21 Quotes By Photographer Fredrick Sommer

 
Enjoy this collection of quotes by photographer Fredrick Sommer.
“The only way to understand something is to be confronted by something that is difficult to understand.” – Frederick Sommer
“Everything is shared by everything else; there are no discontinuities.” – Frederick Sommer
“The coherent way of investigating any field is to examine its possible relatedness to other things.” – Frederick Sommer
“Photography is a distributive act leading to a privileged condition.” – Frederick Sommer” – Fred Sommer
“Life itself is not the reality. We are the ones who put life into stones and pebbles.” – Frederick Sommer
“Some speak of a return to nature. I wonder where they could have been.” – Frederick Sommer
“… art is images you carry. You cannot carry nature with you, but you carry images of nature. When you go out to make a picture you find you are moved by something which is in agreement with an image you already held within yourself.” – Frederick Sommer
“The field of action of a photograph should be that chessboard of the heart and mind upon which poetry and art have always operated.” – Frederick Sommer
“My photographs are not pure: they are a seething wealth of imperfection.” – Frederick Sommer
“Poetic and speculative photographs can result if one works carefully and accurately, yet letting chance relationships have full play.” – Frederick Sommer
“If I could find them (assemblages) in nature I would photograph them. I make them because through photography I have a knowledge of things that can’t be found.” – Frederick Sommer
“Art is not arbitrary. A fine painting is not there by accident; it is not arrived at by chance.” – Frederick Sommer
“Art and accident are one.” – Frederick Sommer
“Choice and chance structure art and nature.” – Frederick Sommer
“Ideas and thoughts collide and sort themselves out in these fruitful collisions.” – Frederick Sommer
“Ideas and art are the possibility of an answer tomorrow.” – Frederick Sommer
“Art accepts what it finds.” – Frederick Sommer
“In total acceptance, almost everything becomes a revelation.” – Frederick Sommer
“Art is the splendor of reality before everything has become meaning.” – Frederick Sommer
“Reality is greater than our dreams.” – Frederick Sommer
“We work for that part of our vision which is uncompleted.” – Frederick Sommer
View 12 Great Photographs By Fredrick Sommer.
View a documentary on Fredrick Sommer.
Read more in The Essential Collection Of Photographer’s Quotes.

32 Quotes By Photographer Walker Evans

 
Enjoy this collection of quotes by photographer Walker Evans.
“The eye traffics in feelings, not in thoughts.” ― Walker Evans,
“Stare. It is the way to educate your eye, and more. Stare, pry, listen, eavesdrop. Die knowing something. You are not here long.” – Walker Evans
“Whether he is an artist or not, the photographer is a joyous sensualist, for the simple reason that the eye traffics in feelings, not in thoughts.” – Walker Evans
“I think there is a period of esthetic discovery that happens to a man and he can do all sorts of things at white heat.” – Walker Evans
“With the camera, it’s all or nothing. You either get what you’re after at once, or what you do has to be worthless. I don’t think the essence of photography has the hand in it so much. The essence is done very quietly with a flash of the mind, and with a machine. I think too that photography is editing, editing after the taking. After knowing what to take, you have to do the editing.” – Walker Evans
Interviewer: “Do you think it’s possible for the camera to lie?”
Walker Evans: “It certainly is. It almost always does.” – Walker Evans
“I’m sometimes called a ‘documentary photographer’ but… a man operating under that definition could take a sly pleasure in the disguise. Very often I’m doing one thing when I’m thought to be doing another.” – Walker Evans
“Documentary: That’s a sophisticated and misleading word. And not really clear… The term should be documentary style… You see, a document has use, whereas art is really useless.” – Walker Evans
“I used to try to figure out precisely what I was seeing all the time, until I discovered I didn’t need to. If the thing is there, why, there it is.” – Walker Evans
“Detachment, lack of sentimentality, originality, a lot of things that sound rather empty. I know what they mean. Let’s say, “visual impact” may not mean much to anybody. I could point it out though. I mean it’s a quality that something has or does not have. Coherence. Well, some things are weak, some things are strong…” – Walker Evans
“What I believe is really good in the so-called documentary approach to photography is the addition of lyricism. This quality is usually produced unconsciously and even unintentionally and accidentally by the cameraman.” – Walker Evans
“The secret of photography is, the camera takes on the character and personality of the handler.” – Walker Evans
“When I first made photographs, they were too plain to be considered art and I wasn’t considered an artist. I didn’t get any attention at all. The people who looked at my work thought, well, that’s just a snapshot of the backyard. Privately I knew otherwise and through stubbornness stayed with it…” – Walker Evans
“I began to wonder – I knew I was an artist or wanted to be one – but I was wondering whether I really was an artist. I was doing such ordinary things that I could feel the difference. Most people would look at those things and say, ‘Well, that’s nothing. What did you do that for? That’s just a wreck of a car or a wreck of a man. That’s nothing. That isn’t art.’ They don’t say that anymore. – Walker Evans
“Leaving aside the mysteries and the inequities of human talent, brains, taste, and reputations, the matter of art in photography may come down to this: it is the capture and projection of the delights of seeing; it is the defining of observation full and felt.” – Walker Evans
“The meaning of quality in photography’s best pictures lies written in the language of vision. That language is learned by chance, not system; …our overwhelming formal education deals in words, mathematical figures and methods of rational thought, not in images.” – Walker Evans
“The photographs are not illustrative. They, and the text, are coequal, mutually independent, and fully collaborative. By their fewness, and by the importance of the reader’s eye, this will be misunderstood by most of that minority which does not wholly ignore it. In the interests, however, of the history and future of photography, that risk seems irrelevant, and this flat statement necessary.” – Walker Evans
“Somewhere in our search for reality we have passed something by, something important that we no longer find amid the bits and pieces of disassembled matter-something vital that we cannot build out of these parts. There is surely something else, some piece of divinity in us, something that was before the elements, and that owes no homage to the sun.” – Walker Evans
“It is easy to imagine fantasy as physical and myth as real. We do it almost every moment. We do this as we dream, as we think, and as we cope with the world about us. But these worlds of fantasy that we form into the solid things around us are the source of our discontent. They inspire our search to find ourselves.” – Walker Evans
“I work rather blindly. I have a theory that seems to work with me that some of the best things you ever do sort of come through you. You don’t know where you get the impetus and response to what’s before your eyes.” – Walker Evans
“I do note that photography, a despised medium to work in, is full of empty phonies and worthless commercial people. That presents quite a challenge to the man who can take delight in being in a very difficult, disdained medium.” – Walker Evans
“I say half jokingly that photography is the most difficult of the arts. It does require a certain arrogance to see and to choose. I feel myself walking on a tightrope instead of on the ground.” – Walker Evans
“Good photography is unpretentious.” – Walker Evans
“Do we know what we look like? Not really.” – Walker Evans
“…nature photographs downright bore me for some reason or other. I think: ‘Oh, yes. Look at that sand dune. What of it?’” – Walker Evans
“Photography is not cute cats, nor nudes, motherhood or arrangements of manufactured products. Under no circumstances it is anything ever anywhere near a beach.” – Walker Evans
“Incidentally, part of a photographer’s gift should be with people. You can do some wonderful work if you know how to make people understand what you’re doing and feel all right about it, and you can do terrible work if you put them on the defense, which they all are at the beginning. You’ve got to take them off their defensive attitude and make them participate.” – Walker Evans
“It’s easy to photograph light reflecting from a surface, the truly hard part is capturing the light in the air.” – Walker Evans
“Privilege, if you’re very strict, is an immoral and unjust thing to have, but if you’ve got it you didn’t choose to get it and you might as well use it. You’re privileged to be at Yale, but you know you’re under an obligation to repay what’s been put into you.” – Walker Evans
“I never took it upon myself to change the world. And those contemporaries of mine who were going around falling for the idea that they were going to bring down the United States government and make a new world were just asses to me.” – Walker Evans
“It’s too presumptuous and naïve to think you can change society by a photograph or anything else… I equate that with propaganda; I think that’s a lower rank of purpose.” – Walker Evans
“Die knowing something. You’re not here long.” ― Walker Evans
See more in 12 Great Photographs By Great Photographers.
View more in The Essential Collection Of Documentaries On Photographers.
Read more in The Essential Collection Of Quotes By Photographers.

27 Quotes By Photographer Gary Winogrand

 
Enj0y this collection of quotes by photographer Gary Winogrand.
“Photography is not about the thing photographed. It is about how that thing looks photographed.” – Garry Winogrand
“The photo is a thing in itself. And that’s what still photography is all about.” – Garry Winogrand
“I photograph to find out what something will look like photographed.” – Garry Winogrand
“I have a burning desire to see what things look like photographed by me.” – Garry Winogrand
“Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts.” – Garry Winogrand
“In the end, maybe the correct language would be how the fact of putting four edges around a collection of information or facts transforms it. A photograph is not what was photographed, it’s something else.” – Garry Winogrand
“The photograph should be more interesting or more beautiful than what was photographed.” – Garry Winogrand
“There is nothing as mysterious as a fact clearly described I like to think of photographing as a two way act of respect. Respect for the medium, by letting it do what it does best, describe. And respect for the subject, by describing it as it is. A photograph must be responsible to both.” – Garry Winogrand
“What I write here is a description of what I have come to understand about photography, from photographing and from looking at photographs. A work of art is that thing whose form and content are organic to the tools and materials that made it. Still photography is a chemical, mechanical process. Literal description or the illusion of literal description, is what the tools and materials of still photography do better than any other graphic medium. A still photograph is the illusion of a literal description of how a camera saw a piece of time and space. Understanding this, one can postulate the following theorem: Anything and all things are photographable. A photograph can only look like how the camera saw what was photographed. Or, how the camera saw the piece of time and space is responsible for how the photograph looks. Therefore, a photograph can look any way. Or, there’s no way a photograph has to look (beyond being an illusion of a literal description). Or, there are no external or abstract or preconceived rules of design that can apply to still photographs. I like to think of photographing as a two-way act of respect. Respect for the medium, by letting it do what it does best, describe. And respect for the subject, by describing as it is. A photograph must be responsible to both.” – Garry Winogrand
“Photographers mistake the emotion they feel while taking the picture as judgment that the photograph is good.” – Garry Winogrand
“If I saw something in my viewfinder that looked familiar to me, I would do something to shake it up.”- Garry Winogrand
“You see something happening and you bang away at it. Either you get what you saw or you get something else – and whichever is better you print.” – Garry Winogrand
“There is no special way a photograph should look.” – Garry Winogrand
“A photograph can look any way.” – Garry Winogrand
“Every photograph is a battle of form versus content.” – Garry Winogrand
“Photos have no narrative content. They only describe light on surface.” – Garry Winogrand
“For me the true business of photography is to capture a bit of reality (whatever that is) on film… if, later, the reality means something to someone else, so much the better.” – Garry Winogrand
“I don’t have messages in my pictures…The true business of photography is to capture a bit of reality (whatever that is) on film.” – Garry Winogrand
“I don’t have anything to say in any picture. My only interest in photography is to see what something looks like as a photograph. I have no preconceptions.” – Garry Winogrand
“I get totally out of myself. It’s the closest I come to not existing, I think, which is the best – which is to me attractive.” – Garry Winogrand
“I really try to divorce myself from any thought of possible use of this stuff. That’s part of the discipline. My only purpose while I’m working is to try to make interesting photographs, and what to do with them is another act – an alter consideration. Certainly while I’m working, I want them to be as useless as possible.” – Garry Winogrand
“No one moment is most important. Any moment can be something.” – Garry Winogrand
“The only thing that’s difficult is reloading when things are happening. Can you get it done fast enough?” – Garry Winogrand
“There are no photographs while I’m reloading” – Garry Winogrand
“You have a lifetime to learn technique. But I can teach you what is more important than technique, how to see; learn that and all you have to do afterwards is press the shutter.” – Garry Winogrand
“There are things I back off from trying to talk about, you know. Particularly my own work. Also, there may be things better left unsaid. At times I’d much rather talk about other (people’s) work.” – Garry Winogrand
“Great photography is always on the edge of failure.” – Garry Winogrand
 View 12 Great Photographs By Gary Winogrand here.
Read more in The Essential Collection Of Photographer’s Quotes.

31 Quotes By Photographer Elliot Erwitt

 
“It’s about time we started to take photography seriously and treat it as a hobby.” – Elliott Erwitt
“I’m an amateur photographer, apart from being a professional one, and I think maybe my amateur pictures are the better ones.” – Elliott Erwitt
“I’ll always be an amateur photographer.” – Elliott Erwitt
“I’m not a serious photographer like many of my contemporaries. That is to say, I am serious about not being serious.” – Elliott Erwitt
“It’s just seeing – at least the photography I care about. You either see or you don’t see. The rest is academic. Anyone can learn how to develop. It’s how you organize what you see into a picture.” – Elliott Erwitt
“Making pictures is a very simple act. There is no great secret in photography…schools are a bunch of crap. You just need practice and application of what you’ve learned. My absolute conviction is that if you are working reasonably well the only important thing is to keep shooting…it doesn’t matter whether you are making money or not. Keep working, because as you go through the process of working things begin to happen.” – Elliott Erwitt
“Photography is pretty simple stuff. You just react to what you see, and take many, many pictures.” – Elliott Erwitt
“To me, photography is an art of observation. It’s about finding something interesting in an ordinary place…. I’ve found it has little to do with the things you see and everything to do with the way you see them.” – Elliott Erwitt
Read More

17 Quotes By Photographer John Sexton

008_Trees_Blowing_Snow_500[1]
Enjoy this collection of quotes by photographer John Sexton.
“It is light that reveals, light that obscures, light that communicates. It is light I “listen” to. The light late in the day has a distinct quality, as it fades toward the darkness of evening. After sunset there is a gentle leaving of the light, the air begins to still, and a quiet descends. I see magic in the quiet light of dusk. I feel quite, yet intense energy in the natural elements of our habitat. A sense of magic prevails. A sense of mystery. It is a time for contemplation, for listening – a time for making photographs.” – John Sexton
“I think the greatest photographers are the amateur photographers who do it because they love it. Arnold Newman is a good example; he is a consummate professional, but he’s also an ‘amateur’ in the pure sense of the word.” – John Sexton
“When I’m about ready to press the cable release on the View camera, I’ve tried to anticipate some of the challenges I’m going to encounter in the darkroom.” – John Sexton
“Some times I’ll peek out from underneath the focusing cloth and just look around the edges of the frame that I’m not seeing, see if there’s something that should be adjusted in terms of changing the camera position.” – John Sexton
“Pictures you have taken have an influence on those that you are going to make.” – John Sexton
“The reason I do workshops is so I can learn, and I am fortunate that I’ve probably gained more from the whole experience of teaching than any one participant has. It is all about asking.” – John Sexton
“A photographer needs to be a good editor of negatives and prints! In fact, most of the prints I make are for my eyes only, and they are no good. I find the single most valuable tool in the darkroom is my trash can – that’s where most of my prints end up.” – John Sexton
“Many photographers are consumed with the idea of making beautiful contact sheets. I am far more interested in making the best final print I can.” – John Sexton
“For me the printing process is part of the magic of photography. It’s that magic that can be exciting, disappointing, rewarding and frustrating all in the same few moments in the darkroom.” – John Sexton
“I’ve found even after nearly 30 years of doing this, there are all kinds of new surprises that rear their heads at various times and I truly believe that 51% of the images, success takes place in the darkroom.” – John Sexton
“There is a considerable amount of manipulation in the printmaking from the straight photograph to the finished print. If I do my job correctly that shouldn’t be visible at all, it should be transparent.” – John Sexton
“I support any procedure that allows photographers to express themselves, whether that involves color, black and white, platinum, palladium and digital technology.” – John Sexton
“I find the surface of a photograph a thing of beauty in and of itself, and it is this surface that makes a photograph unique relative to other two-dimensional media.” – John Sexton
“Whatever it takes to get the image to reach that level is what that photographer needs to do.” – John Sexton
“When the object that is produced, the photographic image has the ability to make tears come to your eyes; to inspire you to the point where you have to catch your breath, then nothing else matters.” – John Sexton
“We all start in this medium because of the magic and the challenge is to keep it going.” – John Sexton
“I really don’t have any secrets. I’ve never met a photographer whose work I respected that had a secret because the secret lies within each and every one of us.” – John Sexton
View 12 Great Photographs By John Sexton here.
Watch a documentary on John Sexton here.

Find more quotes in The Essential Collection Quotes By Photographers.