Take Note of Your Process

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It only takes something to write with to learn a lot about photography and yourself in a little time. It doesn’t matter whether you use pen and paper or PDA. It doesn’t matter whether you finish sentences, spell correctly, or write legibly. Just write. Don’t just talk, using audio recordings, unless you transcribe them later. You need to see relationships – in writing.
One of the assignments I often give my workshop participants on location is to note your process. “First I do this. Then I do this. Next I … etc.” Most don’t follow through. They quickly fall into old habits and return to photographing the way they usually do, without finishing the assignment, without learning. So, to finish the assignment, they have to fill in their lists after they photograph. Then they don’t piece things together in the same way. They miss some things. They forget other things. One of the benefits of noting your process is that things that you ordinarily take for granted or weren’t aware of suddenly become clearer to you.
I do the assignment with my students. (Yes, I do the exercises I assign too.) They’re always amazed at how full my pages of notes are and how many pages I create in a short time. This comes with practice. And it comes with sharing your notes with other people. When you hear each other’s lists, you’ll find other people notice things you don’t. Both the similarities and differences you share with others can be revealing.
I find I write the same things down time and time again. This has lead me to create a master process list, which I copy and modify (add to or subtract from) on location. There are always new things. Are there new things because I noticed more? Why? Are there new things because I’m in a new environment? Why? Are there new things because I decided to try something new? Why? These are important questions that can unlock a new ways of looking, thinking, and working, now and in the future. Keep asking them.
Because I write … I’m clearer about what works and what doesn’t. I’ve streamlined my systems. I have a better understanding of how and why I work. I have dozens of new ideas to try. This is a great thing to do when you first start making photographs after a break or in a new place.
There are many more benefits to noting your process. With practice you won’t need to take as many notes as you do when you first try this, you’ll simply keep a running dialog in your head and note only the most important things or the things that are different. Do make notes. Writing reveals. Writing brings more choices. Writing leads to clear thinking. Writing leads to clear seeing.
Find more online resources in my Creativity Lessons.
Learn more creative techniques in my Illuminating Creativity workshops.

Using Visual Metaphors

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Here’s an excerpt from my column in the current issue of AfterCapture magazine.
“In photography, metaphors are visual rather than verbal. Different kinds of connections and transferences of shared qualities are made more easily with visual language than with verbal language. Relationships that can be seen but not easily put into words may become clear to the viewer. The echo of compositional elements, such as line, shape, texture, or color, between two (or more) draws a connection between two things that ordinarily might seem unrelated. Quite often, visual metaphors are not the echo of things already existing in the image, but instead offer specific reminders of things that are not in the image.
Interestingly, visual metaphors are rarely as direct as verbal metaphors. When you read a metaphor like, “Your love is a fire that burns me,” it’s crystal clear what metaphor is being used. You read fire and see it in your mind’s eye. Visual metaphors are often less obvious and more suggestive. If a shadow suggests the shape of an animal, it may not be definitively clear which animal it is, rather than a specific animal, it may be animalistic. Consequently, visual metaphors may be subject to multiple interpretations and this may or may not be a good thing. Visual metaphors may not be recognized consciously, but if they’re present, they are always felt.
We use metaphors to invest things with heightened emotion, qualify our responses to them, and produce insight. You can use metaphors to guide you deeper into a subject and your relationship with the subject. This works best if you truly connect mentally and emotionally with the subject and the metaphors you choose. Once you’ve identified the subjects and metaphors you react to most strongly, nurture your connection with and understanding of them. Free association, amplification, contemplation, and gestation help. You’ll find that internal processes are just as important as the external processes. They are what provide the inner life to your creative endeavors.
Metaphors can transform a commonplace perspective into an exceptional one. They can enrich your life. And you, in turn, can enrich ours.”
Find more online resources in my Creativity Lessons.
Learn more creative techniques in my Illuminating Creativity workshops.

Many Uses For Books

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There are many different kinds of books because people use books to do many different things.
– Share content
– Make a durable record (whether history or memento)
– Support an inquiry
– Produce a catalog to facilitate and create orders
– Enhance a proposition with added value
– Give away a leave behind
– Make an impression
– Gratify an ego
Can you think of other uses? Comment here!
Identifying your goals for your next book project will affect the choices you make at every stage in its creation and ultimately make it more effective.
When you produce your next book, ask yourself what function you want your book to serve?
Find recommended reading on bookmaking here.
Learn more about books with these online resources.
Learn more in my upcoming Blurb seminar.
Learn more in my Fine Art Digital Printing Workshops.