{"id":213,"date":"2008-11-01T11:30:11","date_gmt":"2008-11-01T15:30:11","guid":{"rendered":"http:\/\/www.johnpaulcaponigro.com\/wordpress\/?p=213"},"modified":"2008-11-01T11:30:11","modified_gmt":"2008-11-01T15:30:11","slug":"steve-robeck-thinking-file-structure","status":"publish","type":"post","link":"https:\/\/www.johnpaulcaponigro.com\/blog\/213\/steve-robeck-thinking-file-structure\/","title":{"rendered":"Steve Robeck – Thinking File Structure"},"content":{"rendered":"

\"\"
\nThis week at The Fine Art of Digital Printing<\/a> workshop (taking place at Brooks<\/a> sponsored by Epson) Mac Holbert and I reviewed file structure at the end of the week – by processing student work. Everyone participating in the workshop got a valuable review of the file building workflow Mac and I use and recommend. Steve Robeck also got more than one possible window into the art of interpreting digital files. Time and time again, you modify how you apply a tool, eliminate it from the process, or add another. In this case we added a Photo Filter adjustment layer applied selectively to the highlights to add subtle warm ambient color and we used an additional Hue\/Saturation layer to increase the saturation of yellow accent colors throughout the image. Adopting a consistent file structure and working methodology is important. And, knowing when and why to make exceptions is equally important.
\nLook for upcoming Epson Print Academy dates here.<\/a>
\nCheck out The Fine Art of Digital Printing workshops here.<\/a>
\nCheck out my Fine Digital Print workshops here.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

This week at The Fine Art of Digital Printing workshop (taking place at Brooks sponsored by Epson) Mac Holbert and I reviewed file structure at the end of the week – by processing student work. 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