{"id":7724,"date":"2012-01-23T08:18:01","date_gmt":"2012-01-23T12:18:01","guid":{"rendered":"http:\/\/www.johnpaulcaponigro.com\/blog\/?p=7724"},"modified":"2021-11-26T08:02:51","modified_gmt":"2021-11-26T08:02:51","slug":"the-difference-between-converting-versus-assigning-with-color-profiles","status":"publish","type":"post","link":"https:\/\/www.johnpaulcaponigro.com\/blog\/7724\/the-difference-between-converting-versus-assigning-with-color-profiles\/","title":{"rendered":"The Difference Between Converting Versus Assigning With Color Profiles"},"content":{"rendered":"

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Understanding the difference between assigning and converting to a profile is one of the most conceptually challenging things about color management in digital imaging. It\u2019s counterintuitive to think that by changing numbers the appearance of colors will stay the same or that if you don\u2019t they won\u2019t. But, once you understand why this is happening, how to set up your color management environment and what to do when you encounter color management dialog boxes will become much clearer.<\/p>\n

In color management you \u201cchange to stay the same\u201d. Why? Take the values for the most saturated red in any RGB color space \u2013 255\/0\/0. If you graph this in sRGB (a small color space) and ProPhoto RGB (a large color space), you can quickly see that one will produce a much less saturated red than the other. Similarly, all the other numerical combinations produce different appearances in different color spaces too, with the exception of absolutely neutral colors whose values are equal \u2013 i.e. 128\/128\/128. To maintain the appearance of colors when you move them from one color space to another (for instance from a monitor to a printer), you have to change the numbers very precisely, using ICC profiles or maps for each color space and recipes for mixing colors in them.<\/p>\n

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The parenthetical remarks in Photoshop\u2019s Paste Profile Mismatch dialog box say it clearly.<\/p>\n

If you Don\u2019t Convert but \u201cpreserve color numbers\u201d, the appearance of a file will change, sometimes dramatically, because the numbers in the file have not been converted but a new color profile has been assigned, changing the meaning of the numbers.<\/p>\n

If you Convert you \u201cpreserve color appearance\u201d; Photoshop does this by referencing the ICC profiles of the source and destination color spaces and precisely changing the numbers in the file so that they produce the closest possible match to the original appearance; only the appearance of very saturated colors will change if you convert a file to a smaller gamut color space.<\/p>\n

Note that information converted from sRGB into ProPhoto RGB does not get more saturated. The editing space becomes wider gamut, but the potential for increased saturation can\u2019t be accessed unless values in the file are further enhanced with software. The best way to get the most saturated color possible is to convert the source file (Raw) into ProPhoto RGB.<\/p>\n

If you adopt a consistent workflow and always convert into and create new files in the same color space, you\u2019ll encounter these dialog boxes infrequently. You\u2019ll quickly find you won\u2019t have to think about it anymore. And when you do, you\u2019ll simply take appropriate action with confidence when you need to, confident that the images you\u2019re creating are the very best that can be created.<\/p>\n

Remember, color management isn\u2019t about ensuring that color doesn\u2019t change, it\u2019s about ensuring it changes as little as possible and is changed as precisely as possible.<\/p>\n

 <\/p>\n

Read more on Color Management here.<\/a><\/strong><\/span><\/p>\n

Learn more in my digital photography and digital printing workshops.<\/a><\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Understanding the difference between assigning and converting to a profile is one of the most conceptually challenging things about color management in digital imaging. It\u2019s counterintuitive to think that by changing numbers the appearance of colors will stay the same or that if you don\u2019t…<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[255],"tags":[2736,2737,2738,1576],"post_folder":[],"yoast_head":"\nThe Difference Between Converting Versus Assigning With Color Profiles - John Paul Caponigro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.johnpaulcaponigro.com\/blog\/7724\/the-difference-between-converting-versus-assigning-with-color-profiles\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Difference Between Converting Versus Assigning With Color Profiles - John Paul Caponigro\" \/>\n<meta property=\"og:description\" content=\"Understanding the difference between assigning and converting to a profile is one of the most conceptually challenging things about color management in digital imaging. 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