Get 10% off all Dane Creek products with this code is INSIGHTS.

Looking for a simple, affordable, yet elegant solution to presenting a set of your loose prints? Neil Enns of Dane Creek has a solution.

“Dane Creek Folio Covers provide an elegant and inexpensive way to package your favorite images. They are great for fine art photographs, wedding packages, and gifts for friends and family.

Dane Creek Folios began in the spring of 2009 when we couldn’t find an existing source for folio covers after seeing Brooks Jensen talk about them in LensWork magazine. We started out with a single color: charcoal. As our customer base grew we listened to their requests to expand the range of color options. Eclipse Black, Haute Red, Chocolate Truffle, Natural White, and Midnight Blue joined the original Charcoal line. Our covers are designed to hold 10 sheets of high-quality 8.5×11″ photo paper. Each cover comes with a piece of matboard to add stiffness and finish the inside, as well as a clear plastic bag to protect your completed folio.”  -  Neil Enns

Find out more about Dane Creek here.

Learn more about Neil here.

(Neil is also a member of my Next Step Alumni.)

Our Antarctic alumni have produced some pretty impressive images and done some very fine things with them!

Find out about their images, projects, and stories in this series of posts.

In my Maine Islands digital photography workshop, Andrew Nixon explored creating a dynamic tension between the still and the moving. He typically uses long exposures of moving subjects. But he tried a few new twists on his standard practices, like moving the camera. While he explored other ideas and tried many new things, he always returned to the same theme which gave his images a distinctive quality that stood out from his peers.

What themes make your images distinctive?
What experiments will help you explore and develop this further?

Find out more about Andrew Nixon here.

Read more in my creativity lessons.
Find out more about my Maine Islands digital photography workshop here.
Learn more in my digital photography workshops.

Next Step Alumni 2011 by Daspit, Gill, Bailey, Beal, Caponigro |

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Renaissance Fine Art & Design Gallery and John Paul Caponigro’s Next Step Alumni present a beautiful collection of their work May 20 – June 24, 2011. You are cordially invited to view this diverse work at the Renaissance Fine Art & Design Gallery, One South Range Line Road Carmel, IN. The opening for the exhibit will be Friday, May 20 at 5 pm. Many alumni will be on hand to discuss their work personally with you.

The exhibit and book contain the work of 22 artists, all from John Paul’s Next Step Alumni group, who met the rigorous criteria for the exhibition: each artist produced a cohesive body of work, an artist’s statement, a biography, a book, and a website.

The work, as diverse as the individuals, includes journalism, editorial, still life, floral, nude, landscape and abstraction, and is bound together by their community, their creativity, and the fearlessness in their search of their individual next steps.

View the exhibit catalog above.

Find out more about the exhibit here.

Find individual member’s books here.

Find out more about my Next Step Alumni here.

 

During my Arches digital photography workshop, Barry Boulton expected to make pristine landscapes untouched by man. But during our initial reviews of his work, he was struck by the realization that a majority of his images either had people in them or showed signs of their being there. So he pursued the idea to see how far he could go with it. It worked for him – consistently.

Very often we don’t recognize that we’ve already started to do the work we’re called to do. All we have to do is recognize the call and then answer it. You can learn a lot about your voice if you only look closely and find the patterns that exist between the images you’ve already created.

What themes and patterns can you identify in your work? Which ones are you most excited to pursue further?

Find out more about my Arches digital photography workshop.

Learn more in my digital photography workshops.

Images by Scott Helgeson, Barry Boulton, and Michael Quinn.

During my Arches digital photography workshop participants struggled with displaying the scale of an immense landscape. Often, they chose to include people in their images to indicate human scale for comparison. Sometimes, they included each other. On occasion, they included themselves.

Including people in their images had many consequences. New issues and concerns arose. Sometimes the people in their images were posed and sometimes they were not. Qualities shifted. Including people made their images seem less timeless and more contemporary.

How can including people or man-made artifacts in your photographs enhance them?
What other dimensions would this bring to your images?

Find out more about my Arches digital photography workshop.

Learn more in my digital photography workshops.

Michael Quinn used the stages in a journey to structure a body of work during my Arches digital photography workshop. The structure of a journey gave him a creative challenge that generated new ideas and helped focus his efforts. At the end of the workshop, he found that he had created more keeper images in a short time than he had previously. The structure also helped him identify ideas for new images still to be made – ways to expand his creative journey. What’s more, because the images related to one another, he can put the images to many more uses – a slideshow, an exhibit, a book, etc.

What creative challenge could you set for yourself to generate new ideas and increase your productivity?

See more of Michael Quinn’s work here.

Find out more about my Next Step Alumni here.

Find out about my Next Step Alumni’s exhibition here.

Learn more in my digital photography workshops.

In my Death Valley digital photography workshop, Craig Colvin discovered the power of words and of metaphor. When he made images he’d find the words that described the relationships in the image before making the exposures. Solitude. Community. Birth. Loss. He found that by using the power of words he saw things differently and he saw new things. A few simple words, the right words, unlocked hidden potentials within the subject and within himself.

How can words help unlock your creativity?
How many ways can you think of to integrate them into your creative process?

Read more in my creativity lessons.
Find out more about my Death Valley digital photography workshop.
Learn more in my digital photography workshops.


In my Death Valley digital photography workshop, Steve Lumpkin stumbled into a real keeper. “I looked back and realized my footsteps would soon be gone.” This was more than a magic moment; it was also a moment of personal insight. Steve made the most of his situation and invested a lot of himself in his image both literally and figuratively.

Was it the adversity of the situation, photographing in high winds on a dune field, that encouraged him to shoot from the gut? Was this a deep-seated feeling waiting to be expressed? Whatever it was the image has emotional intensity and it’s loaded; it works on many levels both formally and thematically.

What does or would it take for you to make loaded images?

Read more in my creativity lessons.
Find out more about my Death Valley digital photography workshop.
Learn more in my digital photography workshops.

 

In my Death Valley digital photography workshop, Justin Hartford consistently found a quiet corner to pursue his nude self-portraiture using his quiet gestures in the surrounding landscape as a way describing varying psychological states. His style was immediately recognizable, so much so that when another participant presented a nude of him everyone in the group thought it was his work. His approach was so different it stimulated a lot of dialog. His presence prompted us to ask how we could make our photographs more personal.

How many ways can you think of to make your images more personal?

Read more in my creativity lessons.
Find out more about my Death Valley digital photography workshop.
Learn more in my digital photography workshops.

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In my Death Valley digital photography workshop, Tom Barry tried something new. He began shooting images to present side-by-side in diptychs. This formal device gave his images a smart new cinematic quality. This planned experiment opened up a whole new way of thinking and looking for him. Now he’s got new experiments to try – combinations with more than two images. He’s not sure just how far he can or should take it and still be successful. He’s got a mystery on his hands – and this excites him! How will it work out? Only more images will tell.

How could you use two or more images in combination?
What planned experiments would help you most?

Read more in my creativity lessons.
Find out more about my Death Valley digital photography workshop.
Learn more in my digital photography workshops.

 

In my Death Valley digital photography workshop, Danielle Vick made a break through in her composition skills and found a whole new way of looking. Instead of looking for the next new thing, she stayed focused, went back and repeated her success, went deeper with it, and made this new way of seeing a habit, not just a one time stroke of luck. Her productivity soared. She created a small body of work of related images the following morning. She found a new confidence in her vision and her craft.

Which of your successes would it benefit you to repeat?

Read more in my creativity lessons.
Find out more about my Death Valley digital photography workshop.
Learn more in my digital photography workshops.

Joyce Tenneson lectures tonight at the Naples Museum of Art for The View Project exhibit on display Dec 18 – March 13.
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The View Project, conceived and organized by Joyce Tenneson, is an exploration of why certain places or photographs that have such a powerful effect on us as individuals. What is it – beyond surface beauty – that makes specific visual moments so indelible in our memory?
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The View Project is about photographs that mirror something in the photographer’s inner life – images that are personal and powerful, yet perhaps not clearly understood, even to the viewer/photographer” – Joyce Tenneson
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Photographs and comments by a wide array of photographers are included – John Paul Caponigro, Sean Kernan, Douglas Kirkland, George Lepp, Jack Resnicki, Rick Sammon, Joyce Tenneson, Jerry Uelsmann, and many more.
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Two of my alumni Kathy Beal and Stephen Starkman are included in the book and exhibit.
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Here are some of the selected images from this years Maine Fall Foliage Workshop.

Find out about my digital photography workshops here.

Paul Tornaquindici described our helicopter ride during my Namibia workshop.

“Breathtaking! Strapped into a helicopter- doors removed and hanging out the side seeing the amazing dunes of Sossusvlei from above for the first time. The helicopter moved slowly over the dunes in the morning light as we photographed the remarkable beauty.”

See his images and read more here.

Ventura_WhiteSands

Barbara Ventura shares here wonder and amazement for one of the most beautiful deserts in the world – White Sands, New Mexico – in her new book.

Find out more on my Alumni blog.

Learn more about my White Sands worshop here.

HarrySandler_iPhoneAntics

Alumni Harry Sandler’s new book highlights his delightful iPhone photographs.

Preview iPhone Antics online here.

Read my iPhone articles on The Huffington Post.

Find iPhone accessories I recommend here.

ChrisAlvanas_Apple3GS

Chris Alvanas has been keeping his photography fresh with his iPhone.

See it in his new book Apple 3Gs.

Read my iPhone articles on The Huffington Post.

Find iPhone accessories I recommend here.

KenCarl_DeeplyRooted

Preview workshop alumni Ken Carl’s new book Deeply Rooted here.

JPC-4-1

Adam Merrifield made the most of our recent workshop in Joshua Tree. He came away with more than a few hero shots and a set of related images to support them.

Read about his experiences and see his images on my Alumni blog.

Visit his website for more.

keep looking »

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