Solo

September 19, 2009 | Leave a Comment |

” … The change from one moment to another was dramatic. Bright sun. Shadow. And, to my surprise, there was a beautiful quality of diffuse light when the sun was struck by the edges of each cloud. Some clouds were thicker than others. Every moment was different. I started to interact with the light. I used a white sheet as a diffuser, a large piece of foam core as a cool reflector, and a warm gold reflector. I played for hours, simply enjoying the light. I intended to come back with three exposures. I came back with dozens. In the end, I used two. But my understanding of light and my experience of light had completely changed from that moment forward. And, what I thought might be an isolated image turned out to be a whole series of images. Process is important when it informs the work; it becomes a part of the final product. Process is even more important when it informs you; it becomes a part of you. Fully engaging the process and the subject changed me. That changes the image. That changes what you see. That’s the chance we take as artists. We dare to be changed. It’s a chance well worth taking.”

Read more here.

Learn this technique in my field workshops.

Oriens I

August 29, 2009 | Leave a Comment |

“Oriens represents a new line of inquiry for me. Take the most compelling passages of changing light throughout an extended duration of time and weave them into a single composition … Neither method, resynchronization or recontextualization, yields a classically objective document. But the results of either application may yield artifacts that are truer to our experience of events. In one respect these represent the events more faithfully — they encompass the passage of time.”

Read the rest of this Statement here.


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