Adobe's Upright Is All Right

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A little perspective correction can make a big difference in your images. While this is particularly evident in architectural images, it’s true of all images. If you think of it as perspective adjustment or controlled distortion, the visual possibilities open to you will grow dramatically.

Perspective adjustment has never been easier with the new feature Upright, introduced in Lightroom 5 and Photoshop CC. It’s virtually automated. The results are often magic. How Upright knows what it knows and how and when it decides to work are somewhat predictable, but sometimes mysterious. 

Found in the Lens Corrections panel, Upright also uses lens profile metadata and works in conjunction with the Enable Profile Corrections. If you activate Enable Profile Corrections after using Upright, for best results click Reanalyze. You can also use Upright without lens profile metadata or corrections.
Upright has four settings: Level, Vertical, Full and Auto. Level straightens horizontal lines. Vertical straightens vertical lines. Full straightens both horizontal and vertical lines. Auto attempts to find a pleasing balance between both horizontal and vertical distortions, often aligning neither perfectly, but still delivering impressive improvements. Upright offers buttons, not sliders. In other words, it’s all or nothing—there are no in-between settings. Nonetheless, there are many ways to finesse the results you get with Upright, in Lightroom, Adobe Camera Raw and Photoshop …
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