The Dirty Dozen: Eliminating Common Imaging Mistakes – Mac Holbert’s first DVD is about to be released by Acme Educational.
Mac’s a pioneer in the field of digital printing. He’s also a dear friend. I can’t think of another person I’d rather teach digital printing workshops. We do it twice a year in special workshop sessions sponsored by Epson – The Fine Art of Digital Printing. (We just finished a great five day session at the Hallmark Institute of Photography.) Mac’s presentation on fine art workflow is first rate. I do similar workflow sessions in all of my workshops. We’ll be presenting a session on the topic together at PhotoPlus East this year. We also cover it in our Epson Print Academy sessions. It’s a corner stone of our workshop. And his new DVD covers many of the topics Mac demonstrates during these sessions.
Here’s what you’ll find on his DVD.
“When it come to fine art printing R. Mac Holbert along with Graham Nash started it all. If it was not for them fine art inkjet printing would not be what is today. Simply put Nash Editions is THE name in fine art printing and R. Mac Holbert is the talent behind that name. This DVD is the first of R. Mac Holbert’s Nash Editions Master Class. This is a truly unique opportunity to have access to the knowledge of one of the pioneering innovators of digital imaging.
Have you ever printed an image only to find you’ve overlooked a minor but critical mistake? Or have you made a small print, only to find a larger print shows issues that need to be fixed in Photoshop? Whether you print your own images or send them to a service, this Nash Editions Master Class DVD is an invaluable lesson on eliminating twelve common imaging mistakes. Distilled from 18 years of printmaking experience these elementary mistakes are made routinely, not only by the neophyte, but by the seasoned professional as well. Learning to avoid them will save you time, printing costs and ultimately will enable you to more precisely realize your vision on paper.
Learn how to correct contaminated neutrals with only one layer, doing the work of 4 -5 color correction layers. Learn how mid-tone contrast can add dimension to your images. Get these and other techniques on your workflow checklist, integrate them into your workflow and take your images from the ordinary to the extra-ordinary.”
Topics include …
Unreasonable File Size
Cross Purpose Layers
Incorrect Layer Stack
File Extension Issues
It’s $39.95 until it ships and $49.95 thereafter.
Check out Mac’s DVD here.
Find out more about The Fine Art of Digital Printing workshop here.
Find out about my The Fine Digital Print workshop series here.
Christine’s been working on images of projected light and screens. So she decided to explore presenting her images as screens with projected light. She found some alternate substrates – transparency, transparent material with a translucent backing, tissue paper, glossy film. We did a little brainstorming about presentation. We played with light and shadow. The light and shadow itself took on a presence in the presentation. Essential elements of photography, light and shadow, what photography represents and uses to represent, are beginning to be incorporated into the presentation – sometimes abstractly and dynamically. A whole new set of doors opened up. It’s important to explore the potential of new materials. After all, this is what has propelled photography all along, including fueling the digital revolution.
How many ways can you think of extending printmaking for your work?
These are the kinds of dialogs Mac Holbert and I have every day with participants in our the Fine Art of Digital Printing workshop during our extensive One on One and Review sessions.
Find out about the Hallmark Institute of Photography here.
Find out more about The Fine Art of Digital Printing workshop here.
Find out about my The Fine Digital Printing workshop series here.
Photoshop World is coming to he Mandalay Bay Resort & Casino Convention Center in Las Vegas, NV, September 4-6, 2008.
Held annually on the east and west coasts, Photoshop World is the official convention of the National Association of Photoshop Professionals. NAPP is the largest digital imaging and design association worldwide with more than 70,000 members in 105 countries. It’s the leading resource for Adobe Photoshop training, education and news. Now in its 10th year, Photoshop World is the largest Photoshop educational event in the world. There’s something for every type and skill level of Photoshop user. If you want to get up to speed on the latest developments in a short time, there’s no better place to do it. Dont’ miss the opening keynote session – there are always special announcements and previews of exciting upcoming developments.
The cost of this amazing event is $599 for members and $699 for nonmembers. (I highly recommend you become a member, even if you aren’t able to attend PhotoshopWorld.) You can get a $100 discount by registering before August 1.
It’s three days of world-class training by the best in the creative industry lead by Scott Kelby, NAPP president and the world’s bestselling computer and technology book author. This year’s conference offers the biggest and most comprehensive conference schedule. Attendees will choose from 100 classes taught by 40 of the best and most creative industry experts and instructors, including Jack Davis, Julieanne Kost, Jay Maisel, Joe McNally, Dan Margulis, Vincent Versace, Jeff Schewe, Ben Wilmore and many, many more.
I’ll be presenting in four sessions – the pre-con Epson Print Academy (Wednesday pm), The Fine Art of Digital (Friday pm), The Power of Color (Saturday am) and Drawing With Light(Saturday am).
You can see video highlights here.
You can see the complete list of instructors and their sessions here.
Find out more about all of my seminars here.
One of the exercises we do in my Fine Digital Print Expert workshop is to test our palettes. Take your signature image, or the strongest image in a body of work, and make many variations of it. Neutral, semi-neutral, low saturation, average saturation, high saturation, super saturation. Ideal color, ambient color, synthetic color. Etc. Compare the results side-by-side. By process of elimination choose the best solution. Then take your second strongest related image and see if the same palette is equally strong for it. If it is, you’ve found your zone for a body of work.
Many students are astonished at how much potential their images have. Consider John Myer’s image here. He’s torn between the fully saturated and semi-neutral versions. So he’s testing those two palettes on several other related images. With a just little more exploration, he’ll soon have his answers. Too often we commit to a solution before we explore our options. Sometimes we’re too timid with the kinds of explorations we allow ourselves. Take these steps at the beginning of every new body of work. The time you take to explore your options is well spent. It’s extremely rewarding.
Find out about my Fine Digital Print Workshop series here.
Find out about The Fine Digital Print Expert workshop here.