Seth Resnick and Jamie Spritzer offer phenomenal workflow workshops – D-65. Seth and Jamie’s wisdom is apparent from the start. It’s not a my way or the high way approach. They realize workflow is dynamic and needs to be modified for the needs of the situation and individual. So they teach principles and strategies that are universal before delving into specifics. Offering a workflow they feel is ideal, they encourage you to adapt their recommendations for your specific needs, with a thorough understanding of why you do what you do and what the repercussions are. The big concepts are as or more important than the details. Efficient and consistent workflow practices increase both productivity and quality. I can’t imagine anyone, no matter what their level, not improving their workflow after taking a D65 workshop.
I’ve been saying for years that my fine art workflow is not the workflow that I should use on the weekends when my client is my mother. Mom wants lots of reasonably good JPEGs of my son, yesterday, not one perfect 2 gig file next year. I need my fine art workflow on weekdays. I need Seth’s workflow on weekends. I need different workflows for different situations. We all do.
I really need to know more about keywords and hierarchies – soon. Keywording isn’t just about my finding my images efficiently. It’s also about other people finding my images efficiently. Seth is THE master of metadata. He’s not only a great photographer, he’s a contemporary linguist. He knows all the keywords and keywording strategies that make his images incredibly accessible to anyone. I often present a slideshow of my work in Antarctica and in it I show work by the other photographers I cotaught with, including Seth. A few of his images are on my computer. When I search for Antarctica on my computer his images come up at the top of any search. When I hover over his files in Bridge I see the descriptive paragraphs he’s added to his files. Now I use his images to research my trip. Amazing.
I wish I could stay for more than one day of Seth Resnick and Jamie Spritzer’s D-65 workflow workshop this week. I love hanging out with Seth and Jamie because they’re so much fun. I need D-65 professionally too. So, my wife and I are going to attend D-65’s upcoming sessions in Miami: 2-Day Advanced Lightroom (5/29/09- 5/30/09); 1-Day Web Workshop (5/31/09); 1-Day Business Workshop (6/1/09).
Check out D-65 here.
Check out their book The Photoshop Lightroom Workbook here.
One of the things I do at the beginning of each year is register my copyright for my images.
Registering your copyright is easy.
You can even do it online now.
Find out all you need to know here.
You don’t have to pay a registration fee for each image. You can register them in groups. I register my work in groups annually – i.e. new work 2008. If you’ve never registered before, you can register all your images for one fee – work to date.
If your work is published (or made public) consider registering more frequently. How frequently depends on you and the kind of work you do. Some photographers register their copyright when they deliver a job – every job.
You don’t have to register copyright to have ownership of your rights, they’re yours automatically. Registering your copyright is useful if your rights are infringed – in negotiations before going to court offenders are much more likely to settle out of court and if you go to court you’ll be able to recover your legal expenses as part of a suit.
Seth Resnik offers fantastic resources online to help you cut to the chase with this process and get it done exceptionally well in minimal time. Get them here.
Stephen Wilkes, Eric Meola, Walter Ioos, Andrew Rodney, Katrin Eismann, Seth Resnick, John Paul Caponigro and many others send up Greg Gorman’s workshops in this online video. It’s funny.
Check out Greg Gorman’s workshops here.
Check out my workshops here.