{"id":5981,"date":"2011-06-17T05:55:43","date_gmt":"2011-06-17T09:55:43","guid":{"rendered":"http:\/\/www.johnpaulcaponigro.com\/blog\/?p=5981"},"modified":"2021-11-26T07:59:30","modified_gmt":"2021-11-26T07:59:30","slug":"choose-a-wide-gamut-editing-space","status":"publish","type":"post","link":"https:\/\/www.johnpaulcaponigro.com\/blog\/5981\/choose-a-wide-gamut-editing-space\/","title":{"rendered":"Choose A Wide Gamut Editing Space"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Today\u2019s inksets can exceed the gamut of even the best monitors in yellows, oranges, and blues. Epson UltraChrome HDR ink on Epson Exhibition Fiber is plotted against sRGB, Adobe RGB (1998) and ProPhoto.<\/em><\/p>\n

\"\"<\/a><\/em><\/p>\n

The gamut of this image and the print made from it exceeds the gamut of Adobe RGB (1998) and the monitor. You have to make a print to see the most saturated color possible.<\/em><\/p>\n

 <\/p>\n

Choose a wide gamut editing space to make the best prints possible. If a file\u2019s color space is smaller than the printer\u2019s color space, you won\u2019t be able to realize the full saturation your printer is capable of.<\/p>\n

Today\u2019s inksets exceed the gamut of all but one of the standard editing spaces (sRGB, Colormatch, and Adobe RGB (1998)), making ProPhoto the best choice for creating files in. Since ProPhoto exceeds the gamut of human vision, it\u2019s unlikely that you\u2019ll ever need a wider gamut editing space than ProPhoto. If you create your files in ProPhoto you\u2019ll be well-positioned to take advantage of future advances in printer and media technology. So, choose ProPhoto.<\/p>\n

How do you do this?<\/p>\n

1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 If you\u2019re converting a Raw file, choose ProPhoto in the Raw converter\u2019s interface.<\/p>\n

\"\"<\/a><\/p>\n

2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 If you\u2019re exporting a file from Lightroom, choose ProPhoto.<\/p>\n

\"\"<\/a><\/p>\n

3\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 If you\u2019re creating a new file in Photoshop, set ProPhoto as your default color space.<\/p>\n

\"\"<\/a><\/p>\n

4\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 If you\u2019re scanning an image, choose ProPhoto in the scanner\u2019s interface.<\/p>\n

ProPhoto is so wide that when you use it, you need to edit 16 bit mode. Basically, the steps between individual values is much larger than smaller gamut editing spaces, so without enough shades of gray, significant edits may produce posterization or banding. In contrast to the 256 shades of gray in 8 bit files, 16 bit files provide 65,536 shades of gray \u2013 more than enough to eliminate this problem.<\/p>\n

When you use ProPhoto, be careful when increasing saturation. ProPhoto exceeds the gamut of even the most sophisticated monitors, so it\u2019s possible to oversaturate values in files without seeing it. In a majority of cases you won\u2019t be able to display or print these values, but in some cases you may be able to, and in the future you most certainly will. So, in general, when you use Saturation or Vibrance sliders stop at the point where you don\u2019t see changes. More often than not, saturation that exceeds the gamut of monitors is best optically captured by devices like cameras and scanners, rather than synthetically produced.<\/p>\n

You may not want to use ProPhoto files for specific applications. While today\u2019s inkjet printers can put ProPhoto\u2019s saturated colors to good use, not all devices can or do. For instance, many offset presses prefer CMYK files and some web browsers disregard ICC profiles making ProPhoto files look oversaturated. In cases like this, convert copies of your ProPhoto files to smaller color spaces for specific uses.<\/p>\n

If you\u2019ve already created files in color spaces other than ProPhoto, don\u2019t convert them into ProPhoto. You won\u2019t get more saturated colors. All you\u2019ll get is the possibility of having more saturated colors. It\u2019s better to know that the gamut of a file has been compressed to a smaller color space. If you convert files like these to ProPhoto, you may be able to add synthetically created colors or increase the saturation of colors with software, but these colors never have the complexity of optically captured colors. To take full advantage of ProPhoto in these instances, recreate a file by reconverting or rescanning them. Do this only with files that will benefit by using ProPhoto. Only images with highly saturated colors will benefit; images with low saturation will not.<\/p>\n

ProPhoto is your best choice of editing spaces for making the best prints possible now and in the future. Position yourself well to take advantage of the latest advances in printer technology by taking a few simple steps when you first create your image files. It\u2019s as simple as setting it up once and using it consistently ever after.<\/p>\n

 <\/p>\n

Read more on Color Management here.<\/a><\/strong><\/span><\/p>\n

Learn more in my digital photography and digital printing workshops.<\/a><\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Today\u2019s inksets can exceed the gamut of even the best monitors in yellows, oranges, and blues. Epson UltraChrome HDR ink on Epson Exhibition Fiber is plotted against sRGB, Adobe RGB (1998) and ProPhoto. The gamut of this image and the print made from it exceeds…<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[255],"tags":[117,2465,1576,2466],"post_folder":[],"yoast_head":"\nChoose A Wide Gamut Editing Space - John Paul Caponigro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.johnpaulcaponigro.com\/blog\/5981\/choose-a-wide-gamut-editing-space\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Choose A Wide Gamut Editing Space - John Paul Caponigro\" \/>\n<meta property=\"og:description\" content=\"Today\u2019s inksets can exceed the gamut of even the best monitors in yellows, oranges, and blues. 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