In this freewheeling conversation I range widely through my life in photography, my influences, and my projects (in particular what I’ve been doing during quarantine). Seth Resnick, Jeff Schewe, and Michael Newler pipe in profusely. Seth embarrasses me with whacky candids at the end.
Find past Cornicello conversations here.
Find upcoming Cornicello conversations here.
We just got back from our recent DPD workshop in Greenland’s Scoresbysund, the largest and fastest moving ice fiord system in the world.
Seth Resnick continued to explore his fascination with abstraction, getting in close and finding optical illusions.
View more of Seth Resnick’s images from Greenland here.
Find out about our Greenland Photography Workshops here.
Find out about our Antarctica Photography Workshops here.
I create and curate a lot of content on creativity, art, and photography.
Here I’ve collected some invaluable resources for finding, energizing, and deepening your creative vision.
You’ll get a great taste for the content on creativity we offer in our Digital Photo Destinations Workshops.
Seth Resnick @ B&H – Seeing Color & Enhancing Creativity
John Paul Caponigro @ TEDx – You’re Created To Be Creative
John Paul Caponigro @ Google – The Creative Process
John Paul Caponigro @ Austin Talks – Find Your Way
Gregory Heisler highlights the importance of doing things your way.
Gregory Heisler @ Creative Live – Embracing Your Uniqueness
David Duchemin writes soulfully about cultivating your vision.
David DuChemin – Your Next Step : Authentic Work
David Duchemin – Finding Vision ?
David DuChemin – Chasing Photographic Style
David DuChemin – Vision And Voice
Hungry for more? Savor this book.
Thomas Moore’s – Original Self
Want to find out more about my creative process?
Check out my ebook Process.
The big take away? Creativity is an evolving process of discovery. If you simply engage the process with an open mind and a willingness to try new things, you’ll be uplifted by the surprises it holds for you. And, with mindful practice, you can start to influence the courses your creative life takes to make it more likely that you’ll get the results you desire most. Dream, act, fulfill them.
You’ll find more content like this in my newsletter Insights.
Sign up for my newsletter Insights here.
“At B&H’s Optic 2018, photographer Seth Resnick discusses color, enhancing creativity, and processes you can employ to make better images and improve your photography. He stresses the importance of being aware of the details in your environment and mentally taking note of what you see BEFORE you start shooting with your camera.”
Learn more about Seth Resnick here.
Find out more about our Digital Photo Destinations Workshops here.
Seth Resnick and I just returned from two stellar Namibia photography workshops that focused on its world class dune fields. Here’s a selection of my favorites.
Seth shared his working process and ranking system.
“When I am in the field I rank my images and create rough drafts or sketches. From the sketches I create my best images for my portfolio and galleries. In order to get to a point that I can clearly call an image a portfolio piece I must live with it for awhile and have it stand the test of time. I have assembled all of my “sketches” from Namibia soI I can start making final selections for prints and exhibition.”
“The editing process is very important to me. I shot close to 8000 images. I rank all the images and my ranking is essentially a 1 is an idea that doesn’t quite work. They get deleted instantly. A 2 is a solid idea that has a stage but no actor or an actor and no stage but the idea is solid. They are also deleted. A 3 is well a good college try. It is a solid image but it is lacking something. Three;s that can become 4’s are kept. I want to see if a 3 may be come a four with processing. A three that stays a 3 is deleted. A 3 that can become a 4 is kept. A 4 is a truly solid strong image and one to be proud of. A 5 is portfolio image that will have a long life. I make a gallery with the images that have a 3+ or greater ranking and then I live with them and narrow it down. In the end I will likely take 5 of these into exhibitions and portfolio.”
View more of Seth’s images here.
View more Namibia posts here.
Here are a few images from Digital Photo Destinations 2012 Arctic Voyage.
View more alumni images from our Iceland 2012 Adventure.
Seth Resnick, Arthur Meyerson, Ragnar Th Sigurdsson and I had a great time with a fantastic group of people while photographing three arctic islands this month – Svalbard, Greenland, and Iceland. Polar bears, reindeer, walrus, whales, and countless birds populated the diverse and historic arctic landscapes we passed through. Cryophilia (love of ice) set in when we entered one of the largest fjord systems in the world – Scorsbysund, Greenland. We’re all excited to return to Greenland and see more, which already we’ve begun plans for.
There’s limited space left in our Antarctica 2013 Voyage.
We’ll be announcing our Iceland Northern Lights 2013 workshop soon.
If you’d like to join us for a future adventure / voyage email email@example.com.
Geir Morten Skeie
People keep asking Seth Resnick and I why we keep returning to Antarctica.
We’ve made four trips and every trip was different. We visit new locations; there are over 40 locations cruises land at and with each visit we get to visit an average of 12. The ice conditions are always different; one month can make a big difference. Surprisingly, the thing that we’ve found makes the biggest difference is the weather, which affects the light dramatically. We saw riotous colors during four hour long sunsets on our 2005 Peninsula trip and “nights” where the sun only skims the horizon but never truly sets south of the Antarctic circle in 2009. Every time we go, we keep wondering how much more could there be to see and how different could the conditions be and every time we’re surprised that we discover so much more and that locations we know look so different. Each voyage has had an entirely unique character.
The two most sublime landscape experiences I’ve ever had were at Sossusvlei, Namibia and in Antarctica’s The Gullet. The Gullet was the remotest, purest, whitest experience I’ve ever had. It felt like being in a frozen heaven. Quietly cruising on mirror calm waters through the dramatic mountains of Crystal Bay to find the narrow channel through The Gullet (like seeing clouds cascade off high peaks to touch the water and be frozen in place) and through to Margueritte Bay lit up by endless hours of midnight color was one of the most beautiful 24 hours of my life. Many of us didn’t sleep that ‘night’ because we didn’t want to miss anything. We knew while we were there that few people on earth had ever had an experience similar to the one we were having.”
See more images from Antarctica’s The Gullet here.
There are still a few spaces available in our Antarctica 2013 workshop.
Email me at jpc@digitalphotodestinations if you’d like to join us.