Colin Smith of PhotoshopCafe demonstrates how to make new color profiles for Lightroom and Adobe Camera Raw.

Learn more about new Color Profiles here.

Check out Matt Koslowski’s Q&A on Color Profiles.

Learn more in my digital photography and printing workshops.

Julianne Kost shows the new Profile feature in Lightroom and Camera Raw.

Find more from Julianne Kost here.

Matt Koslowski tells you why he thinks Profile is one of the biggest things in years.

Find more from Matt Koslowski here.

Learn more in my digital photography and printing workshops.

Dehaze_Color_Off

Without Dehaze

Dehaze_Color_Artifacts

Dehaze may create color artifacts

Dehaze_Color_Final

Color artifacts removed

Color without Dehaze blended with luminosity with Dehaze

 

Dehaze_Color_Layers

The top layer is set to a blend mode of Color

When you’re using Lightroom or Camera Raw, you’ll quickly find the Dehaze slider can produce marvelous contrast effects. Dehaze can dramatically exceed the contrast that can be produced with either Curves or Clarity. Sometimes it will reveal detail you couldn’t see with your eyes!

Often, there’s a price to pay for these great effects – color shifts. Neutral areas may turn magenta. Shadows may pick up strong blue or green casts. To make matters worse, these unwanted artifacts are rarely uniform, which makes them harder to fix.

If you’re lucky you can compensate by reducing Saturation after using Dehaze. When you do this, it’s likely that you’ll end up choosing the least objectionable version or making a compromise you’d prefer not to. Frequently, to avoid these side effects, you’ll be tempted to not to push Dehaze as far as you’d like to.

There is a cure that will help you go as far as you’d like, without producing color shifts. Render your image twice. First, render it with as much Dehaze as you’d like. Second, render it without Dehaze.

Then place the version without Dehaze in a layer on top of the version with Dehaze. Change the Blend Mode of the top layer to Color. This will give you a combination of the color of the top layer (without Dehaze’s color artifacts) and the luminosity of the bottom layer (with Dehaze’s contrast).

How do you make two layers from one Raw file?

If you’re using Lightroom, make a virtual copy and then double click on the Dehaze slider. Highlight the original file and the virtual copy and select Photo > Edit In > Open as Layers in Photoshop. Now in Photoshop, make sure to change the top layer’s blend mode from Normal to Color.

If you’re using Camera Raw, open your Raw file as a smart object, then select New Smart Object via Copy in the Layer menu, and finally double click on the top layer to return the Dehaze slider to 0. Remember, change the top layer’s blend mode from Normal to Color.

The technique of using the color of one layer to overlay another layer can be used for many applications. Here, it makes Dehaze even more useful.

Read more on Color Adjustment here.

Learn more in my digital printing and digital photography workshops.

LensProfiles_Profile_425

Do you wish you could improve the quality of the images your lenses deliver after exposure? You can, using software. Adobe’s Lens Corrections feature uses a digital image file’s EXIF metadata about camera and lens to automate cures for standard lens distortions, including geometric distortion, chromatic aberration, and vignetting.


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201408_Insights

My enews Insights broadcasts today at 3:15 pm EST.

In this issue ...

I'm announcing our next Fly Antarctica / Sail Across The Circle Workshop. Participants were thrilled this winter and we can't wait to go back! Space is limited so reserve yours now! There's 1 space left in our Greenland Ice Fiords & Auroras Workshop.

Seth Resnick and I have released a new ebook Antarctica / Two Visions. In addition to inspiring you with images of Antarctica, it will give you many insights into how much we've influenced each other by working so closely together and yet still remain so different. It's free for a limited time only!

Three Raw Processing Resources and 21 Recommended Books On Digital Processing will help you make the most of your files.

Find out about photographer Wynn Bullock - a new exhibit, new book, and classic quotes.

Sign up for my enews Collectors Alert and get a one time only 50% print discount.

There's more ... exhibits, lectures, articles, calendars, green actions, etc.

Enjoy!

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“Julieanne takes a close look at the feature enhancements and refinements made to the Crop tool, workflow settings, and batch saving capabilities in Adobe Camera Raw. In addition she also covers improvements made to the Spot Removal Tool, Noise Reduction, Local Adjustment Brush, and Histogram.”

View more Photshop Videos here.

Learn more in my digital printing and digital photography workshops here.


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