Alignment VI

Alignment VI

Alignment X

Alignment X

Alignment XXIII

Alignment XXIII

Alignment XXII

Alignment XXII

Alignment XXVIII

Alignment XXVIII

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Constellation XV

Constellation_XIV

Constellation XIV

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Untitled

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Untitled

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Illumination XXIV

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Illumination XXXV

This is a selection of my top 12 images of 2015. This selection doesn’t reflect sales, publication, or activities on the web. It simply reflects my opinion. Click on the titles to find out more about each image.

Geography
My obsession continued with places defined by water (either an abundance of it or a lack of it) in the polar-regions of Greenland and Iceland and in the deserts (an absence of water, yet often shaped by waters long gone) of Namibia, Argentina, and California.

Process
Half the images I released in 2015 were exposed in other years. Several of the other images were processed on location or the day they were exposed. I date “straight” shots based on the date they were exposed and composites on the date they are completed.

Concepts
There were several new twists on old subjects and themes: amid sensual dunes multiple moments / perspectives became conjoined; levitating stones became ice; below reflective water surfaces instead of closer details full landscapes are seen; seeing through things to what lies behind them shifted from skies to landscapes.

Magnificent Moment
Once again, flying over the 1,500 foot coral dunes of Sossusvlei for more than an hour was simply divine, especially when coupled with the hours spent walking its shifting surfaces in constantly changing light.

It’s challenging to choose so few images from so many – but it’s insightful. Try selecting your own top 12 images. Try selecting the top 12 images of your favorite artist(s).

View more of my Annual Top 12 Selections here.

View more images in my ebooks here.

View my full Works here.

View my Series videos here.

View new images in my newsletter Collectors Alert.

Incubation I

Incubation I

My September desktop calendar features an image from Argentina’s Atacama Desert.

Download your free copy here.

Find out more about this image here.

Alignment V

Alignment V

Alignment IV

Alignment IV

Antarctica CLXVI

Antarctica CLXVI

PS Manges Color, lighten, lighten shadows

Antarctica CLXXI

Antarctica CLXXII

Antarctica CLXXII

Constellation XI

Constellation XI

Constellation XII

Constellation XXI

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Contrail V

Contrail IV

Contrail IV

Antarctica CLXV

Antarctica CLXV

Incubation X

Incubation X

This is a selection of my top 12 images of all time. This selection doesn’t reflect sales, publication, or activities on the web. It simply reflects my opinion. Click on the titles to find out more about each image.

Geography

Antarctica, Argentina, Iceland, California

Process

I added something new to old projects; Antarctica and Constellation. I began moving forward on bringing a long-standing series to completion; Alignment. I released the first images from a new series Contrail that shows man’s marks in nature found in even the most remote places on earth; a complementary companion series of is soon to be released.

Concept

Similar themes echo throughout most of my individual series creating a shared network of connections. Alignment connects with Contrail and Refraction in different ways. Constellation connects with Correspondence in other ways. More connections are revealed over time.

Magnificent Moment

An hour and a half flying over Iceland’s south coast is magnificent but four hours of zodiac crusing in Antarctica’s Plenneau Bay (The Iceberg Graveyard) followed by three hours of dramatic light while passing through the La Mer Channel is even more magnificent.

It’s challenging to choose so few images from so many – but it’s insightful. Try selecting your own top 12 images. Try selecting the top 12 images of your favorite artist(s).

View more of my Annual Top 12 Selections here.

View more images in my ebooks here.

View my full Works here.

View my Series videos here.

View new images in my newsletter Collectors Alert.

Incubation II

Incubation II, 2013 – Atacama Desert, Argentina

 With Incubation II, I got everything I wanted – and more.

I’ve been working on a line of thought for some time, planning to make a series to fully develop it. Make multiple exposures of the same subject from different angles and combine them seamlessly. It’s like Cubism without the artifacts. Show what’s hidden by one angle of view by combining many angles of view. Show many sides of the same object simultaneously. Show the background that an object hides. Make a visual experience that more powerfully presents the experience of moving around, in, and through a space.

Not knowing what I wanted to do ahead of time would have changed the way I made exposures. I would have selected angles that offered the best relationship between object and environment, often prioritizing one over the other if any compromises were necessary, instead of selecting the optimal angle for both in two or more exposures. I wouldn’t have made as many exposures nor would I have know which alternate exposures to make – and why. Despite my best plans, I never could have planned for this magnificent moment of light, where its shape, split by a crack, echoes the shapes of the two cracked halves of the rock below it.

On my first visit to Argentina’s Atacama Desert I was able to gather several exposures that once combined served as proof of concept. They results, not just for one image but for multiple images, were successful enough to show that this idea and approach had lasting value.

My initial concept didn’t work entirely as planned. I tried a solution that looked similar to double exposure and while I was (and still am) interested in the way this made the objects look like they were vibrating (a new idea), it was too busy and unclear for the effect I was looking for here. On impulse, while I was processing the images, I tried nesting the stones within themselves and it was immediately clear that this was a powerful new solution. The technique served more than a visual device. The psychological dimensions of the work were heightened. The work was challenging me to expand my vision.

Finishing the first few images brought both clarity and productivity while photographing the location for the second time. I was able to make many related images, aware of what was different and what was similar. I was even able to rephotograph several subjects. Now, in addition to single images displaying multiple angles of the same subject, multiple images in the series do the same. It’s surprising how different things look from different angles of view – sometimes they’re unrecognizable.

The questions arose “How many images will this solution hold for?” and “What other related solutions will I find?” One thing led to another. Along the way, duplication, reflection, and distortion were also used. So new questions were posed, “Is this one series or many?” and “Will one series title hold them all?” (The working title for the series is Incubation.)

I’m not sure all of these images belong in the same series. While they’re all from the same location and they look similar stylistically and are related thematically, they also explore different ideas. Some are diverging significantly enough to make the case for placing them in several interconnected series. What’s the answer? Right now, it’s a mystery. I simply have to do more work to find out more about it.

I’ve found that the best plans are clear enough to stimulate productivity and flexible enough to evolve.

See related Contact Sheets from 2012 and 2013 here.

Questions

What are the benefits of working without a plan?

What are the benefits of working with a plan?

How do you create a plan so that it is generative rather than restrictive?

What mindset do you need to approach plans with to maximize productivity and insight?

When should you abandon one plan in favor of another?

Read more The Stories Behind The Photographs here.

New Series – Incubation

January 16, 2014 | 1 Comment |

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 Incubation II, 2013

20121204__SAARGpumice-_0437-Edit Incubation I, 2013

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Incubation IX, 2013

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Incubation XIII, 2013

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Incubation III, 2013

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Incubation V, 2013

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Incubation IV, 2013

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Incubation VIII, 2013

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Incubation XI, 2013

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Incubation XII, 2013

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Incubation VI, 2013

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Incubation VII, 2013

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Incubation XIV, 2013

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Incubation X

My newest series of images Incubation uses a dynamic approach to representing both spaces and objects within those spaces, blending images of the same subject taken from multiple angles – panoramics, duplications, nestings, symmetries, tesselations, etc – that take on complex perceptual responses and psychological overtones.

Currently, all of the images are drawn from the same location made during two separate adventures (2012 and 2013) to the Atacama Desert in Argentina.

View more featured image collections here.

Search my online gallery for specific images here.

Sign up for my free enews Collectors Alert for announcements of new images, discounts, and more.

AtacamaContactSheet1_425

Click here to enlarge.

AtacamaContactSheet1_425

Click here to enlarge.

In preparation for my return to Argentina’s Atacama Desert this coming December, I’ve been paring down my selects from my first trip last year. Within this set of images is a smaller set of images that suggests a way of seeing – animated sculptural forms making light and space visible and felt. (These words are not complete but they begin to describe what’s going on.) This is what I’m going to focus on and hope to discover more about when I return. With practice we can learn to come up with many ideas, but in the end I think it’s important to look/listen to the work you actually make and answer the calls within it, moving into them to pursue more depth and their connections to other things/ideas/emotions.

View more Contact Sheets here.

Find out more about my Atacama digital photography workshop here.


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