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Constellation

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Constellation

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Constellation

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Constellation

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Constellation

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Constellation

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Antarctica

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Land In Land LXXIX

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Land In Land LXXXIX

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Land In Land LXXVI

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Land In Land LIII

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Land In Land LXXVI

This is a selection of my top 12 images of 2018. This selection doesn’t reflect sales, publication, or activities on the web. It simply reflects my opinion. Click on the titles to find out more about each image.

Geography

The locations include Antarctica, Spain, Arches National Park, Scoresbysund Greenland, and Maine.

Process

Continuing the momentum from the previous year I completed my first seriesof finished works with my iPhone – Land In Land. Processing images on location, sometimes seconds after making exposures, is a gamechanger. Even more interesting is the sense of seeing the image better at arm’s length, allowing me to see the composition and the subject simultaneously.

I was pleasantly surprised when another experiment worked as I combined images in the public domain from the Hubble telescope with my own exposures, expanding the images in my series Constellation to add images of deep space to those of stars observed with the naked eye.

Concepts

I continue to explore presenting many moments in time simultaneously to see one aspect of land through another. In more recent work, the detail and the overview are united in a single integrated experience. As ever, what’s behind and beyond shows through.

My use of abstraction has expanded from minimalism to include more complex maximal patterns.

Magic Moment

Perhaps the most sublime moments were found in Greenland’s, Scoresbysund, as the weather shifted to winter conditions creating dramatic katabatic winds and unusual ice conditions found only at the beginning of the season. Being on the only boat (a three-masted schooner built in the early 1900s) in the fiord system heightened the sense of adventure.

It was a very productive year; more than 75 new works released; more than 150 new studies made.

It’s challenging to choose so few images from so many – but it’s insightful. Try selecting your own top 12 images. Try selecting the top 12 images of your favorite artist(s).

View more of my Annual Top 12 Selections here.

View more images in my ebooks here.

View my full Works here.

View my Series videos here.

View new images in my newsletter Collectors Alert.

Contrail II Contrail I Constellation XV Contrail IV Revelation XXXV Revelation XXV Revelation XLII Revelation XLI Revelation XXXIX

Enjoy this selection of images from Scoresbysund, Greenland.

These images are selected from three ongoing series – Revelation, Constellation, and Contrail.

View more images from Greenland here.

Find out more about my Greenland workshops here.

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Read our conversation here.

View more 12 Great Photographs collections here.

Explore The Essential Collection Of Quotes By Photographers.

Explore The Essential Collection Of Documentaries On Photographers.

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See new images from Spain and Portugal in my social networks.

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View new prints during my 2018 Open Studio event.

“At B&H’s Optic 2018, photographer Keith Carter talks about myths, magic, and mojo. He believes that the best way to elevate your photography is to tell the truth as you know it through your photos, and he stresses that there are great lessons to be learned by revisiting history. We can learn a lot about how to shoot well – even in this digital age – by studying classic photos that pre-date digital photography.”

Find out more about Keith Carter here.

Read our conversation here.

Read quotes by Keith Carter here.

View 12 Great Photographs By Keith Carter here.

 

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Huntington Witherill’s Orchestrating Icons

Huntington Witherill celebrates twelve photographs by other photographers.

Road to Badwater, 1971

Al Weber, Road to Badwater, 1971

Al Weber’s “Road to Badwater, 1971” demonstrates the effectiveness and power of design simplicity in depicting the immense spaces that characterize Death Valley. The overall sense of atmosphere and distance are communicated through but a few bold blocks of uniform tonal value, each of which help to define the photograph’s unique character.

Pelargonium Blossums, Mill Valley, CA 1985

Don Worth, Pelargonium Blossoms, 1985

The visual strength of Don Worth’s “Pelargonium Blossoms, 1985” lies within the tension that exists between the intricate textures and patterns, together with a juxtaposition of accent color placed against a largely monochromatic field. Each time I look at this photograph I am drawn into its hypnotic spell.

Drainage Ditches in a Low Agricultural Field, Savannah River Nuc

Emmett Gowin

Emmett Gowin’s photographs from his series: “Changing the Earth” exhibit a remarkable juxtaposition of visual beauty in the midst of perceived destruction. It’s not that the subject matter he has chosen to photograph is so often thought of as being of a more or less unseemly nature. It is that he has presented this particular subject – in its perceived negativity – with such an abundance of visual beauty and grace that he seduces the viewer into an irreconcilable dichotomy.

US Highway Route 1, 1965

Henry Gilpin’s, US Highway Route 1, 1965

Clearly one of the most iconic images of the Big Sur Coastline, Henry Gilpin’s “US Highway Route 1, 1965” celebrates the wild and austere essence of the Big Sur Coast. The serpentine highway glowing white hot against the dark and foreboding shoreline cliffs projects a scene of exceptional strength and amplitude.

Untitled, No Date

Kim Weston

Kim Weston’s hand-painted photograph of ballerinas features a marvelous sense of movement and grace that is punctuated by the introduction of sparse color. The color, itself, seems to further abstract the image, thereby helping to focus the viewer’s attention on the dynamic and symbiotic relationship between the figures, themselves.

Center of Town After Blizzard, Woodstock, VT- 1940

Marion Post Wolcott, Blizzard, Woodstock, VT, 1940

Marion Post Wolcott’s “Blizzard, Woodstock, VT, 1940” portrays a quiet yet bitter cold winter evening. The glimmering street lights serve as an effective and warm counterpoint to what, otherwise, seems a penetratingly cold environment. This photograph makes me want to put on another coat!

Stairway #60, Los Angeles

Mark Wainer, Stairway #60, Los Angeles

Suggestive of an M.C. Escher drawing, Mark Wainer’s “Stairway #60, Los Angeles” evokes a whimsical maze of mystery and apprehension. Is the figure hoplessly trapped? Or, has he managed to find the hidden escape?

Windowsill Daydreaming, Rochester, New York, 1958

Minor White, Windowsill Daydreaming

Windowsill Daydreaming, by Minor White, is one of those quintessential photographs in which the light, itself, is the predominate subject. The seductive nature of the subject, in this case, is both highly mysterious, and positively alluring.

Kiva Ladder, San Ildefonse Pueblo, 1973

Morley Baer, Kiva Ladder, 1973

Morley Baer’s “Kiva Ladder, 1973” appears as a graphically rich visual Icon symbolizing the American Southwest and its native cultures. The immense power of graphic simplicity, achieved through the exquisite and economical use of simple line and texture, help to contribute to the photograph’s near universal appeal.

Nascent Flight

Paul Caponigro, Nascent Flight

The temptation to reach out and touch the surface of Paul Caponigro’s “Nascent Flight” is quite strong. The overall combination of line, texture, and impeccable detail that comprise this complex yet visually concise still life projects a near miraculous display of inherent strength in the presence of underlying fragility.

Iceberg Lake, Glacier National Park, Montana, 1978

Philip Hyde, Iceberg Lake

Philip Hyde’s “Iceberg Lake” demonstrates a marvelous sense of asymmetrical balance. While the ice forms seem randomly placed within the composition, the organization of forms within the overall frame are not only solidly connected, but also perfectly well balanced.

La Mesita, New Mexico, 1978

William Clift, La Mesita, New Mexico, 1978

William Clift’s “La Mesita, New Mexico, 1978” portrays the open desert with uncommon elegance and aplomb. There is undeniable magic in the light that Clift has captured, here. And taken together with an exquisite sense of detail and overall delicacy, I am compelled to step into the frame and go exploring!

Learn more about Huntington Witherill here.

View 12 Great Photographs By Huntington Witherill here.

Read our Quick Q&A here.

View video with Huntington Witherill here.

Read our conversation with Huntington Witherill.

View more Photographers Celebrate Photography here.


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