a duplicate layer and use the Opacity slider of the layer or if you want to reduce the effect selectively, use a layer mask. Using this feature on images that don\u2019t contain strong color casts often produces pleasing results too.<\/p>\n

Create Complex Color Changes<\/strong><\/p>\n

This is where it really gets interesting. What if you took colors from a candy store and applied them to the sky? What if you took colors from a sunset and applied them to a landscape? What if \u2026 I know, I sound like a kid. You\u2019ll feel like a kid when you use Match Color. It seems like anything is possible. When you first view the results, you\u2019ll do a double or triple take. You have to see it to believe it.<\/p>\n

The math is complicated, very complicated. The tool\u2019s interface is simple and easy to use. Learning how and when to use it is deliciously challenging. With practice you can develop an intuitive feel for the direction color relationships will move in and start to think predictively when using Match Color, but the final effect it generates is usually so complex you have to see it to believe it.<\/p>\n

 <\/p>\n

\"4_Source2Target\"<\/a><\/p>\n

Normal<\/em><\/p>\n

\"5_Source2TargetNeutralize\"<\/a><\/p>\n

Neutralize<\/em><\/p>\n

 <\/p>\n

Taming The Beast<\/strong><\/p>\n

Match Color samples the colors from one image and applies the resulting statistics to another image; all three elements of color Hue, Saturation, and Luminosity are taken into account in both the source and the target images. To do this a minimum of two files must be open at one time, a source and a target. Once saved, you can load these statistics in the future to any image, as long as it is in RGB. Match Color only works in RGB color mode. Not available as either a non-destructive adjustment layer or a Smart Filter, Match Color must be applied permanently to a layer, so consider applying it to a duplicate or composite merged layer.<\/p>\n

You have limited controls over the results. The Neutralize check box; try it, you might like it \u2013 a lot. The Luminance slider; be careful of the image\u2019s dynamic range when using it. The Color Intensity slider; in addition to saturation it also control how much variety in hue is generated \u2013 higher settings produces more of both. The Fade slider; it\u2019s reduction of the effect is slightly different than applying the full effect to a layer and then reducing its Opacity, but the former cannot be localized so I prefer the latter. One check box, Neutralize, and three sliders give you some controls over the results.<\/p>\n

You can either use all the colors in an image or only colors within a selection in a source image to create statistics from; after making a selection in the source image go to the target image and in the Match Color dialog box check Use Selection in Source to Calculate Colors.<\/p>\n

 <\/p>\n

\"6_SourceSelection\"<\/p>\n

One portion of source selected<\/em><\/p>\n

\"7_SelectionTarget\"<\/a><\/p>\n

Another\u00a0portion of source selected<\/em><\/p>\n

 <\/p>\n

Alternately, you can modify the calculation by selecting a portion of the target image; after making a selection in the target image, apply Match Color and check Use Selection in Target to Calculate Adjustment. If you\u2019d like to apply that effect to the entire image instead of just a portion of it, instead of applying the effect, check Save Statistics, then press Cancel, and when you reapply Match Color check Load Statistics.<\/p>\n

 <\/p>\n

\"8_2Sources\"<\/p>\n

Two sources applied consecutively<\/em><\/p>\n

 <\/p>\n

You can even apply several statistic sets progressively to the same layer to create still different effects.<\/p>\n

 <\/p>\n

\u00a0\"MatchColor_Layers\"<\/a><\/p>\n

Effect layered over original<\/em><\/p>\n

\"BlendModes\"<\/p>\n

Layer Blend Modes give more control<\/em><\/p>\n

\"LayerStyle\"<\/a><\/p>\n

Layer Style gives you still more control<\/em><\/p>\n

 <\/p>\n

You can use the many power of layers to control how the new colors blend with the old. Reduce the layer\u2019s Opacity to restore some of the original color; add a layer mask to do this selectively. Use the layer\u2019s blend mode to control how the new colors mix with the original colors; in particular try the blend modes Color and Hue, which will use the new hues with the original luminosities. Use the layer\u2019s Blend If sliders to remove the effect from shadows and\/or highlights; alternately, use a luminosity mask. Applying Match Color to a new layer gives you a safety net (You can always return to the original color.), allows you to easily compare more variations, and gives you more control.<\/p>\n

One of the strategies that really makes this technique shine is to first create an interesting color foundation with Match Color and layer options and then refine the colors further with additional color adjustment tools.<\/p>\n

Controlling the effect with more any precision is challenging. You can change the colors of either the source or the target images before creating and \/or applying the statistics. Use any tool in Photoshop. The question is how? (Here\u2019s one tip. Inverting colors before sampling them often generates interesting results.) Doing this involves a lot of trial and error. Yet, these color experiments can sometimes be profitable. Once in a while, they lead to real breakthroughs. At a bare minimum, they\u2019ll encourage you to think more flexibly about color.<\/p>\n

Match Color is an exotic color adjustment tool that can be a real game changer. Try it and you\u2019ll see and think about color in new ways. What could be more exciting?<\/p>\n

 <\/p>\n

Read more color adjustment resources here.<\/a><\/strong><\/span><\/p>\n

Learn more in my digital photography and digital printing workshops.<\/a><\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Source Target \u00a0 Final Effect Photoshop’s\u00a0Match Color   Little explored and capable of opening up whole new frontiers in color adjustment, Photoshop\u2019s Match Color is a tool every user should be aware of – even if it\u2019s only to know what\u2019s possible. There are three…<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1428,3458],"tags":[43,116,256],"post_folder":[],"yoast_head":"\nPhotoshop\u2019s Match Color May Change The Way You See - John Paul Caponigro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.johnpaulcaponigro.com\/blog\/17772\/photoshops-match-color-may-change-way-see\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Photoshop\u2019s Match Color May Change The Way You See - John Paul Caponigro\" \/>\n<meta property=\"og:description\" content=\"Source Target \u00a0 Final Effect Photoshop’s\u00a0Match Color   Little explored and capable of opening up whole new frontiers in color adjustment, Photoshop\u2019s Match Color is a tool every user should be aware of – even if it\u2019s only to know what\u2019s possible. 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