Enjoy viewing 20 of 2020’s top photography collections!
Time’s Top 10 Photos
Time’s Top 200 Photos
New York Times
The New Yorker
The Washington Post
World Press Photo
My Modern MET
National Geographic – Travel
CNN – Travel
National Geographic – Wildlife
Guardian Nature Photographer Of The Year
National Geographic – Science
Nature – Science
Atlantic – Landscape
View My Best Images Of 2020.
People who take my workshops know my secret weapon, my wife, Arduina. It’s not just her technical knowledge it’s her warmth and hospitality. Those who visit us in our home know she’s the life of our parties. I mean who uses giant animal pool floats as lawn furniture?
When I first met her she was pursuing her MFA at and managing the digital labs of Maine Media Workshops. I’d never worked with someone as quick, smart, and knowledgeable. But that’s not why I married her. I fell in love with her because of her huge heart and her contagious enthusiasm. She’s the light of my life! She wants to share a little of that light with you now.
Her images are so whimsical you might think they’re staged rather than autobiographical. With or without a camera, she gives herself permission to play. On second glance, you’ll see they’re not unmindful of the sober undercurrents that run through our days. Her favorite quote is Milton’s “The mind is its own place and in itself, can make a Heaven of Hell, a Hell of Heaven.” You don’t have to guess which she chooses.
View more on Instagram.
Visit Ardie’s website.
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My newsletter Insights went out today at 3 pm EST.
This issue collects inspiring photographers’ resources.
28 Collections Of Photographs
17 Q&A’s With Photographers
50 Conversations With Photographers
72 Quotes Collections By Photographer’s
99 Videos On Photographers
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The new year is a wonderful time to look at great photographs!
Dozens of media outlets collect their best from the past year.
You’ll find links to the best of the best below.
Time’s 2019 Top 100 Photos
The New York Times Year In Pictures 2019
CNN 2019 Year In Review
CNN’s Best Travel Photos Of 2019
Bloomberg’s Year in Pictures 2019
Bored Panda’s 30 Most Powerful Press Photos Of 2019
Magnum’s Pictures Of The Year 2019
Top AP Photos Of 2019
New York Post’s Best Photos Of 2019
The Guardian’s Best Photographs Of 2019
The Guardian’s A Decade In Pictures 2010-2019
The Atlantic top 25 News Photos Of 2019
The Atlantic The Most 2019 Photos Ever
The Atlantic Photos Of A Decade 2010-2019
Reuter’s Best Photos Of 2019
CBS News Best Photos Of 2019
World Press Photo 2019 Contest Winners
Agora World Photography Competition 2019 Winners
My Modern Met
The Best New Yorker Photography Of 2019
Gizmodo’s Best Wildlife Photos Of 2019
Audubon’s 2019 Photography Award Winners
Business Insider’s Best Wildlife Photos Of 2019
Science’s Favorite Photos Of 2019
Sports Illustrated’s Best Photos Of 2019
The Guardian’s Best Sports Photography Of 2019
Best Photography Books Of 2019 – I
Best Photography Books Of 2019 – II
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This is a selection of my top 12 images of 2018. This selection doesn’t reflect sales, publication, or activities on the web. It simply reflects my opinion. Click on the titles to find out more about each image.
The locations include Antarctica, Spain, Arches National Park, Scoresbysund Greenland, and Maine.
Continuing the momentum from the previous year I completed my first seriesof finished works with my iPhone – Land In Land. Processing images on location, sometimes seconds after making exposures, is a gamechanger. Even more interesting is the sense of seeing the image better at arm’s length, allowing me to see the composition and the subject simultaneously.
I was pleasantly surprised when another experiment worked as I combined images in the public domain from the Hubble telescope with my own exposures, expanding the images in my series Constellation to add images of deep space to those of stars observed with the naked eye.
I continue to explore presenting many moments in time simultaneously to see one aspect of land through another. In more recent work, the detail and the overview are united in a single integrated experience. As ever, what’s behind and beyond shows through.
My use of abstraction has expanded from minimalism to include more complex maximal patterns.
Perhaps the most sublime moments were found in Greenland’s, Scoresbysund, as the weather shifted to winter conditions creating dramatic katabatic winds and unusual ice conditions found only at the beginning of the season. Being on the only boat (a three-masted schooner built in the early 1900s) in the fiord system heightened the sense of adventure.
It was a very productive year; more than 75 new works released; more than 150 new studies made.
It’s challenging to choose so few images from so many – but it’s insightful. Try selecting your own top 12 images. Try selecting the top 12 images of your favorite artist(s).
Enjoy this selection of images from Scoresbysund, Greenland.
These images are selected from three ongoing series – Revelation, Constellation, and Contrail.
View more images from Greenland here.
Find out more about my Greenland workshops here.
“At B&H’s Optic 2018, photographer Keith Carter talks about myths, magic, and mojo. He believes that the best way to elevate your photography is to tell the truth as you know it through your photos, and he stresses that there are great lessons to be learned by revisiting history. We can learn a lot about how to shoot well – even in this digital age – by studying classic photos that pre-date digital photography.”
Find out more about Keith Carter here.
Read our conversation here.
Read quotes by Keith Carter here.
View 12 Great Photographs By Keith Carter here.
Huntington Witherill celebrates twelve photographs by other photographers.
Al Weber, Road to Badwater, 1971
Al Weber’s “Road to Badwater, 1971” demonstrates the effectiveness and power of design simplicity in depicting the immense spaces that characterize Death Valley. The overall sense of atmosphere and distance are communicated through but a few bold blocks of uniform tonal value, each of which help to define the photograph’s unique character.
Don Worth, Pelargonium Blossoms, 1985
The visual strength of Don Worth’s “Pelargonium Blossoms, 1985” lies within the tension that exists between the intricate textures and patterns, together with a juxtaposition of accent color placed against a largely monochromatic field. Each time I look at this photograph I am drawn into its hypnotic spell.
Emmett Gowin’s photographs from his series: “Changing the Earth” exhibit a remarkable juxtaposition of visual beauty in the midst of perceived destruction. It’s not that the subject matter he has chosen to photograph is so often thought of as being of a more or less unseemly nature. It is that he has presented this particular subject – in its perceived negativity – with such an abundance of visual beauty and grace that he seduces the viewer into an irreconcilable dichotomy.
Henry Gilpin’s, US Highway Route 1, 1965
Clearly one of the most iconic images of the Big Sur Coastline, Henry Gilpin’s “US Highway Route 1, 1965” celebrates the wild and austere essence of the Big Sur Coast. The serpentine highway glowing white hot against the dark and foreboding shoreline cliffs projects a scene of exceptional strength and amplitude.
Kim Weston’s hand-painted photograph of ballerinas features a marvelous sense of movement and grace that is punctuated by the introduction of sparse color. The color, itself, seems to further abstract the image, thereby helping to focus the viewer’s attention on the dynamic and symbiotic relationship between the figures, themselves.
Marion Post Wolcott, Blizzard, Woodstock, VT, 1940
Marion Post Wolcott’s “Blizzard, Woodstock, VT, 1940” portrays a quiet yet bitter cold winter evening. The glimmering street lights serve as an effective and warm counterpoint to what, otherwise, seems a penetratingly cold environment. This photograph makes me want to put on another coat!
Mark Wainer, Stairway #60, Los Angeles
Suggestive of an M.C. Escher drawing, Mark Wainer’s “Stairway #60, Los Angeles” evokes a whimsical maze of mystery and apprehension. Is the figure hoplessly trapped? Or, has he managed to find the hidden escape?
Minor White, Windowsill Daydreaming
Windowsill Daydreaming, by Minor White, is one of those quintessential photographs in which the light, itself, is the predominate subject. The seductive nature of the subject, in this case, is both highly mysterious, and positively alluring.
Morley Baer, Kiva Ladder, 1973
Morley Baer’s “Kiva Ladder, 1973” appears as a graphically rich visual Icon symbolizing the American Southwest and its native cultures. The immense power of graphic simplicity, achieved through the exquisite and economical use of simple line and texture, help to contribute to the photograph’s near universal appeal.
Paul Caponigro, Nascent Flight
The temptation to reach out and touch the surface of Paul Caponigro’s “Nascent Flight” is quite strong. The overall combination of line, texture, and impeccable detail that comprise this complex yet visually concise still life projects a near miraculous display of inherent strength in the presence of underlying fragility.
Philip Hyde, Iceberg Lake
Philip Hyde’s “Iceberg Lake” demonstrates a marvelous sense of asymmetrical balance. While the ice forms seem randomly placed within the composition, the organization of forms within the overall frame are not only solidly connected, but also perfectly well balanced.
William Clift, La Mesita, New Mexico, 1978
William Clift’s “La Mesita, New Mexico, 1978” portrays the open desert with uncommon elegance and aplomb. There is undeniable magic in the light that Clift has captured, here. And taken together with an exquisite sense of detail and overall delicacy, I am compelled to step into the frame and go exploring!
Learn more about Huntington Witherill here.
View 12 Great Photographs By Huntington Witherill here.
Read our Quick Q&A here.
View video with Huntington Witherill here.
Read our conversation with Huntington Witherill.
View more Photographers Celebrate Photography here.