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My most recent study, Antarctica Now & Then combines historical photographs with contemporary exposures made at Whaler’s Bay on Antarctica’s active volcano Deception Island – made and processed entirely on an iPhone.

View more Studies here.

Find out about our next Antarctica digital photography workshop here.

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I find making images with my iPhone extremely stimulating. For me, the device implicitly offers an invitation to play, reminding myself how important spontaneity is in making good images, and to experiment, growth and innovation require risk. Doing this offers me an opportunity to make images in situations, of things, in ways I ordinarily wouldn’t. It also raises very important questions, “When should I use a more professional tool?”, “When should I return to my standard practices?”, “What’s gained and what’s lost?” I haven’t found a single easy answer. I’ve found many hard ones – and more questions. Simply engaging this process has made me see in more versatile ways and make stronger images, both studies and finished works.

Here are a few of my recent experiments.

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Use standard tools as props.

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Bring new props.

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Make postcards.

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Combine photographs and drawings.

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Make double exposures.

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Create composites.

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When I start making images with my iPhone that I would ordinarily make with a DSLR it’s probably time for me to switch tools – again.

Find out more about my Acadia Maine Fall Foliage Workshop.

Learn more about iPhone photography here.

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During my recent Fall Foliage / Acadia Maine Workshop we explored many of the highlights of Acadia National Park; Cadillac Mountain, Sand Beach, Thunder Hole, Monument Beach, Sieur de Monts, Wonderland and more …  including an overnight stay on the Schoodic Peninsula at The Schoodic Institute).

We had great color, great weather, and great light. Great weather means a little bit of everything; clear sunny days with direct light, overcast days with soft indirect light, fog and mist, even a little rain (perfectly timed, mostly over night). It was an almost perfect study of weather, the many lights it brings, and the many moods it creates. We oscillated between two powerfully magnetic poles, the colorful forests and dramatic seacoast.

People ask me if it’s challenging to make images in a place I’ve visited so many times. I tell them its like reconnecting with an old friend; the relationship gets deeper. What’s most challenging is that many of the subjects don’t complement and even challenge key aspects of my life’s work, so I take a lighter more personal approach and rather than rushing to finished professional results I engage in deep play, asking many questions and trying many things, both new and old, to find more clarity in my creative life.

Here are a few of the sketches I produced on sight with my iPhone.

You can enjoy many more images on Google+.

Find out about my next Fall Foliage / Acadia Maine Workshop here.

Email info@johnpaulcaponigro.com to receive advance notice on our next Acadia Maine Fall Foliage Workshop.

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We made many memories during our recent boutique (limited to 6) workshop in Amalfi, Italy. The coastal towns of Amalfi and Positano (famous for making world class ceramics, paper and limoncello), the international concert series in Ravello, the sunny Isle of Capri, the Greek ruins of Paestum, and the ruins of Pompeii once buried by the eruption of Mount Vesuvius are a few of the places we visited. Of course, the food and wine was fantastic!

You can enjoy my images of from our recent adventure on Google+. They’re an assortment of spontaneous sketches, rather than a collection of fully finished pieces that develop a cohesive theme. They’re not likely to become a body of work, but a few of them will influence other bodies of work.

Find out more about our recent Amalfi workshop here.

Email info@johnpaulcaponigro.com to receive advance notice on our next Amalfi workshop.

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While visiting friends at their new house in Carmelo, Uruguay I enjoyed making photographs to help me savor the experience more. Muchas gracias Marinuccis!

Visit larger images on Google+.

View more Contact Sheets here.

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Click here to enlarge.

I enjoy seeing the flow of thought that becomes visible in contact sheets. One idea builds on (or diverges from) another. Some moves are repetitive; some moves introduce one or more significant variations. As I work, I ask questions like, “On what level does an image work?”, “What is a significant variation?”. “When do two or more images reinforce each other?”.

Will these images make the cut? It’s unlikely. But themes within them will resurface in future finished work. In fact they already have. These themes have been with me ever since I began photographing; they look very similar to two images I made for my first exhibit and are related to images in several existing series like Illumination, Refraction, and Resonance.

Even if these images and what I learned from making them bears no fruit, it was time well spent. I truly enjoyed the better part of an hour savoring and playing with light.

View more Contact Sheets here.

View finished images here.


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