{"id":230,"date":"2008-11-19T13:01:47","date_gmt":"2008-11-19T17:01:47","guid":{"rendered":"http:\/\/www.johnpaulcaponigro.com\/wordpress\/?p=230"},"modified":"2008-11-19T13:01:47","modified_gmt":"2008-11-19T17:01:47","slug":"digital-exposure","status":"publish","type":"post","link":"https:\/\/www.johnpaulcaponigro.com\/blog\/230\/digital-exposure\/","title":{"rendered":"Digital Exposure"},"content":{"rendered":"<p><img class=\"alignnone\" src=\"https:\/\/www.johnpaulcaponigro.com\/blog\/wp-content\/uploads\/2021\/02\/exposure.jpg\" alt=\"\" \/><br \/>\nThe histogram on the back of your camera is generated by a processed JPEG version of your Raw files. Your Raw files are unprocessed \/ uncooked, high resolution, uncompressed, wide-gamut, 12-14 bit, and so have more information in them, particularly in the highlights. This means the histogram can be misleading. What looks good is usually underexposed. Weight your histograms high. How high? At what point do highlights clip? It&#8217;s uncertain. Practically, it depends on the scene; higher if the scene doesn&#8217;t contain delicate highlight detail; less high if it does. To be safe, bracket, one slightly high and one very high. You can even program your DSLR to do this automatically for you. Here are four histograms.<br \/>\n&#8211;<br \/>\n1\u00a0\u00a0 Underexposed<br \/>\n2\u00a0\u00a0 A good exposure<br \/>\n3\u00a0\u00a0 A better exposure<br \/>\n4\u00a0\u00a0 Overexposed<br \/>\n<a href=\"..\/..\/workshops\/\" target=\"_blank\" rel=\"noopener noreferrer\">Learn this and other techniques in my workshops.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The histogram on the back of your camera is generated by a processed JPEG version of your Raw files. Your Raw files are unprocessed \/ uncooked, high resolution, uncompressed, wide-gamut, 12-14 bit, and so have more information in them, particularly in the highlights. This means&#8230;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[11,718],"tags":[768,769,770],"post_folder":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Digital Exposure - John Paul Caponigro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.johnpaulcaponigro.com\/blog\/230\/digital-exposure\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Digital Exposure - John Paul Caponigro\" \/>\n<meta property=\"og:description\" content=\"The histogram on the back of your camera is generated by a processed JPEG version of your Raw files. Your Raw files are unprocessed \/ uncooked, high resolution, uncompressed, wide-gamut, 12-14 bit, and so have more information in them, particularly in the highlights. 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