What In The World Is Color Grading – Why & How To Do It

Color grading can unify images of different subjects shot at different times and locations.

Correction Versus Grading

Many people use color correction and color grading interchangeably, but their intents are quite different, while both are post-production processes and often use the same tools. Color correction is an objective technical process where colors are adjusted to appear natural; color grading is a subjective artistic process where colors are enhanced to evoke time, atmosphere, physical sensations (like temperature), and/or emotions. Correction convinces minds (avoiding personal biases); grading provokes feelings (celebrating personal preferences).

Correct Before You Grade

For some (scientists, journalists, product photographers, and art reproduction), color correction is the first and last step. For others (artists, many fashion and portrait photographers), color correction is a necessary prelude to color grading. Producing a neutral base gets images ready for artistic effects. Clipped highlights and shadows, color casts, and too much or too little saturation can all get in the way of successfully color-grading images. Correction also produces consistency between multiple shots. You won’t need to customize the color grading for different images if they are first color-corrected. This can save a lot of time and confusion if you’re processing many images.

Things To Look For During Color Correction

1    Preserve shadow and highlight detail.

2    Remove color casts. Make neutrals truly neutral.

3    Set saturation neither too low nor too high.

      Monitor memory colors: skin, blue sky, green grass, etc.

Read more on 4 Ways To Achieve Neutrality.

Tools To Create Color Grades With


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How To Use Lightroom & Camera Raw’s Color Tool

“In this video we’ll look at a little-known/used tool with the selective adjustments in Lightroom and Photoshop Camera Raw. It’s the Color tool and we’ll really dive in to how it’s different than just the normal white balance settings for changing or adding color to your photos.”

Watch more from Matt Kloskowski here.
Learn more with my Color Adjustment resources.
Learn more in my digital photography and digital printing workshops.

10 Tips for Working in the Develop Module in Lightroom Classic

“Julieanne walks through 10 tips for working in the Develop Module in Lightroom Classic, including shortcuts for sliders and panels, customizing the interface, unique zoom options, and more!”

Find more from Julianne Kost here.
Learn more in my digital photography and digital printing workshops.

Use Presets To Quickly Reveal The Extraordinary Possibilities Hidden In One Image

Rushing towards perfect, you might miss it. Previsualization (seeing with your mind) is a fine start, but I recommend you use Lightroom to go further and visualize (see with your eyes). After exploring your options fully, you can perfect those results.

You can level up and speed up your game by using Lightroom’s Presets.

(Note, Camera Raw offers Presets that are identical to Lightroom.)

Virtual copies are the easiest way to make side-by-side comparisons.

Presets are the easiest way to preview the many possibilities one image contains.

Presets are also a great way to create a consistent look for two or more images. Once applied, you can tweak settings to optimize individual images while still preserving a unified style.

Presets can record any Edit setting(s) (one, many, or all) and apply them to any other image. A single click can produce results as subtle or dramatic as you like.

The many presets Adobe provides are a great starting point. You can make your own presets by customizing the defaults, by applying someone else’s, or by creating your own from scratch.

 

The Presets panel and the slider settings one preset produces.

How To Use Presets


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3 Photographic Noise Reducers Compared

Zero noise reduction

Adobe’s Camera Raw / Lightroom Manual Noise reduction

Imagenomic’s Noiseware

Adobe’s Camera Raw / Lightroom AI Noise Reduction

 

There’s noise in every file. This is why noise reduction is applied to every image you open in Camera Raw / Lightroom, unless you turn this default setting off.  What tool you use to remove noise depends on how much noise there is. Moving from a little to a lot, here are the three options and why you would choose one over the other.

1 – A little

If you’ve got only a little noise Adobe’s Manual Noise Reduction is up to the task.

Read more on Lightroom Manual Noise Reduction here.

2 – Some

If you’ve got significant noise in non Raw file formats (like JPEGs) or in layers in a Photoshop file, use Imagenomic’s Noiseware.

Read more on reducing noise with Noiseware here.

 

3 – A lot

If you’ve got substantial noise in a Raw file, use Adobe’s AI Noise Reduction.

Read more on Adobe’s AI Noise Reduction here.

In a nutshell, for Raw files choose Manual Noise Reduction (a little noise) or AI Noise Reduction (more than a little noise). For other file types use Imagenomic’s Noiseware.

Read more about noise here.
Learn more in my digital photography and digital printing workshops.

How To Use Adobe’s AI Noise Reduction

 

It’s a game-changer – and it will modify your workflow.

When processing image files, noise reduction used to be one of the last things I did; now, it’s the first thing I do, if I plan to use Adobe’s AI Noise Reduction.

When don’t I use it? When I’m processing files with only a little noise and Adobe’s Manual Noise Reduction has no problem getting the task done.

Whenever I encounter substantial image noise, Adobe’s AI Noise Reduction is the best solution currently available, bar none.

It’s really easy to use; that’s an understatement.

1

Click Denoise and in the new Enhance window set Amount.

Start at 100 and lower the value until edges look crisp and realistic texture is restored.

Applying Denoise will automatically apply Raw Details.

2

If, and only if, you want to upres an image (4X larger) check Super Resolution. 

In many cases it’s unnecessary, but when it’s needed it’s exceptional.

3

Click Enhance.

The results will be saved in a new DNG file.

When you continue processing the new DNG file, Manual Noise Reduction sliders will be set to zero, but still available, though no longer needed in the vast majority of cases.

You’d think something this sophisticated would be more complicated. It’s not. Welcome to the new world of AI.

Read Eric Chan’s detailed explanation here.

Read more about noise here.
Learn more in my digital photography and digital printing workshops.

How To Automate Your Photo Editing With Presets In Lightroom

“Discover how to save time editing photos with one-click transformations in this tutorial with Adobe’s Principal Evangelist Julieanne Kost (@jkost), who shares her top tips for creating, using, and downloading presets in Adobe Lightroom.

Watch along to learn how to save your photo editing adjustments and apply them with just one click.”

00:00 – Creating, using, and downloading presets in Adobe Lightroom
00:20 – What are presets?
00:48 – How to use presets in Lightroom?
01:33 – Adaptive presets
02:35 – How to create your own presets.
03:04 – Using presets on your phone or tablet.
03:54 – Download free Lightroom presets.

Find more from Julianne Kost here.
Learn more in my digital photography and digital printing workshops.

How To Color Grade For Emotion In Your Photographs – Plus Use Presets To Explore Options Quickly


“Give your photo a storytelling edge, instill mood and emotions, and transform a nice photo into a cinematic one.”

“Discover how to save time editing photos with one-click transformations in this tutorial with Adobe’s Principal Evangelist Julieanne Kost (@jkost) who shares her top tips for creating, using and downloading presets in Adobe Lightroom.”

For more check out Julieanne’s blog.
Read more in my Color Adjustment resources.
Learn more in my digital photography and digital printing workshops.

Everything You Need to Know About Point Color in Adobe Camera Raw

“The new Point Color feature in Lightroom and Adobe Camera Raw enables more powerful and precision color editing than even before. In this video you’ll learn how to use Point Color to make adjustments based an all three dimensions (Hue, Saturation, and Luminosity). While Point Color is designed to be easy to use (you can simply sample a color and start making adjustments), this in-depth video also points out key differences between Point Color and Color Mixer and demonstrates how to use the range sliders to achieve the exact color adjustments that you’re after. Point Color is available both when making edits to the entire image and when adjusting only a portion of an image using masking.”

For more check out Julieanne’s blog.
Read more in my Color Adjustment resources.
Learn more in my digital photography and digital printing workshops.

 

How To Fix Color Casts In Photographs With Photoshop’s New Point Color

Colin Smith shows you how to eliminate ugly color casts and weird shadows with effortless ease in Photoshop, using the new point color tool in Camera RAW.

View more from Colin Smith here.
Learn more in my digital photography and digital printing workshops.