44 Resources To Help You Enjoy 2023’s World’s Best Photographs

M. Kornmesser (ESA/Hubble), NASA, and ESA

Enjoy viewing 2023’s top photography collections!

BBC – 2023 In Photos

New York Times – 2023 In Photos

Time – Best Photos Of 2023

CNN – Year In Pictures 2023

APP – Year In Photos 2023

Reuters Pictures Of The Year

The Atlantic – 2023 In Photos

Washington Post – 2023 In Photos

World Press Photo – Contest Winners

The Independent Photographer – Best Images Of 2023

 

Travel – Photographer Of The Year

 

World Sports Photography Awards 2023

Getty Images Sports Pictures Of The Week 2023

 

LA Times – The Best Entertainment Photos Of 2023

Billboard – Best Photography Of 2023

NY Times – 59 Photographs That Defined the Year in Arts

Guardian – The Best Photography Shows Of 2023

 

National Geographic – Pictures Of The Year

Nature – Best Science Images Of 2023

Nature Conservancy – Photography Prize 2023

Guardian – Nature Photographer Of The Year

Guardian – Ocean Photographer Of The Year

Ocean Photographer Of The Year

National Geographic – Best Wildlife Photos 2023

Guardian – Wildlife Photographer Of The Year

Guardian – Wildlife Photographer Of The Year People’s Choice

Audubon Photography Awards 2023

Bird Photographer Of The Year 2023

Dog Photographer Of The Year 2023

Comedy Wildlife Photography Awards 2023

Nikon Small World Photography Award 2023

Milky Way Photographer Of The Year 2023

International Landscape Photographer Of The Year

Landscape Photographer Of The Year

Guardian – Landscape Photographer Of The Year

 

My Modern Met – Best Of 2023

Photo Magazine – 40 Of The Most Striking Photographs

International Photography Awards 2023

World Photo Organisation – Open Competition 2023

iPhone Photographer Of The Year 2023

 

Aperture PhotoBook Awards 2023

Lucie – Photo Book Prize

WIRED – Favorite Photography Books 2023

The World's Top Photographs Of 2020

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Enjoy viewing 20 of 2020’s top photography collections!
Events
Time’s Top 10 Photos
Time’s Top 200 Photos
New York Times
The New Yorker
The Washington Post
Reuters
Bloomberg
The Guardian
World Press Photo
Aljazeera
The Insider
Yahoo
My Modern MET
Travel
National Geographic – Travel
CNN – Travel
Nature
Audubon Awards
National Geographic – Wildlife
Guardian Nature Photographer Of The Year
National Geographic – Science
Nature – Science
Atlantic – Landscape
 
View My Best Images Of 2020. 
 

Get To Know Arduina Caponigro's Photography

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People who take my workshops know my secret weapon, my wife, Arduina. It’s not just her technical knowledge it’s her warmth and hospitality. Those who visit us in our home know she’s the life of our parties. I mean who uses giant animal pool floats as lawn furniture?
When I first met her she was pursuing her MFA at and managing the digital labs of Maine Media Workshops. I’d never worked with someone as quick, smart, and knowledgeable. But that’s not why I married her. I fell in love with her because of her huge heart and her contagious enthusiasm. She’s the light of my life! She wants to share a little of that light with you now.
Her images are so whimsical you might think they’re staged rather than autobiographical. With or without a camera, she gives herself permission to play. On second glance, you’ll see they’re not unmindful of the sober undercurrents that run through our days. Her favorite quote is Milton’s “The mind is its own place and in itself, can make a Heaven of Hell, a Hell of Heaven.” You don’t have to guess which she chooses.
View more on Instagram.
Visit Ardie’s website.

Taking The Time You Need To Develop Depth

Budh
Secret Flower
Spirit of the Squash Blossom
Censered
Enchambered
Jonahs Apprehension

This is a selection of the images that started my series Revelation over twenty years ago. I had been planning on making related images in the arctic and antarctic for more than ten years. The series Revelation was on my mind when I first went to Antarctica in 2005; I started shooting deliberately for it on a return voyage in 2007; material slowly accumulated in subsequent voyages in 2009, 2011, 2013, and 2015; and then in 2016 it all came together. Part of the reason this work waited so long is that there was other work to do, including the completion of other related bodies of work including Inhalation and Exhalation. Doing that work influenced this work.

The images I recently released (arctic and antarctic Revelations) have a different quality as a result of waiting. they would have been different if I finished them earlier. In part, this comes from sleeping on it; the subconscious does a lot of work. In part, this is is the result of a significant amount of conscious thought; studying craft and composition were only the beginnings, digging into my thoughts and feelings about the subject and the approach were the real keys; related reading and viewing supported it. In part, this is the result of my inner state now; contrary to what some have suggested, I’ve found this isn’t something to overcome no matter what the current conditions but rather something to be nurtured and cultivated. While one needs to guard agains procrastination, one also needs to guard against rushing through content and not developing the necessary depth to fully engage it, fostering an intimate relationship with it. Doing the work develops depth.  And, the work doesn’t just happen behind the lens or in front of the computer.

So when should you make work? This is a question that is best approached with awareness and deep contemplation. Though there are repeatable patterns and common tendencies, there is no one definitive answer to this question for all artists and all situations. I’ve found some work gets produced very quickly, sometimes a whole series is made in one shoot, and some work gets produced very slowly, over decades. Ultimately, I think you have to go with your gut. That doesn’t rule out the possibility and potential benefits of a great deal of research and forethought before you do. The two working in concert together often yield the most powerful combination. However, the single most important ingredient is, not mere spontaneity, which can be short lived, but an effervescence of spirit, and it’s particularly important to pay attention to this quality if it can be sustained over longer periods of time. One needs to be alive to the work to make it a living thing.

In the era of social networks, there is a tremendous pressure to release work quickly and to keep releasing work on a regular basis.  This can create a pace that is unsustainable for most creatives, at least when it comes to releasing work with real depth. Good fully developed work takes time … because developing a relationship with your work and your self takes time, much like creating deeper relationships with people take time. Savor it.

At the same time, the unfinished work we make along the way has it’s own value, a very different value, and it can be fascinating to watch how we get to our final destinations. It’s important to know the difference and make the distinction between fully developed images and unfinished images, between work and play, both when we are producing our own images and enjoying others.

View new images in my series Revelation here.

View more images in the series Revelation here.
View the 360 degree interactive exhibit here.
View related Studies here.

Dreamlike New Images From Antarctica

Antarctica CXCV

Antarctica CXCI

Antarctica CXC

Antarctica CXCII

Antarctica CXCIII

Antarctica CXCIV

Antarctica CXCVIII

Antarctica CXCVI

Antarctica CXCVII

During our 2016 DPD Antarctica Workshop we had beautiful weather – foggy mornings, sunny days, and calm waters. I’d been looking for clear reflections like these for years; it is the windiest continent. All of the eight voyages I’ve made to Antarctica have been defined by weather, which has never been the same twice.

View more images here.

Find out about my exhibit New Work 2016 here.
Preview my ebook Antarctica here.
Get a free ebook Antarctica Two Visions here.
Find out about our 2018 DPD Antarctica workshop here!