Enjoy this collection of quotes by Eliot Porter.
“Every photograph that is made whether by one who considers himself a professional, or by the tourist who points his snapshot camera and pushes a button, is a response to the exterior world, to something perceived outside himself by the person who operates the camera.” – Eliot Porter
“Photographs are believed more than words; thus they can be used persuasively to show people who have never taken the trouble to look what is there.” – Eliot Porter
“Photography is a strong tool, a propaganda device, and a weapon for the defense of the environment…and therefore for the fostering of a healthy human race and even very likely for its survival.” – Eliot Porter
“I don’t think it’s necessary to put your feelings about photography in words. I’ve read things that photographers have written for exhibitions and so forth about their subjective feelings about photography and mostly I think it’s disturbing. I think they’re fooling themselves very often. They’re just talking, they’re not saying anything.” – Eliot Porter
“I do not photograph for ulterior purposes. I photograph for the thing itself — for the photograph — without consideration of how it may be used.” – Eliot Porter
“You learn to see by practice. It’s just like playing tennis, you get better the more you play. The more you look around at things, the more you see. The more you photograph, the more you realize what can be photographed and what can’t be photographed. You just have to keep doing it.” – Eliot Porter
“Sometimes you can tell a large story with a tiny subject.” – Eliot Porter
“But before all else a work of art is the creation of love. Love for the subject first and for the medium second. Love is the fundamental necessity underlying the need to create, underlying the emotion that gives it form, and from which grows the unfinished product that is presented to the world. Love is the general criterion by which the rare photograph is judged. It must contain it to be not less than the best of which the photographer is capable.” – Eliot Porter
“My emotions, instincts, and interests are all with nature.” – Eliot Porter
“Much is missed if we have eyes only for the bright colors. Nature should be viewed without distinction… She makes no choice herself; everything that happens has equal significance. Nothing can be dispensed with. This is a common mistake that many people make: They think that half of nature can be destroyed — the uncomfortable half — while still retaining the acceptable and the pleasing side.” – Eliot Porter
View 1 2 Great Photographs By Eliot Porter.
View a documentary on Eliot Porter here.
Explore The Essential Collection Of Quotes By Photographers.
“Celebrate the life and work of Santa Fe photographer Eliot Porter. For more than a half of a century Porter pursued the natural world with his view through a camera. He had numerous publications, most notably with the Sierra Club. “In wilderness is the preservation of the world,” Porter wrote. He combined his photographs with selections of Henry David Thoreau’s writings. The Place No One Knew features Porter’s photographs of Glen Canyon before it vanished under the waters of the Colorado River Project. Featured in this look back at Porter’s work is the photographer’s son Jonathan, who reads selections from his father’s writings. Poet V.B. Price reads the Thoreau selections, and is joined by artists, photographers and friends of Eliot Porter to speak of Eliot and the impact of his work.”
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No other photographer is more influential to me than Eliot Porter – save my father. I knew Eliot through my mother’s long collaboration with him designing and overseeing the production of over twelve of his books during my formative years. His influences on me are too numerous and wide-ranging to list them all here. A few stand out from the rest.
Eliot was a pioneer who elevated the use of, appreciation of, and collectability of color within the medium of photography, aligning his distinctive style with the subtle and complex palette of nature.
Eliot was probably the most widely published fine art photographer of his day. He was at the forefront of a handful of photographers that defined a style that would later characterize an entire genre of photographic environmental advocacy. It was during the production of Eliot’s book Intimate Landscapes where I was first introduced to digital imaging. When I saw the Scitex machines used in the 1970s I instantly wanted to use them for artistic rather than commercial purposes, but thought it might be a lifetime before I could afford what my mother called a “million dollar coloring book” until I got my own copy of the first version of Adobe Photoshop, which was a dream come true. The posters my mother designed to promote the book and exhibit ultimately became some of the Metropolitan Museum’s most successful, far exceeding the reach of the originals. I learned that an artist’s effectiveness could be dramatically extended beyond rare original works of art through publications made available to large audiences.
James Gleick’s (the author who popularized complexity sciences and fractal geometry in his best-selling book Chaos) choice to join forces with Eliot on their book Nature’s Chaos confirmed my opinion that Eliot had intuitively sensed a deeper order in nature than was conventionally seen and portrayed this in his images. Eliot’s background and continuing interest in the sciences informed his art.
Eliot described his book The Place No One Knew, a portrait of Glen Canyon before it was flooded by a dam, as a eulogy because it was released after the floodwaters began rising and affected public opinion too late to stop the destruction of the canyon’s destruction. Hearing about both the successes and failures of advocacy through the arts, I decided that while I wanted to make my own contributions in this area, there were plenty of other artists contributing in similar ways and new ways were also needed. He knew this when he threw down the gauntlet one day and said to me, “You know, it’s going to be your generation that decides whether we will hand down a habitable environment to future generations.”
Even more influential to me than his photographs was the man. In his 70’s and 80’s, Eliot was physically fit (walking 5 miles a day), adventurous (traveling to remote locations like Iceland and Antarctica), mentally sharp as a tack (loving intelligent respectful debates with anyone of any age or background and often playing the devil’s advocate just to see where the conversation and the other person would go), and actively socially conscientious (continuing his long-standing participation in organizations like the Sierra Club. He was a shining example in so many ways.