.

Check Your Inboxes! My Newsletter Insights Is Out!

20190918_GRNrodeisland_228_425
Check your inboxes!
My newsletter Insights went out Monday, Oct 28th at 8:45 EST.
This issue features 4 Ways Of Achieving Neutrality In Your Images.
Plus there’s more.
Sign up today!

If you already signed up but didn’t get this issue, check your email for a reconfirmation email sent last Friday, Oct 25th at approximately 10:40 am EST.

Why Neutrality In Your Images Is So Important

Constellation_XIX_425

Achieving neutrality in your images is so important. Few things are as important. Why?
Here are four reasons.

1 – The color in your images will appear more believable.

Casts make colors seem false. This is true for memory colors like fire engine red, sky blue, and grass green, particularly true for flesh tones (Are you feeling a little bit green today?), but nowhere more true than with neutrals. There can be some debate about which blue is sky blue. On which day? At what time? But there’s very little debate about what gray is truly neutral. Sure those neutral grays can vary in brightness but not hue or saturation. Make the neutrals in your images truly neutral, and you’ll make the other colors in your images more believable.

2 – The colors in your images will look more saturated.

When you remove color casts you can see the colors beneath them more clearly. The color beneath appears purer. This effect won’t be as strong as if you had increased their saturation. It will be subtler but more convincing. Oversaturated colors often appear false and you’ll have to work the saturation of your colors twice as hard if they contain color casts. Clean color is a great foundation to add saturation to. You can get the best of both worlds.

3 – Your images will appear more three-dimensional.

Without casts, the colors in your images will have more contrast.

They’ll have more luminosity contrast. When they’re not unified by a color cast, luminosity or brightness values will become more distinct.
They’ll have more hue contrast. Often shadows will appear cooler while highlights appear warmer, making them appear even more different than they already are.

They’ll have more saturation contrast. When neutrals are neutral, you’ll get maximum contrast between them and the more saturated colors in your image.

Add these three kinds of color contrast together, and you’ll see a dramatic difference in your images. The illusions of three-dimensional depth and volume in our two-dimensional images will be significantly amplified.

Once again, these effects will be powerfully felt but not obvious. Clean colors won’t call attention to themselves because they seem natural, unlike imbalanced images that you’ll need to over-process to get similar effects.

4 – You’ll have the best color foundations to make black-and-white conversions from.

It sounds strange when you first hear it but color matters even when you’re going to remove it. The maximum hue and saturation separation created by achieving neutrality gives you more control over how dark or light to make hues during conversions to black and white.

5 – You’ll know color management is working.

Neutrals are one of the first things to look for when you’re checking your color management for printing, whether it’s evaluating a viewing light, examining a profile, a rendering intent, or a media setting. You not only look for neutral midtones but also neutrals throughout the entire tonal scale (gray balance). If you’ve achieved both your color management is working correctly. If not, check your system.
I’m sure you’ll find a few more reasons why neutrality in your images is so important.

Achieving neutrality in your images isn’t something you do for all of your images. There are many exceptions. Nevertheless, being able to achieve neutrality in your images is a critically important skill. When you know how and why to achieve neutrality all of your color choices become more sensitive, deliberate, and meaningful.

Read more on Color Adjustment here.
Learn more in my digital printing and digital photography workshops.

4 Ways To Achieve Neutrality In Your Images

Antarctica XLII
There are many ways to achieve neutrality in your images. The results they offer are not same. You need to know the differences so you can make better choices and get solutions that are right for you and your images. Explore them and you’ll be more likely to make better choices for your images in the future. Keep exploring them and you’ll open up a world of possibilities within your images.
WB

Antarctica XLII

Lightroom & Camera Raw White Balance Dropper and Sliders
The simplest way to achieve neutrality is to correctly set white balance during Raw conversion with Lightroom or Camera Raw. Click on the eyedropper tool and click on a target area within the image. It’s that simple.

What’s not so simple is identifying a good target. This will be easy if you photographed a color checker within the image or in a separate exposure at the same time, but few do. If you’re like most photographers, you’ll have to identify a good target visually, introducing a margin of error equal to your discernment. Usually, the best choices are midtones. This tool also works well with highlights, but they’re more likely to carry color casts that you won’t see at first glance.

After you click on a target, the results can be refined further with the Temperature (blue to yellow) and Tint (green to magenta) sliders.

Remember, you can use Camera Raw as a filter in Photoshop too.
17_MatchColor
Antarctica XLII

Normal blend mode

Color blend mode

Antarctica XLII
Match Color
Match Color is Photoshop’s often unfound and overlooked feature that offers such sophisticated results when neutralizing colors that it’s often surprising. Not all colors will be affected equally – and that can be a good thing. Using Match Color is even easier than using Lightroom / Camera Raw’s white balance eye-dropper because you don’t need to click on a target. Simply check the box Neutralize – and leave all the other sliders and drop-down menus alone.


Insights Members can login to read the full article.
Email:
or Sign up

Studies With Master Artists In Maine

Photography iphone Maine-8

Kenneth Nolan

Photography iphone Maine-6

Eliot Porter

Photography iphone Maine-2

Alan Bray

IMG_7966

Wolf Kahn

Photography iphone Maine-10

Alex Katz

Photography iphone Maine-5

Lois Dodd

Ipcar

Dahlov Ipcar

Wyeth2 copy

Jamie Wyeth

Photography iphone Maine-7

Andrew Wyeth

Photography iphone Maine-4

Louise Nevelson

Photography iphone Maine-9

Eric Hopkins

Photography iphone Maine-1 2

Fairfield Porter

Photography iphone Maine-12

Alan Magee

Photography iphone Maine-11 2

Robert Indiana

IMG_7964

Peter Ralston

IMG_7540

Paul Caponigro

For years I’ve been photographing postcards of artworks made by master artists in Maine. Each artist has their own strong connection to the same place and their own way of seeing it. Do they find what’s iconic about Maine or do they make it iconic? Photographing images of their works in locations that feel relevant to their works provides a unique way of looking into Maine, what they make of it, and what I make of it.
View more studies here.
Find out about my Maine Fall Foliage photography workshop.
 

6 Masters On How To Be An Artist

Frankenthaler_425

You can learn a lot from watching how other artists work, especially if they’re working in another medium. Figuring out how you work in similar ways to produce your own authentic works is an exercise in creativity itself. And creativity is like a muscle, the more you work it the stronger it grows.

You’re sure to be inspired by these 6 masters.

Anni Albers
Jean-Michel Basquiat
Helen Frankenthaler
Hannah Hoch
Donald Judd
Jacob Lawrence
 
Find more How To Be An Artist posts here.
Find more in my social networks – Facebook and Twitter.
Get more great  curated content with my newsletter Insights.
 

How To Master Saturation In Your Images

Saturation Is An Essential Key To The Success Of Your Images

One of the most distinctive features of a visual artist’s use of color is their use of saturation. When you think of Ansel Adams’ photographs, you think of neutral images rather than highly saturated ones. When you think of Matisse’s paintings, you think of supersaturated images rather than neutral ones. Think of your use of saturation as an essential element that will help you define your own signature style.
One of three elements of color (luminosity, hue, and saturation), saturation can give your images specific qualities of energy and light. Here are five things you can do with saturation: one, increase energy and impact; two, add complexity by revealing hidden hues; three, restore life to listless hues; four, calm colors that are distracting; or five, produce softer semi-neutral and pastel palettes.

Read more about Saturation here.

Together, Adobe Lightroom and Photoshop offer an impressive, almost overwhelming, array of possibilities for controlling saturation. Do three things before you choose a tool to adjust saturation with. First, understand and develop your eye for saturation. Second, adopt a consistent strategy for exploring the possibilities it offers your images. Third, understand the differences between the tools, both how they function and the effects they produce.

Know What To Look For

Knowing what to look for will help you choose a direction, a tool, and how far to go with it. It will also help you evaluate the results you produce – and quite possibly improve them further.


Insights Members can login to read the full article.
Email:
or Sign up

6 Great Art Museums To Visit In Maine

There’s lots of great art in Maine!

Here are six great museums presented geographically from north to south.

01_Colby 02_Colby

Waterville

Colby Museum of Art 

A collecting and teaching museum focussing on American art. It houses and displays the largest collection of John Marin and Alex Katz’ paintings as well as Richard Serra’s works on paper.

 

01_Farnsworth 02_Farnsworth 03_Farnsworth

 

Rockland

Farnsworth Museum

There’s always something new and old on view at the Farnsworth. The museum has one of the nation’s largest collections of works by sculptor Louise Nevelson. Its Wyeth Center features works of Andrew, N.C. and Jamie Wyeth, which is extended by the Olson House (Christina’s World) in nearby Cushing.

 

01_CMCA 02_CMCA

 

Rockland

Center For Maine Contemporary Art

A contemporary arts institution, presenting a year-round program of changing exhibitions featuring the work of emerging and established artists with ties to Maine.

 

01_Bowdoin 02_Bowdoin

 

Brunswick

Bowdoin College Museum of Art

Assyrian reliefs in Maine? And much more! The Bowdoin art collection includes Antiquities, European,and American collections including memorabilia from Winslow Homer’s nearby studio.

 

01_PMA 02_PMA 03_PMA

 

Portland

Portland Museum of Art

Significant holdings of American, European, and contemporary art, as well as iconic works from Maine, the museum brings it all to life with unparalleled programming, from special events, family activities, and community conversations to PMA Films, curator talks, and tours of the Winslow Homer Studio—it’s all happening at the PMA.

 

01_Ogunquit

28ogunquit - The view from the lobby sculpture gallery at the Ogunquit Museum of American Art has captivated artists--and visitors-- for many years. (Dan Gair/Ogunquit Museum of American Art)

 

 

 

 

 

 

 

 

 

Ogunquit

Ogunquit Museum of American Art

Celebrating its origins in Ogunquit’s art colonies it acquires, preserves, exhibits, and interprets American art.

Looking for more fun things to do?

maine-lighthouse-museum-mma01

Rockland

Maine Lighthouse Museum

One of the largest lighthouse museums in the United States.

 

the-owl-s-head-museum-is-a-hidden-gem-1476934434457-1000x674

Thomaston

Owl’s Head Transportation Museum

Its mission is to collect, preserve, exhibit and operate pre-1940 aircraft, ground vehicles, engines and related technologies significant to the evolution of transportation for the purpose of education. Special events offer car rallies and air shows.

mmm-1

Bath

Maine Maritime Museum

It sits on a 20-acre campus on the banks of the Kennebec River in “The City of Ships”. Daily cruises visit some of Maine’s most iconic lighthouses from the water and get an up-close look at Navy vessels under construction at Bath Iron Works.