Should you limit your editions? It depends. It depends on you. It depends on your level of productivity. It depends on your age. It depends on the kind of work you produce. It depends on the market you’re targeting. It depends on your representatives and...
I’ll be co-judging this year’s Photoworkshops.com Photography and Digital Imaging Competition. Here’s more information. Deadline May 1, 2009 Entry Fee $25 for the first image, all additional images – $10 (up to 5) Eligibility Open to everyone 18 years of age or older except where...
July 18, 2003 “Many meditation practices suggest gazing at the flow of water, in some cases watching or visualizing a drop of water hit the still surface of a greater body of water. Like many mandalas, Resonance in Red and Gold has a rhythmic centering...
How much time do you spend looking at a monitor? A lot. Right? So investing in a high quality monitor makes good sense, even for everyday use. If you work with digital images on a regular basis and want to produce great color you know...
5 am and Michael Reichmann comes on the PA, “There’s gorgeous light -again.” We’ve all had 2 hours sleep. 4 the night before. Who knows how many the two nights before that. We’re running on adrenaline – so we do it. Seth Resnick shows up...
Olaf Willoughby is one of my workshop alumns with an amazing success story. It’s a testament to how one man with focus can succeed personally and make a significant contribution in a short time. “It all started with the mesmerising impact of a photographic expedition...
Looking for an infrared effect? Two options; capture in infrared or post-process to simulate infrared. Either way, the results can be compelling. Here’s an excerpt from a statement I wrote on infrared techniques sometime ago. “It looks like another world, yet it’s not. By opening...
– Some images are better in black and white. This is one. “Dangerous Passage was a compelling image. But something wasn’t working. The thorns were red. The stalks were green. The water was blue. They were not subtle. The color was garish. In many ways,...
“There’s nothing more exciting for an artist than an exhibition showcasing new work, unless that show also features the work of an equally acclaimed and beloved spouse. Such is the story of photographer Jerry Uelsmann and artist Maggie Taylor at their recent “Just Suppose” exhibition...
