.

Evaluating Histograms

 

 

 

 

 

 

Review Histograms After Exposure

One big advantage of shooting digitally is the ability to view a histogram in the LCD screen on the back of your camera body. A histogram is a graph of the relative distribution of the data in your image from shadows on the left to highlights on the right. You can use a histogram to evaluate not only the tonal distribution but also the quality of your exposures. By viewing the histogram immediately after exposure, you can determine if you need to make additional exposures at alternate settings to get better exposures. Simply program your camera to display a histogram immediately after exposure. You'll find this immediate feedback will result in much higher success rates.


Insights Members can login to read the full article.
Email:
or Sign up

The 10 Most Collectible Photography Books


“Collectors are willing to pay steep prices for the world’s finest photography books. Rare editions from the likes of Robert Frank, Hennri Cartier_Beesson, Irving Penn, and Ansel Adams are among the most sought-after of all art books. Sometimes these books have captured an era or a location, sometimes they have helped to coin an artistic trend, sometimes they are simply the finest work of a particular photographer.”
Richard Davies comments on the 10 most collectible photo books and 5 more.
Find my recommended photography books here.

Crop or Retouch ?



As visual communicators, we’re responsible for everything that’s in the frame; we’re also responsible for everything that’s not in the frame. Deciding what’s in the frame and what’s out is a critical decision that can make or break an image. Here are two essential framing strategies.
1.?Use the frame to eliminate distracting information around a subject.
Take extra care with image information that touches the frame, as it will draw extra attention. Do this with significant compositional elements.
2.?Eliminate space around a subject to focus a viewer’s attention.
A lot of space between the subject and the frame can be used to call on psychological associations with space, such as freedom or isolation. Some space between the subject and the frame can give the appearance of the subject resting gracefully within the frame. Touching the subject with the frame strongly focuses the attention of the viewer and may seem claustrophobic. Cropping the subject with the frame can focus the attention of the viewer on specific aspects of the subject and/or give an image a tense quality, evoking evasion and incompleteness—this often seems accidental if less than half the subject is revealed.
There’s more than one way to apply these strategies. While cropping techniques are simple to practice, the reasons for their application and the choices made about how to apply them, as well as the final effects, may be exceptionally complex. You have two choices ..
1. Reposition the frame before exposure.
2. Contract the position of the borders of an image after exposure
If you plan to retouch, you’ll frame and crop differently …
Read more at Digital Photo Pro.
Find more digital photography techniques here.
Learn more in my digital photography worskhops.

The View Project – Joyce Tenneson

.
“The View Project is about photographs that mirror something in the photographer’s inner life – images that are personal and powerful, yet perhaps not clearly understood, even to the viewer/photographer” – Joyce Tenneson
.
The View Project, conceived and organized by Joyce Tenneson, is an exploration of why certain places or photographs that have such a powerful effect on us as individuals. What is it – beyond surface beauty – that makes specific visual moments so indelible in our memory?
.
Photographs and comments by a wide array of photographers are included – John Paul Caponigro, Sean Kernan, Douglas Kirkland, George Lepp, Jack Resnicki, Rick Sammon, Joyce Tenneson, Jerry Uelsmann, and many more.
.
A travelling exhibit will soon open.
.

Interview – NIK Radio


Recently, I spoke with Scott Sheppard on NIK Radio. Scott wanted to talk about how to avoid “Photographic A.D.D.”. He asked, “So what do you do?” I replied, “You have two choices. You can spray and pray. Or, you can look before you leap.”  I elaborate in our wide ranging discussion on how to focus your creative vision.
Listen to our conversation on NIK Radio.
Find more audio inspiration on my website.
Learn more about creativity in my digital photography workshops.