Using Histograms – ETTR

December 27, 2010 | 2 Comments |

Review Histograms After Exposure

One big advantage of shooting digitally is the ability to view a histogram in the LCD screen on the back of your camera body. A histogram is a graph of the relative distribution of the data in your image from shadows on the left to highlights on the right. You can use a histogram to evaluate not only the tonal distribution but also the quality of your exposures. By viewing the histogram immediately after exposure, you can determine if you need to make additional exposures at alternate settings to get better exposures. Simply program your camera to display a histogram immediately after exposure. You'll find this immediate feedback will result in much higher success rates.


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Since it's invention, photography has played an important role in history. It not only records history, it also has its own history. America knows itself in part through photographs. So what are the most important American photographs?

Here are the top 25 according to Mastersdegree.net.

What other photographs would you include?


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Continuity

October 27, 2010 | Leave a Comment |


Continuity. Every screenwriter needs to create it. Every storyboard needs to interpret it. Every director needs to guide it. Every editor needs to refine it. If you’re a still photographer, you may be called to do all of these things.

Continuity lies at the heart of the art of storytelling. The types of images selected and the transitions made between images presented in groups can be powerful tools for visual communication. Sequences can provide useful comparisons and contrasts between separate images and their contents. They set a pace and rhythm for looking. Carefully orchestrated they can create the illusion of moving in time forward or backward, linearly or non-linearly. They can be used in extremely creative ways. The best sequences make images clearer, more meaningful, and more moving.

Photographers can use continuity to guide and structure initial explorations on site; use a storyboard as a checklist to make sure no angle goes uncovered. Photographers can use continuity to find missing gaps or resolve challenging transitions in ongoing projects; update a storyboard and find the out what you’ve got too much of and what you don’t have enough of or find a bridges to connect disparate images. Photographers can use continuity to edit, sequence, and present existing work more effectively; fine tune a story in sophisticated and compelling ways; there are many possible solutions.

There are many classic strategies for sequencing images and creating transitions between them.

Persistence
Pans
Zooms
Fades
Numbers
Cuts

Include continuity in your work and you’ll find you’ll be able to solve many more visual challenges in many more ways and make the reception of your work more effective and powerfully felt. Once you understand what the many possibilities are and how they work, you can be extremely creative with them. Some artists have even been celebrated more for their use of continuity than their singular images. Continuity is so powerful that it can be an art in and of itself.

Read more on AfterCapture.

Learn more about storytelling here.

Learn more in my digital photography workshops.


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My assistant, Charles Adams, spent this years Maine Fall Foliage Workshop photographing with the iPhone. Below he talks about his experience.

"Making images with an iPhone can be a terrific creative exercise. If you regularly shoot with a DSLR, the iPhone can simplify things and offer a new experience. I found this to be the case during this years fall foliage workshop. I left my Canon in the car along with all of the photographic requirements and responsibilities that I usually attach to it. It was a freeing experience. Suddenly the pressure to make the best photographs of my life was no longer there. I was free to play.

Being able to process your images seconds after shooting them is also key to the iPhone experience. The many apps available make it possible to shoot, edit, share, and get feedback before even getting back in the car. In my case, apps had a direct effect on which pictures I chose to make. I knew I was going to apply water color and oil painting filters to my images, so I tried to shoot accordingly. I set out to find good compositions with strong "bones." "Bones" meaning solid structure that could benefit from the addition of dramatic effects.

The resulting images were fun to create. Changing the tools you use to make your images can offer new insights into your own photography. I strongly recommend allowing yourself to play."

Visit Charles' website here.

Find out about my digital photography workshops here.


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Here are some of the selected images from this years Maine Fall Foliage Workshop.

Find out about my digital photography workshops here.


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Paul Tornaquindici described our helicopter ride during my Namibia workshop.

"Breathtaking! Strapped into a helicopter- doors removed and hanging out the side seeing the amazing dunes of Sossusvlei from above for the first time. The helicopter moved slowly over the dunes in the morning light as we photographed the remarkable beauty."

See his images and read more here.


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