11 Quotes By Photographer Julia Margaret Cameron

 
“Beauty, you’re under arrest. I have a camera, and I’m not afraid to use it.” – Julia Margaret Cameron
“I longed to arrest all beauty that came before me, and at length the longing has been satisfied.” – Julia Margaret Cameron
“I turned my coal-house into my dark room, and a glazed fowl house I had given to my children became my glass house! The hens were liberated, I hope and believe not eaten… all hands and hearts sympathised in my new labour, since the society of hens and chickens was soon changed for that of poets, prophets, painters and lovely maidens, who all in turn have immortalized the humble little farm erection.” – Julia Margaret Cameron
“I believe that… my first successes in my out-of-focus pictures were a fluke. That is to say, that when focusing and coming to something which, to my eye, was very beautiful, I stopped there instead of screwing on the lens to the more definite focus which all other photographers insist upon… ” – Julia Margaret Cameron
“What is focus and who has the right to say what focus is the legitimate focus?” – Julia Margaret Cameron
“My aspirations are to ennoble Photography and to secure for it the character and uses of High Art by combining the Real and Ideal and sacrificing nothing of the Truth by all possible devotion to Poetry and Beauty. ” – Julia Margaret Cameron
“From the first moment I handled my lens with a tender ardour, and it has become to me as a living thing, with voice and memory and creative vigour.” – Julia Margaret Cameron
“When an actor is in the moment, he or she is engaged in listening for the next right thing creatively. When a painter is painting, he or she may begin with a plan, but that plan is soon surrendered to the painting’s own plan. This is often expressed as ‘The brush takes the next stroke.’ In dance, in composition, in sculpture, the experience is the same: we are more the conduit than the creator of what we express.” – Julia Margaret Cameron
“When I have had such men before my camera my whole soul has endeavored to do its duty towards them in recording faithfully the greatness of the inner as well as the features of the outer man. The photograph thus taken has been almost the embodiment of a prayer.” – Julia Margaret Cameron
“Personal sympathy has helped me on very much. My husband from first to last has watched every picture with delight, and it is my daily habit to run to him with every glass upon which a fresh glory is newly stamped, and to listen to his enthusiastic applause. This habit of running into the dining-room with my wet pictures has stained such an immense quantity of table linen with nitrate of silver, indelible stains, that I should have been banished from any less indulgent household.” – Julia Margaret Cameron
“The capacity for delight is the gift of paying attention.” – Julia Margaret Cameron
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20 Quotes By Photographer Arnold Newman

 
Enjoy this collection of quotes by photographer Arnold Newman.
“There are many things that are very false about photography when it is accepted without question. You must recognize and interpret it as you would any other art form, and then maybe it is a little more than real.” – Arnold Newman
“A lot of photographers think that if they buy a better camera they’ll be able to take better photographs. A better camera won’t do a thing for you if you don’t have anything in your head or in your heart.”
― Arnold Newman
“We don’t take pictures with cameras – we take them with our hearts and minds.” – Arnold Newman
“The camera is a mirror with a memory, but it cannot think.” – Arnold Newman
“Visual ideas combined with technology combined with personal interpretation equals photography. Each must hold it’s own; if it doesn’t, the thing collapses.” – Arnold Newman
“Influences come from everywhere but when you are actually shooting you work primarily by instinct. But what is instinct? It is a lifetime accumulation of influence: experience, knowledge, seeing and hearing. There is little time for reflection in taking a photograph. All your experiences come to a peak and you work on two levels: conscious and unconscious.” – Arnold Newman
“There are very few Cartier-Bressons, Brassais, and W. Eugene Smiths in the world, but to me these men are photographers. They are artists because they make statements that all of us wish we could have made.” – Arnold Newman
“I didn’t set out to do something different so much as do something that interested me. I wasn’t trying to be avant-garde – that’s being fashionable. You don’t set out to revolutionize art, you make statements for yourself.” – Arnold Newman
“The photographer must be a part of the picture.” – Arnold Newman
“I don’t think any student, any photographer, any person should take pictures the way I take pictures. I build them because it’s the way I am, and that’s the way I should be. If I try to be something else and try to take pictures or talk to you humorously because I think I’ll get a few laughs, no. Somebody else, like Duane Michals might be basically funny. He is that way, he makes me laugh all the time. But he is being himself. A writer must be himself, a painter, all of us – or else suddenly we lose what we have.” – Arnold Newman
“A preoccupation with abstraction, combined with an interest in the documentation of people in their natural surroundings, was the basis upon which I built my approach to portraiture. The portrait of a personality must be as complete as we can make it. The physical image of the subject and the personality traits that image reflects are the most important aspects, but alone they are not enough…We must also show the subject’s relationship to his world either by fact or by graphic symbolism. The photographer’s visual approach must weld these ideas into an organic whole, and the photographic image produced must create an atmosphere which reflects our impressions of the whole.” – Arnold Newman
“There are no rules and regulations for perfect composition. If there were we would be able to put all the information into a computer and would come out with a masterpiece. We know that’s impossible. You have to compose by the seat of your pants.” – Arnold Newman
“I am always lining things up, measuring angles, even during this interview. I’m observing the way you sit and the way you fit into the composition of the space around you.” – Arnold Newman
“I think photography is a matter of controlling what’s in front of you and making it do your will. This, of course, implies absolute mastery over camera, medium, techniques, and the ability to work with the subject and get him willingly and happily without any self-conscious feeling to fall into those things which are natural to him. This is a very complicated thing to do in portraiture. Mine are deliberately self-conscious portraits and therefore contain no forced feeling of candidness… the subject is unaware of the fact that I am waiting – things begin to happen – the man begins to reveal himself. If the background becomes overwhelming and you lose the personality, then I have not made a good portrait and it is not a good picture. I think the world is full of intelligent people who are not really trying to be flattered; what they really want is to be understood”. The more I get to know my subject the more he gets to know me, and so often the pictures taken at the end of a sitting are much better both creatively and interpretively… A photographer is always in a state of preparing himself for a given moment… we have only an instant in which to think and act.” – Arnold Newman
“It seems to me that no one picture can ever be a final summation of a personality. There are so many facets in every human being that it is impossible to present them all in one photograph.” – Arnold Newman
“I’m convinced that any photographic attempt to show the complete man is utter nonsense, to an extent. We can only show, as best we can, what the outer man reveals; the inner man is seldom revealed to anyone, sometimes not even to the man himself. We have to interpret.” – Arnold Newman
“Photography, as we all know, is not real at all. It is an illusion of reality with which we create our own private world.”- Arnold Newman
“Fantasy is like poetry; it can point to the truth.” – Arnold Newman
“I don’t care what you do with that negative, you can retouch it, you can spit on it, you can grind it underfoot. The only thing that matters is if it is honest. If (the picture) is honest, you and everybody can tell. If it is dishonest, you and everybody can tell.” – Arnold Newman
“I often wonder whether I would have done as well in painting.” – Arnold Newman
“Photography is 1% talent and 99% moving furniture.” – Arnold Newman
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Find out more about Arnold Newman here.

20 Questions With Photographer Jay Maisel

Maisel_20Questions

Jay Maisel provides quick candid answers to 20 questions.

How do you know when an image doesn’t work?
It doesn’t move you in any way.

How do you know when an image is good?
It moves you emotionally.

How do you know when an image is great?
You don’t’ have to think about it, it just does.

What’s the most useful photographic mantra?
Be open.

What is your greatest fear?
Blindness.

Read the rest of Jay’s Q&A here.

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Read a collection of quotes by Jay here.

Find out more about Jay Maisel here.

24 Quotes By Photographer Wynn Bullock

 
Here’s a collection of quotes by photographer Wynn Bullock.
“At forty-two, I decided to become a photographer because it offered a means of creative thought and action. I didn’t rationalize this, I just felt it intuitively and followed my intuition, which I have never regretted.” – Wynn Bullock
“For me photography has been a profession, an avocation. Now it has become a way of life.” – Wynn Bullock
“I love the medium of photography, for with its unique realism it gives me the power to go beyond conventional ways of seeing and understanding and say, “This is real, too.” – Wynn Bullock
“As sounds in a musical composition can be used not to express physical objects but ideas, emotions, harmonies, rhythmic orders and most any expression of the human mind and spirit, so light can be used visually to express the mind and spirit.” – Wynn Bullock
“When I photograph, what I’m really doing is seeking answers to things.” – Wynn Bullock
“Mysteries lie all around us, even in the most familiar things, waiting only to be perceived.” – Wynn Bullock
“Searching is everything – going beyond what you know. And the test of the search is really in the things themselves, the things you seek to understand. What is important is not what you think about them, but how they enlarge you.” – Wynn Bullock
“I didn’t want to tell the tree or weed what it was. I wanted it to tell me something and through me express its meaning in nature.” – Wynn Bullock
“A thing is not what you say it is or what you photograph it to be or what you paint it to be or what you sculpt it to be. Words, photographs, paintings, and sculptures are symbols of what you see, think, and feel things to be, but they are not the things themselves.” – Wynn Bullock
“What you see is real – but only on the particular level to which you’ve developed your sense of seeing. You can expand your reality by developing new ways of perceiving.” – Wynn Bullock
“The medium of photography can record not only what the eyes see, but that which the mind’s eye sees as well. The camera is not only an extension of the eye, but of the brain. It can see sharper, farther, nearer, slower, faster than the eye. It can see by invisible light. It can see in the past, present, and future. Instead of using the camera only to reproduce objects, I wanted to use it to make what is invisible to the eye, visible.” – Wynn Bullock
“In a photograph, if I am able to evoke not alone a feeling of the reality of the surface physical world but also a feeling of the reality of existence that lies mysteriously and invisibly beneath its surface, I feel I have succeeded. At their best, photographs as symbols not only serve to help illuminate some of the darkness of the unknown, they also serve to lessen the fears that too often accompany the journeys from the known to the unknown.” – Wynn Bullock
“As I became aware that all things have unique spatial and temporal qualities which visually define and relate them, I began to perceive the things I was photographing not as objects but as events. Working to develop my skills of perceiving and symbolizing these event qualities, I discovered the principle of opposites. When, for example, I photographed the smooth, luminous body of a woman behind a dirty cobwebbed window, I found that the qualities of each event were enhanced and the universal forces which they manifested were more powerfully evoked.” – Wynn Bullock
“My pictures are never pre-visualized or planned. I feel strongly that pictures must come from contact with things at the time and place of taking. At such times, I rely on intuitive, perceptual responses to guide me, using reason only after the final print is made to accept or reject the results of my work.” – Wynn Bullock
“What I feel is that the picture-taking process, anyway a greater part of it, is an intuitive thing. You can’t go out and logically plan a picture, but when you come back, reason then takes over and verifies or rejects whatever you’ve done. So that’s why I say that reason and intuition are not in conflict–they strengthen each other.” – Wynn Bullock
“Everything went together perfectly, and this is what I mean by knowing. I didn’t have to analyze anything. I just recognized what was in front of me. All I had to do was set up and take the picture.” – Wynn Bullock
“The urge to create, the urge to photograph, comes in part from the deep desire to live with more integrity, to live more in peace with the world, and possibly to help others to do the same.” – Wynn Bullock
“I feel all things as dynamic events, being, changing, and interacting with each other in space and time even as I photograph them.” – Wynn Bullock
“There is nothing mysterious about space-time. Every speck of matter, every idea, is a space-time event. We cannot experience anything or conceive of anything that exists outside of space-time. Just as experience precedes all awareness and creative expression, the visual language of our photographs should ever more strongly express the fourth dimensional structure of the real world.” – Wynn Bullock
“I now measure my growth as a photographer in terms of the degrees to which I am aware of, have developed my sense of, and have the skills to symbolize visually the four-dimensional structure of the universe.” – Wynn Bullock
“A person is quite different from a tree or rock or stream. By introducing the nude into my pictures, I started perceiving all the things I was photographing in new ways. In contrast or opposition to each other, things became much more significant and interesting, revealing many more qualities than I had ever dreamed of knowing and expressing. By using the nude, I stopped thinking in terms of objects. I was seeing things, instead, as dynamic events, unique in their own beings yet also related and existing together within a universal context of energy and change.” – Wynn Bullock
“For me a nude photograph should be erotic, not devoid of emotion. The body is a sensual thing, sensuality being one of its most beautiful and meaningful qualities.” – Wynn Bullock
“Theoretical scientists who probe the secrets of the universe and philosophers who seek answers to existence, as well as painters such as Paul Klee who find the thoughts of men of science compatible with art, influence me far more than most photographers.” – Wynn Bullock
“I totally disagree with the belief that nature was only made for the use of people. Human beings are not the center of the universe, and, if they are to sustain themselves, it is vitally important for them to be awakened to how closely they are linked with the rest of nature.” – Wynn Bullock
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20 Quotes By Photographer Cindy Sherman

 
Here’s a collection of quotes by photographer Cindy Sherman.
“We’re all products of what we want to project to the world. Even people who don’t spend any time, or think they don’t, on preparing themselves for the world out there – I think that ultimately they have for their whole lives groomed themselves to be a certain way, to present a face to the world.” – Cindy Sherman
“I feel I’m anonymous in my work. When I look at the pictures, I never see myself; they aren’t self-portraits. Sometimes I disappear.” – Cindy Sherman
“I’ll see a photograph of a character and try to copy them on to my face. I think I’m really observant, and thinking how a person is put together, seeing them on the street and noticing subtle things about them that make them who they are.” – Cindy Sherman
“Everyone thinks these are self-portraits but they aren’t meant to be. I just use myself as a model because I know I can push myself to extremes, make each shot as ugly or goofy or silly as possible.” – Cindy Sherman
“The still must tease with the promise of a story the viewer of it itches to be told.” – Cindy Sherman
“I am always surprised at all the things people read into my photos, but it also amuse me. That may be because I have nothing specific in mind when I’m working. My intentions are neither feminist nor political. I try to put double or multiple meanings into my photos, which might give rise to a greater variety of interpretations…” – Cindy Sherman
“Some people have told me they remember the film that one of my images is derived from, but in fact I had no film in mind at all.” – Cindy Sherman
“I didn’t think of what I was doing as political. To me it was a way to make the best out of what I liked to do privately, which was to dress up.” – Cindy Sherman
“I’m really just using the mirror to summon something I don’t even know until I see it.” – Cindy Sherman
“If I knew what the picture was going to be like I wouldn’t make it. It was almost like it was made already.. the challenge is more about trying to make what you can’t think of.” – Cindy Sherman
“My ideas are not developed before I actually do the pieces.” – Cindy Sherman
“The way I see it, as soon as I make a piece I’ve lost control of it.” – Cindy Sherman
“I don’t analyze what I’m doing. I’ve read convincing interpretations of my work, and sometimes I’ve noticed something that I wasn’t aware of, but I think, at this point, people read into my work out of habit. Or I’m just very, very smart.” – Cindy Sherman
“Every time you have to come up with a new body of work for a new show, you’re aware that people are just ready to rip you apart, they’re just waiting for you to fall or make the slightest trip up.” – Cindy Sherman
“Believing in one’s own art becomes harder and harder when the public response grows fonder.” – Cindy Sherman
“People think because it’s photography it’s not worth as much, and because it’s a woman artist, you’re still not getting as much – there’s still definitely that happening. I’m still really competitive when it comes to, I guess, the male painters and male artists. I still think that’s really unfair.” – Cindy Sherman
“The work is what it is and hopefully it’s seen as feminist work, or feminist-advised work, but I’m not going to go around espousing theoretical bullshit about feminist stuff.” – Cindy Sherman
“I didn’t want to make “high” art, I had no interest in using paint, I wanted to find something that anyone could relate to without knowing about contemporary art. I wasn’t thinking in terms of precious prints or archival quality; I didn’t want the work to seem like a commodity.” – Cindy Sherman
“One reason I was interested in photography was to get away from the preciousness of the art object.” – Cindy Sherman
“I didn’t have any interest in traditional art.” – Cindy Sherman
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