Every year, during my Acadia Maine Fall Foliage Workshop my assistant Charles Adams and I explore making photographs  with our iPhones.

Charles talks about his experience.

“Making images with an iPhone can be a terrific creative exercise. If you regularly shoot with a DSLR, the iPhone can simplify things and offer a new experience. I find this to be the case during every fall foliage workshop. I leave my Canon in the car along with all of the photographic requirements and responsibilities that I usually attach to it. It’s a freeing experience. Suddenly the pressure to make the best photographs of my life is no longer there. I’m free to play.

Being able to process your images seconds after shooting them is also key to the iPhone experience. The many apps available make it possible to shoot, edit, share, and get feedback before even getting back in the car. In my case, apps have a direct effect on which pictures I chose to make. If I know I’m going to apply water color and oil painting filters to my images, I try to shoot accordingly. I set out to find good compositions with strong “bones” or solid structures that can benefit from the addition of dramatic effects.

The resulting images are fun to create. Changing the tools you use to make your images can offer new insights into your own photography. I strongly recommend allowing yourself to play.”

Visit Charles’ website here.

Find out about my Acadia Maine Fall Foliage workshop here.

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Jose Senna

While Maine’s Acadia National Park is one of the most visited parks in the nation, most visitors don’t make it up to the lesser known Schoodic peninsula (about an hour and half away from Bar Harbor by road, less by boat).

During my Fall Foliage workshop we immersed ourselves in this enchanting location for two days, staying at the Schoodic Institute.

1_Bala

Balachandar Venkatesan

2_Woody

Woody Stone

3_Scott

Scott Tansey

4_Thomas

Thomas Barothy

5_Kathy

Kathy Bristor

6_Joe

Al DeValle

7_Barbara

Barbara Wrubel

8_Mike

Mike Buffis

9_Sherry

Sherry Teefey

10_Bill

Bill Mauzy

Now that you’ve seen participants’ impressions in images read what they shared in words.

Read more

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During my recent Fall Foliage / Acadia Maine Workshop we explored many of the highlights of Acadia National Park; Cadillac Mountain, Sand Beach, Thunder Hole, Monument Beach, Sieur de Monts, Wonderland and more …  including an overnight stay on the Schoodic Peninsula at The Schoodic Institute).

We had great color, great weather, and great light. Great weather means a little bit of everything; clear sunny days with direct light, overcast days with soft indirect light, fog and mist, even a little rain (perfectly timed, mostly over night). It was an almost perfect study of weather, the many lights it brings, and the many moods it creates. We oscillated between two powerfully magnetic poles, the colorful forests and dramatic seacoast.

People ask me if it’s challenging to make images in a place I’ve visited so many times. I tell them its like reconnecting with an old friend; the relationship gets deeper. What’s most challenging is that many of the subjects don’t complement and even challenge key aspects of my life’s work, so I take a lighter more personal approach and rather than rushing to finished professional results I engage in deep play, asking many questions and trying many things, both new and old, to find more clarity in my creative life.

Here are a few of the sketches I produced on sight with my iPhone.

You can enjoy many more images on Google+.

Find out about my next Fall Foliage / Acadia Maine Workshop here.

Email info@johnpaulcaponigro.com to receive advance notice on our next Acadia Maine Fall Foliage Workshop.

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My Top 12 Photographs

September 18, 2013 | Leave a Comment |

01RefractionX_2005_501_johnpaulcaponigro

Refraction X, 2002

02ExhalationIV_2006_47402_johnpaulcaponigro

Exhalation IV, 2005

03inhalation103_johnpaulcaponigro

Inhalation I, 1998

04nocturne1204_johnpaulcaponigro

Correspondence XII, 1999

05oriens105_johnpaulcaponigro

Oriens

06correspondence306_johnpaulcaponigro

Correspondence III, 1999

07path107_johnpaulcaponigro

Alignment I, 1999

08procession108_johnpaulcaponigro

Alignment II, 1999

10ReflectionXVIII_2008_510_johnpaulcaponigro

Reflection XVIII, 2008

11SuffusionVIII_2007_511_johnpaulcaponigro

Suffusion VIII, 2007

12Constellation_VI12_johnpaulcaponigro

Constellation VI, 2013

093_Illumination_VI_2012_47409_johnpaulcaponigro

Illumination VI, 2012

Updated 2013

This is a selection of my top 12 images of all time. This selection doesn’t reflect sales, publication, or activities on the world wide web. It simply reflects my opinion. Click on the titles to find out more about each image.

Geography

Read The Most Sublime Landscape Experiences Of My Life here.

Process

20% straight. 80% composites.

Poetry, by any means necessary.

Experiment to find out what’s possible.

Concepts

A profound shift in consciousness arises when we relate to the world (all of it) as parts of a living thing into whose fibers we are deeply woven before birth and after death. Just as every individual has a unique spirit, every location has its own unique spirit (Genius loci is the latin translation of what the Greeks called this.), which fits into the larger world spirit (Anima mundi is the latin translation of what the Greeks called this.) We are not apart from nature, we are a part of Nature.

Magnificent Moment

Read about the most Sublime Moments of my life here.

 

View more of my Annual Top 12 Selections here.

View more images in my ebooks here.

View my full Works here.

View my Series videos here.

View new images in my newsletter Collectors Alert.


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