How To Make Day Look Like Night In Your Images

Because both analog film and digital image sensors are not as sensitive in low light as the human eye, night scenes recorded in natural light are typically underexposed to the point where little is visible. However, night scenes can be rendered with daylight.

"Day for night" is a set of cinematic techniques used to simulate the appearance of night while filming during the day. It's often used when it's too difficult or expensive to shoot at night, but it's sometimes selected deliberately because it offers special image qualities. It's not just technique; it's also an aesthetic.

The same techniques cinematographers employ can be used for still images.

Exposure

When shooting day for night, scenes are typically underexposed in-camera or darkened during post-production, reducing saturation and adding a blue tint – though some movies, like Mad Max: Fury Road, deliberately overexpose. There's more than one way to create the impression of night, and each one offers unique qualities.

ND filters are needed only for the brightest scenes or to prolong exposures to create motion blur.

Continue to use ETTR (expose to the right) but use it more cautiously; above all, don't clip highlights. This will offer you more latitude during post-processing. Avoid dramatic underexposure, which can crush shadows, flatten midtone contrast in ways that reduce flexibility during post-processing, and accentuate noise.

Very bright skies can disrupt the effect. If the sky isn't necessary in a composition, eliminate it. If it is, plan your exposure accordingly. Consider making a second, darker exposure for the sky.

Using HDR exposure techniques, even when a normal exposure wouldn't require them, will give you a variety of exposures for shadows and highlights to choose from or allow you to render a lower contrast combination that is more likely to produce convincing effects.

Lighting

Always consider the scene's light and modify your exposure and post-processing accordingly.


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Atmospheric FX

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Create compelling atmospheric effects in your images with Photoshop.

 

1. Language of Night | .99
Create night scenes with Adobe Photoshop (all versions) – 6 pages

2. Atmospheric Perspective .99
Simulate perspective with Adobe Photoshop (all versions) – 6 pages

3. Atmosphere .99
Create fog and haze with Adobe Photoshop (all versions) – 8 pages

4. Smoke .99
Generate smoke with Adobe Photoshop (all versions) – 5 pages

5. Snow/Rain .99
Simulate snow and rain with Adobe Photoshop (all versions) – 7 pages

6. Rainbow .99
Render rainbows with Adobe Photoshop (all versions) – 9 pages

7. Illumination .99
Produce the effect of light with Adobe Photoshop (all versions) – 7 pages

8. Stars |.99
Make stars with Adobe Photoshop (all versions) – 8 pages

9. Lightning .99
Introduce lightning with Adobe Photoshop (all versions) – 8 pages

10. Rays of Light .99
Depict rays of light with Adobe Photoshop (all versions) – 8 pages

11. Shadows |.99
Represent shadows with Adobe Photoshop (all versions)  – 10 pages

 

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Controlling Blur FX With Photoshop

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Photographers use blur (or bokeh) for a variety of reasons: to enhance space through depth of field; to add interesting visual artifacts; to simplify them; to change the quality of their expression. In the past, blur was controlled almost entirely through exposure; now it can also be controlled during post-processing, giving photographers an unprecedented array of options and ways to customize the look and feel of their images. Knowing what you can do, how far you can go, and when you can do it may change the way you shoot, one time, sometimes, or all the time.
There are many blur filters in Photoshop; Field Blur, Iris Blur, Tilt-Shift, Gaussian Blur, Lens Blur, Motion Blur, Radial Blur, Shape Blur, Smart Blur, Surface Blur (in order of appearance in the Filter: Blur drop down menu. The choices are extensive and it pays to familiarize yourself with your options by experimenting with them; you’ll find you have an extraordinary set of options that you can modify and combine creatively. If you only use the filters Gaussian Blur and Lens Blur, you’ll still have game-changing control at your fingertips, once you learn how to extend and modify them.
There are several important non-destructive strategies you can use to gain more control over all filter effects that will enable you to go further in your explorations and generate more sophisticated and compelling results Try one or all of the moves in this classic progression. Apply a filter to a duplicate layer and then modify its Opacity, Blend Mode, Blend If Sliders, and add a layer mask …
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