The Art Project – Visit The World's Museums Online


Preview

Visitor Guide

Behind the Scenes
The Art Project is a collaboration between Google and some of the world’s most acclaimed art museums. Powered by a broad, connected suite of Google technologies, the world’s great works of art and museums are now within reach to an unprecedented global audience. It’s a unique collaboration with some of the world’s most acclaimed art museums to enable people to discover and view more than a thousand artworks online in extraordinary detail.
Explore Museums With Street View Technology
Virtually move around the museum’s galleries, selecting works of art that interest you, navigate though interactive floor plans and learn more about the museum and you explore.
Artwork View
Discover featured artworks at high resolution and use the custom viewer to zoom into paintings. Expanding the info panel allows you to read more about an artwork, find more works by that artist and watch related YouTube videos.
Create Your Own Collection
The ‘Create an Artwork Collection’ feature allows you to save specific views of any of the 1000+ artworks and build your own personalised collection. Comments can be added to each painting and the whole collection can then be shared with friends and family.
Find out more about Art Project here.
Visit The Art Project’s YouTube Channel here.

Humanized Technology – Paola Antonelli


“Paola Antonelli, MoMA’s curator of Architecture and Design, provides insights into where design is headed both as a creative discipline and as a tool for making sense of the world. In this interview, she talks about the vision behind her upcoming exhibit at MoMA, Talk To Me, “We may not think about it consciously on a day to day basis, but objects around us are always talking to us in both explicit and implicit ways. There’s the obvious directive of a stop sign or a traffic cone, but there’s also the unspoken messaging conveyed via the ATM machine, the alarm clock, and that shiny new iPad. Objects have always been designed with the idea of communicating their use and meaning in mind, and it’s this relationship that MoMA’s Senior Curator of Architecture and Design, Paola Antonelli, seeks to explore in her upcoming exhibition, Talk to Me, slated for summer of 2011.”
Learn more about Talk to Me here.

The View Project – Tenneson Lecture Tonight in Naples

Joyce Tenneson lectures tonight at the Naples Museum of Art for The View Project exhibit on display Dec 18 – March 13.
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The View Project, conceived and organized by Joyce Tenneson, is an exploration of why certain places or photographs that have such a powerful effect on us as individuals. What is it – beyond surface beauty – that makes specific visual moments so indelible in our memory?
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The View Project is about photographs that mirror something in the photographer’s inner life – images that are personal and powerful, yet perhaps not clearly understood, even to the viewer/photographer” – Joyce Tenneson
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Photographs and comments by a wide array of photographers are included – John Paul Caponigro, Sean Kernan, Douglas Kirkland, George Lepp, Jack Resnicki, Rick Sammon, Joyce Tenneson, Jerry Uelsmann, and many more.
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Two of my alumni Kathy Beal and Stephen Starkman are included in the book and exhibit.
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Exhibit – Santiago Vanegas


Hagedorn Foundation Gallery presents, “People & Nature”
Photographed at the iconic Stone Mountain, Santiago Vanegas produces a body of work unlike anything he’s done before over twelve year long career. In this series, he explores the intriguing and sometimes odd relationship between people & nature. His photography explores the sharp lines and inorganic colors of manufactured objects conflicting with the natural landscape. The people in his images, although very “normal”, appear outlandishly misplaced. Through his vision, we witness a reality that in nothing short of surreal. Santiago’s People & Nature asks the viewer how and why we relate to nature at a time when our planet is increasingly begging for mercy from our environmental irresponsibility.

October 28 – November 30, 2010
Opening Reception: October 28, 2010, 5:00 to 8:00 pm, with Artist talk at 7:30 pm
Get more intformation at Hagedorn Foundation Gallery.
Visit Santiago’s website here.

Debating Modern Photography – Triumph of Group f/64



In the 1930s, a small group of California photographers challenged the painterly, soft-focus Pictorialist style of the day. They argued that photography could only advance as an art if its practitioners exploited characteristics inherent to the camera’s mechanical nature. This small association of innovators created Group f/64, named after the camera aperture which produces great depth of field and sharp focus. The exhibition revisits this debate and includes images by photographers in Group f/64 such as Ansel Adams, Edward Weston, Imogen Cunningham, Sonya Noskowiak, and Willard Van Dyke, as well as images by such Pictorialists such as Anne Brigman, William Dassonville, Johan Hagemeyer, William Mortensen, and Karl Struss. With 90 works by 16 artists, Debating Modern Photography offers a feast for the eyes while illustrating both sides of a high-stakes debate. Outstanding examples of the clean edges and bold forms of Group f/64 stand in sharp contrast to the romantic, hand-crafted Pictorialist work that includes ­elegant portraits, tonalist landscapes, and allegorical studies.
The exhibit is open (Mon-Fri 9-7) through Dec 5.
Learn more at Maine’s Portland Museum of Art.

Photographing Maine – Ten Years Later


In 2000, CMCA mounted the most comprehensive exhibition of Maine photography ever: Photographing Maine: 1840-2000. The project was presented in two parts: photography from 1950-2000 in August and September and earlier historical work from the 1840s to 1950 in mid-October to mid-December.
During the past decade, the activity among Maine photographers has grown exponentially. In this digital age there are more and more people seriously committed to fine art photography using both new and traditional darkroom techniques. The goal of the invitational exhibition Photographing Maine: Ten Years Later is to pay homage to the two exhibitions in 2000 by showing a sampling of works by 150 Maine photographers created between 2000 and 2009. Each photographer is exhibiting a single work in the invitational exhibition. In addition, four images from each of the 150 photographers are part of an online exhibition (see below), which is also available to view on computer at the exhibition.
The exhibit in Rockport, Maine runs from October 02 – December 05, 2010.

Exhibit – Harry Sandler and Barbara Ventura


ALLUSIONS OF REALITY
“Allusions of Reality’ is clearly a seminal moment in my personal process. I have always been attracted to craft and a multitude of technical abilities, and, at the same time have always felt that I had the sensibility of an innocent. These were difficult to balance with my painting and photography and I struggled, like most do.  ‘Allusions’ for me is the meeting of form and substance, and, for the first time, I am able to express myself both as a photographer and a painter, with no line of demarcation in between.
UNFOLDMENT
To those who have come to realize that life’s journey is really about the discovery of who we are, as well as the exquisite expression of our true nature, I have the pleasure of sharing, through these images an inexpressible sense of unfolding oneness and wholeness represented through nature’s wisdom and beauty in the orchid.??As the observer engages (connects with) the photograph, through a seeing eye and a sensitive heart, a sense of inward reflection allows an opening to the depths of self as is well exemplified in the gentle exposure of a tender flower in a free exhibition of itself.??Unfolding from within and displayed in their magnificent array, the images warmly entreat a careful consideration of the flowering of human consciousness and invite an understanding of the magnificent dance of life between Creator and Creation.
Learn more about the Exhibit here.
Learn more about Barbara Ventura here.
Learn more about Harry Sandler here.

New Work 2010 Exhibition Preview

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Here’s an interesting sampling of images from my upcoming exhibit – New Work 2010.
All of the source images for the ground in these composites are drawn from Iceland.
While the body of work (Reflection) isn’t site specific, it’s interesting to note that many of the images are drawn from similar locations. In the case of the ground exposures a majority of the sources came from Iceland, Utah, and California.
When successful work becomes more site specific like this I ask “What was it about that place that worked so well?” or “What was it about my experience of that place at that time that worked so well?”
Then I plan to return to that location and/or that state of mind.
Find out about my Iceland workshop here.
Preview the book here.
Learn more about my upcoming exhibit here.
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You're Invited ! – Annual Open Studio Exhibit – 7/31-8/1

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You’re invited! Come visit my annual open studio event July 31 – August 1 from 10-5. Gallery talks are at 2.
It’s been one of my most prolific years to date. Producing more than one hundred new images, four bodies of work, in progress for ten years, have been brought to completion. The results are surprising, even for me.
Three new books featuring this work have been released – Reflection, Condensation, and Correspondence – which you can preview and purchase online.
Also on hand will be my playful iPhone photo sketches, some of which are featured in my column on the Huffington Post. I’ll even take, process, and transmit some during my daily artist’s talks at 2 pm.
Come enjoy prints, books, web galleries, performances and conversations during this very special event.
Click here for more information including directions, previews, reviews, statements, audio, video, and press kit.