12 Quotes By Photographer Arthur Meyerson

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Enjoy this collection of quotes by photographer Arthur Meyerson.
“I usually am going out there in a very “open” state of mind and, therefore, my choices are totally instinctual based on whatever is in front of me.” – Arthur Meyerson
“At almost every workshop I’ve taught, someone will come up and ask me what they should shoot and/or where they should go to shoot. I try to explain that photography is a process… a process of discovery. Not only do you discover things to shoot, you discover things about yourself as a photographer. And, you discover what your interests really are and how best to capture those subjects. One suggestion I always make is to avoid preconceptions. Planning can be highly overrated. Don’t go out there with a definitive idea of what you want to shoot. Leave yourself open to chance… whether it’s the light, a moment, etc. This way you will avoid being disappointed by what you don’t find and instead be amazed by what you do!” – Arthur Meyerson
“The type of photographs that I make are more about a response to light.” – Arthur Meyerson
“I began to feel that if I was a good photographer I should be able to produce strong images all day long regardless of the time of day, weather, location or subject. So, it is important to learn to play the hand that’s dealt to you.” – Arthur Meyerson
“I started in black and white and later moved to color. Many have equated this to learning to draw before learning to paint.” – Arthur Meyerson
“For me, a good color photograph has always been more difficult to create than a good black and white image.” – Arthur Meyerson
“There are a couple of tests I apply to determine the strength of a color photograph. First, if I transpose it to black and white, is the image stronger? If yes, then I feel I have failed. In a color photograph, color must be part of the total equation. The next test is time. Print the photo, hang it on the wall, look at it everyday. Have I grown bored with it? Does the color still add? Does the photograph still resonate with me?” – Arthur Meyerson
“All the colors in the image work together within the composition and add to the overall image…. allowing me to express what I can’t express otherwise.” – Arthur Meyerson
“One of the great lessons that I learned from Ernst Haas in working with color, was to throw the picture out of focus, thus, eliminating the subject and then allowing you to see how the colors balance.” – Arthur Meyerson
“Early on, I realized that a graphic image, among other things, can be a useful tool. It can provide an exclamation point to an image. It can become a great simplifier to complex image. It can become an abstraction. It can become the image. At it’s best, it can take the viewer into a whole other world. On the other hand, an overly graphic image can create a very quick “Wow!” sensation and then upon further viewing, lose that original power because it has been discovered. I think the best graphic images are those where the compositions are less obvious and/or include a counterpoint.” – Arthur Meyerson
“I have always felt that my most successful photographs are like short stories; they say the most with the least. The best photographs don’t always have stories with answers; sometimes they’re stories that ask questions. And, sometimes they’re not stories at all; instead they may be visual poems.” – Arthur Meyerson
“When you shoot an assignment, you owe it to the client to try it their way; you owe it to yourself to do it your way and if they don’t like either, you’ll be hitting the highway.” – Arthur Meyerson
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10 Quotes By Photographer Irving Penn

 
Enjoy this collection of quotes by photographer Irving Penn.
“I can get obsessed by anything if I look at it long enough. That’s the curse of being a photographer.” – Irving Penn
“A good photograph is one that communicate a fact, touches the heart, leaves the viewer a changed person for having seen it. It is, in a word, effective.” – Irving Penn
“I myself have always stood in the awe of the camera. I recognize it for the instrument it is, part Stradivarius, part scalpel.” – Irving Penn
“A beautiful print is a thing in itself, not just a halfway house on the way to the page.” – Irving Penn
“Over the years I must have spent thousands of hours silently brushing on the liquid coatings, preparing each sheet in anticipation of reaching the perfect print.” – Irving Penn
“I’ve tried a few times to depart from what I know I can do, and I’ve failed. I’ve tried to work outside the studio, but it introduces too many variables that I can’t control. I’m really quite narrow, you know.” – Irving Penn
“Sensitive people faced with the prospect of a camera portrait put on a face they think is the one they would like to show to the world… Every so often what lies behind the facade is rare and more wonderful than the subject knows or dares to believe.” – Irving Penn
“Many photographers feel their client is the subject. My client is a woman in Kansas who reads Vogue. I’m trying to intrigue, stimulate, feed her. My responsibility is to the reader. The severe portrait that is not the greatest joy in the world to the subject may be enormously interesting to the reader.” – Irving Penn
“What I really try to do is photograph people at rest, in a state of serenity.” – Irving Penn
“I feed on art more than I ever do on photographs. I can admire photography, but I wouldn’t go to it out of hunger.” – Irving Penn
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7 Quotes By Photographer Harold Edgerton

 
Enjoy this collection of quotes by photographer Harold Edgerton.
“If you don’t wake up at three in the morning and want to do something, you’re wasting your time. ” – Harold Egerton
“When I was a boy, I read with great interest but skepticism about as magic lamp which was used with success by a certain Aladdin. Today I have no skepticism whatsoever about the magic of the xenon flash lamp which we use so effectively for many purposes.” – Harold Egerton
“The trick to education is to teach people in such a way that they don’t realize they’re learning until it’s too late.” – Harold Eugene Edgerton
“We worked and worked, didn’t get anywhere. That’s how you know you’re doing research.” – Harold Egerton
“In many ways, unexpected results are what have most inspired my photography.” – Harold Egerton
“Don’t make me out to be an artist. I am an engineer. I am after the facts, only the facts.” – Harold Egerton
“Work like hell, tell everyone everything you know, close a deal with a handshake, and have fun.” – Harold Egerton
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18 Quotes By Photographer Edward Burtynsky

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Enjoy this collection of quotes by photographer Edward Burtynsky.
“[Taking good images] is about knowing oneself and trying to listen to that kind of intuitive forces that allow you to respond more positively to one image or to one subject over another and pay attention to that emotion and to follow that and also to be aware of it.” – Edward Burtynsky
“I think you learn about pictures in yourself … being true to things that you personally respond to and this is the only way you find your original voice, by following your own instinct.” – Edward Burtynsky
“You need to have an inquiring mind. You have to ask questions (…), not accept what is given, but say: “Why is it so?” And it is in that kind of asking that you begin to get behind some of the issues that allow the world appear the way it does. So if you just accept the world the way it is and don’t question it I can’t see how you can go far creatively.” – Edward Burtynsky
“Sometimes you don’t know why you’re doing something. You’re intuitively following, to see where it leads.” – Edward Burtynsky
“Somebody referred to what I do as subliminal activism, which I like.” – Edward Burtynsky
“I wish my artwork could persuade millions of people to join a global conversation about sustainability.” – Edward Burtynsky
“We come from the nature and we have to understand what it is, because we are conected to it and we are part of it. And if we destroy nature we destroy ourselves” – Edward Burtynsky
“Nature transformed through industry is a predominant theme in my work. I set course to intersect with a contemporary view of the great ages of man; from stone, to minerals, oil, transportation, silicon, and so on. To make these ideas visible I search for subjects that are rich in detail and scale yet open in their meaning. Recycling yards, mine tailings, quarries and refineries are all places that are outside of our normal experience, yet we partake of their output on a daily basis.
These images are meant as metaphors to the dilemma of our modern existence; they search for a dialogue between attraction and repulsion, seduction and fear. We are drawn by desire – a chance at good living, yet we are consciously or unconsciously aware that the world is suffering for our success. Our dependence on nature to provide the materials for our consumption and our concern for the health of our planet sets us into an uneasy contradiction. For me, these images function as reflecting pools of our times.” – Edward Burtynsky
“Like all animals, human beings have always taken what they want from nature. But we are the rogue species. We are unique in our ability to use resources on a scale and at a speed that our fellow species can’t.” – Edward Burtynsky
“I’m working in this very complex set of issues having to do with who we are as a species and how much we can do to the Earth before it starts to buckle under. My work can easily read as an indictment, but I don’t see it as that simple a problem.” – Edward Burtynsky
“I can go into the wilderness and not see anyone for days and experience a kind of space that hasn’t changed for tens of thousands of years. Having that experience was necessary to my perception of how photography can look at the changes humanity has brought about in the landscape. My work does become a kind of lament.” – Edward Burtynsky
“Industrial landscape – define us and our belonging to the planet.” – Edward Burtynsky
“Water, like many other resources, is harvested, transported and used throughout all aspects of society. Unlike other resources, water is critical to the survival of all forms of life. The underlying question that sits at the core of my exploration is to what degree can we shape water before it begins to shape us.” – Edward Burtynsky
“I think the environmental movement has failed in that it’s used the stick too much; it’s used the apocalyptic tone too much; it hasn’t sold the positive aspects of being environmentally concerned and trying to pull us out.” – Edward Burtynsky
“Digital photography and Photoshop have made it very easy for people to take pictures. It’s a medium that allows a lot of mediocre stuff to get through.” – Edward Burtynsky
“I wish I could create an IMAX film that would make my work accessible to a broader audience.” – Edward Burtynsky
“I wish we could launch a ground-breaking competition that motivates kids to invent new ideas in sustainable living.” – Edward Burtynsky
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