Enjoy this collection of my father’s photographs.
Read a collection of quotes by Paul Caponigro.
Read an interview with Paul Caponigro.
View a documentary on Paul Caponigro.
View more 12 Great Photographs collections here.
Here’s a collection of my favorite photographs by Joyce Tenneson.
We made many memories during our recent boutique (limited to 6) workshop in Amalfi, Italy. The coastal towns of Amalfi and Positano (famous for making world class ceramics, paper and limoncello), the international concert series in Ravello, the sunny Isle of Capri, the Greek ruins of Paestum, and the ruins of Pompeii once buried by the eruption of Mount Vesuvius are a few of the places we visited. Of course, the food and wine was fantastic!
You can enjoy my images of from our recent adventure on Google+. They’re an assortment of spontaneous sketches, rather than a collection of fully finished pieces that develop a cohesive theme. They’re not likely to become a body of work, but a few of them will influence other bodies of work.
Find out more about our recent Amalfi workshop here.
Email firstname.lastname@example.org to receive advance notice on our next Amalfi workshop.
I’d been scanning the iceberg struck horizon for hours when suddenly the clouds grew thin enough to let the sun through for a brief moment. The sun and the light it cast on the surface of the water completed the picture. It was there only for a moment. And then it was gone.
There are so many moments like this in life. In these times, there’s a narrow window of opportunity and only those who stay alert recognize them and are able to take full advantage of them. Of course it helps to have the right tools for the job and solid training, good instincts, and fast reflexes. But none of these will do you any good if you aren’t aware enough to recognize the many opportunities before you.
Photography (and its extension in motion pictures), relies on the power of the moment more than any other medium. Sure music, dance, and theater also require precise timing, but the moments they present can be created and recreated. You can practice until you get the moment right. But with the historical photographic moment, you get one chance and then it’s gone.
To be sure, not all moments are equally fleeting. Some moments last longer than others. And certain events do reoccur more than once and even recur repeatedly. Sometimes you do get more than one chance. Sometimes you don’t. It helps to know how long a window of opportunity you have and if you’ll get another chance. When you do have more than one chance, depending on how much time you have between each recurring event, you may find it time well spent to observe carefully on your first opportunity before acting on your next opportunity. This is perhaps the best preparation of all. When you won’t have another opportunity, you need to think fast and when you don’t have time for that you need to trust your instincts. No matter how many opportunities you have, to succeed you need to stay alert.
Maintenance is key. It’s harder to stay alert if you don’t take care of yourself. Sleep, diet, and exercise all contribute to your being. (And never underestimate the power of motivation.) Start with the basics, but don’t stop there.
Just as you can practice to hone your reflexes, there are things you can do to develop your awareness, such as studies and meditations – and there are many ways to do both (too many to mention here). You can learn to bring yourself into heightened states awareness more consistently, quickly and intensely. This too requires practice. It’s time well spent. Like anything, the more you do it, the better you get at it – especially if you stay alert while you do it.
What can you do to increase your sensitivity?
What can you do to increase your understanding?
What can you do to increase your emotional responses?
What can you do to increase your ability to sustain your awareness for longer periods of time?
Find out more about this image here.
View more related images here.
Read more The Stories Behind The Images here.
This is a selection of my picks of my father’s top 12 images.
This doesn’t reflect sales, publication, or web views.
It simply reflects my opinion.
It’s challenging to choose so few images – but it’s insightful.
Try it with your own images or artists’ work that influences you.
Here are a few more alumni images from Digital Photo Destinations / Focus On Nature’s 2012 Iceland Adventure.
Seth Resnick and I had a great time with a great group of people in Iceland last week. We visited old favorites (Seljalandsfoss, Skogafoss, Jokulsarlon, Rekjanes) and some new favorites (Snaefellsnes, Landmanalaugar). 4-Wheel drives to the highlands, Zodiac cruises, and glacier walks took it up a notch. Every one of us learned a lot and improved our photography.
We’re now planning a northern lights, super-jeep, and ice cave adventure.
Be the first to hear about our March 2013 Iceland workshop.
Charlotte Bailey Rush
David Cho Yee Young
Here are a few first alumni images from Digital Photo Destinations / Focus On Nature’s 2012 Iceland Adventure. I can’t wait to see what they make by the end of the week!
Seth Resnick and I have been having a great time with a great group of people in Iceland this week. We visited old favorites (Seljalandsfoss, Skogafoss, Jokulsarlon, Rekjanes) and some new favorites (Snaefellsnes, Landmanalaugar). 4-Wheel drives to the highlands, Zodiac cruises, and glacier walks took it up a notch.
We’re planning an aurora and ice cave adventure now.
Be the first to hear about our 2013 Iceland workshop.
Charlotte Bailey Rush
David Cho Yee Young
During my recent South Africa Photo Safari (sponsored by NIK) in Mala Mala, South Africa, I spent several days photographing African wildlife. We saw all of the big five (lion, leopard, elephant, rhino, cape buffalo) and many other animals. It was the first time I made a concerted effort to make finished wildlife photographs. I gained an increased appreciation for how moments of peak action (or lack thereof) can make or break some photographs. I made many competent photographs, but only one that I felt began to have an inspired quality. I suspected I would have no intention of using these kinds of images professionally – and confirmed this. But, these images rekindled an old flame.
Making these images reminded me of the many hours I spent drawing animals. I quickly discovered that for what I wanted to depict, portraits weren’t enough, interaction and context were necessary. I was interested in how people, of many eras and cultures, react psychologically to animals and to the archetypal ideas of animals we share. One of my favorite essays is about an animal – the snake. Psychologist James Hillman’s A Snake Is Not A Symbol (from the book Dream Animals.) has an enormous amount to offer about how we respond to images of animals. He suggests we reanimate images, especially those we encounter in dreams, through an extended inner dialog with them.
Days later, after making these images, during which my guide repeatedly warned me about the potential for finding hidden snakes, I had a dream about a snake, which was very important to me personally. For me, it was one more in a long line of dreams about snakes. It’s fascinating to see how inner material resurfaces during the creative process and what we can do to stimulate and work with this process.
What images could you make to help you reconnect with and develop important material in your inner life?