Charles Adams (my assistant both in the studio and in the field) is having his first exhibition this coming Friday, May 4th at Asymmetrick Arts in Rockland, Maine. It will run until May 25th.

24  of his images will be on display, along with sculpture from artist Vic Goldsmith. For those that cannot make the opening, there will also be an Artist talk on May 19th.

May 4 – 25
Asymmetrick Arts
405 Main Street, Rockland ME
207.954.2020

Learn more about Charles Adams and view his images here.

Visit Asymmetrick Arts here.


It’s high season in Maine right now. The weather is gorgeous. And there are lots of events this weekend. Most know about The Maine Lobster Festival, an event that draws over 100,000 people in 5 days. Many know about all the great art events that coincide with it.

My annual exhibit New Work 2011 is open this weekend only.

My father’s exhibit The Hidden Presence of Places is open in Rockland.

Colby College exhibits American Modern featuring Bernice Abbot, Walker Evans, and Margaret Bourke-White.

Other local exhibits include…

Alan Magee in Rockport

Dave Vickerey in Rockland

Greg Mort in Port Clyde

More details follow below.

Read more

Next Step Alumni 2011 by Daspit, Gill, Bailey, Beal, Caponigro |

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Renaissance Fine Art & Design Gallery and John Paul Caponigro’s Next Step Alumni present a beautiful collection of their work May 20 – June 24, 2011. You are cordially invited to view this diverse work at the Renaissance Fine Art & Design Gallery, One South Range Line Road Carmel, IN. The opening for the exhibit will be Friday, May 20 at 5 pm. Many alumni will be on hand to discuss their work personally with you.

The exhibit and book contain the work of 22 artists, all from John Paul’s Next Step Alumni group, who met the rigorous criteria for the exhibition: each artist produced a cohesive body of work, an artist’s statement, a biography, a book, and a website.

The work, as diverse as the individuals, includes journalism, editorial, still life, floral, nude, landscape and abstraction, and is bound together by their community, their creativity, and the fearlessness in their search of their individual next steps.

View the exhibit catalog above.

Find out more about the exhibit here.

Find individual member’s books here.

Find out more about my Next Step Alumni here.

 

 

Landscapes Within presents selected images highlighting John Paul Caponigro’s many collaborations with nature.
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The artist’s life’s work is a call to connection. It’s a call to connection with nature – the matrix from which we are born, which sustains us while we are alive, and to which we return when we die. It’s a call to incite conscientious creative interaction with our environment. It’s a call to connection with us – with ourselves, with each other, and with the larger world surrounding us.
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These images function simultaneously as windows onto exterior landscapes and mirrors into interior landscapes. Pointing beyond objectivity and subjectivity towards intersubjectivity, it reveals how deeply involved we are in our experiences of the world. This work presents a series of invitations to look, to look again, and to look at looking.”
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Landscapes Within is a catalog for a traveling exhibit.
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Find more information about traveling exhibits here.

 


Preview

Visitor Guide

Behind the Scenes

The Art Project is a collaboration between Google and some of the world’s most acclaimed art museums. Powered by a broad, connected suite of Google technologies, the world’s great works of art and museums are now within reach to an unprecedented global audience. It’s a unique collaboration with some of the world’s most acclaimed art museums to enable people to discover and view more than a thousand artworks online in extraordinary detail.

Explore Museums With Street View Technology
Virtually move around the museum’s galleries, selecting works of art that interest you, navigate though interactive floor plans and learn more about the museum and you explore.

Artwork View
Discover featured artworks at high resolution and use the custom viewer to zoom into paintings. Expanding the info panel allows you to read more about an artwork, find more works by that artist and watch related YouTube videos.

Create Your Own Collection
The ‘Create an Artwork Collection’ feature allows you to save specific views of any of the 1000+ artworks and build your own personalised collection. Comments can be added to each painting and the whole collection can then be shared with friends and family.

Find out more about Art Project here.

Visit The Art Project’s YouTube Channel here.

“Paola Antonelli, MoMA’s curator of Architecture and Design, provides insights into where design is headed both as a creative discipline and as a tool for making sense of the world. In this interview, she talks about the vision behind her upcoming exhibit at MoMA, Talk To Me, “We may not think about it consciously on a day to day basis, but objects around us are always talking to us in both explicit and implicit ways. There’s the obvious directive of a stop sign or a traffic cone, but there’s also the unspoken messaging conveyed via the ATM machine, the alarm clock, and that shiny new iPad. Objects have always been designed with the idea of communicating their use and meaning in mind, and it’s this relationship that MoMA’s Senior Curator of Architecture and Design, Paola Antonelli, seeks to explore in her upcoming exhibition, Talk to Me, slated for summer of 2011.”

Learn more about Talk to Me here.

Joyce Tenneson lectures tonight at the Naples Museum of Art for The View Project exhibit on display Dec 18 – March 13.
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The View Project, conceived and organized by Joyce Tenneson, is an exploration of why certain places or photographs that have such a powerful effect on us as individuals. What is it – beyond surface beauty – that makes specific visual moments so indelible in our memory?
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The View Project is about photographs that mirror something in the photographer’s inner life – images that are personal and powerful, yet perhaps not clearly understood, even to the viewer/photographer” – Joyce Tenneson
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Photographs and comments by a wide array of photographers are included – John Paul Caponigro, Sean Kernan, Douglas Kirkland, George Lepp, Jack Resnicki, Rick Sammon, Joyce Tenneson, Jerry Uelsmann, and many more.
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Two of my alumni Kathy Beal and Stephen Starkman are included in the book and exhibit.
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In the 1930s, a small group of California photographers challenged the painterly, soft-focus Pictorialist style of the day. They argued that photography could only advance as an art if its practitioners exploited characteristics inherent to the camera’s mechanical nature. This small association of innovators created Group f/64, named after the camera aperture which produces great depth of field and sharp focus. The exhibition revisits this debate and includes images by photographers in Group f/64 such as Ansel Adams, Edward Weston, Imogen Cunningham, Sonya Noskowiak, and Willard Van Dyke, as well as images by such Pictorialists such as Anne Brigman, William Dassonville, Johan Hagemeyer, William Mortensen, and Karl Struss. With 90 works by 16 artists, Debating Modern Photography offers a feast for the eyes while illustrating both sides of a high-stakes debate. Outstanding examples of the clean edges and bold forms of Group f/64 stand in sharp contrast to the romantic, hand-crafted Pictorialist work that includes ­elegant portraits, tonalist landscapes, and allegorical studies.

The exhibit is open (Mon-Fri 9-7) through Dec 5.

Learn more at Maine’s Portland Museum of Art.

In 2000, CMCA mounted the most comprehensive exhibition of Maine photography ever: Photographing Maine: 1840-2000. The project was presented in two parts: photography from 1950-2000 in August and September and earlier historical work from the 1840s to 1950 in mid-October to mid-December.

During the past decade, the activity among Maine photographers has grown exponentially. In this digital age there are more and more people seriously committed to fine art photography using both new and traditional darkroom techniques. The goal of the invitational exhibition Photographing Maine: Ten Years Later is to pay homage to the two exhibitions in 2000 by showing a sampling of works by 150 Maine photographers created between 2000 and 2009. Each photographer is exhibiting a single work in the invitational exhibition. In addition, four images from each of the 150 photographers are part of an online exhibition (see below), which is also available to view on computer at the exhibition.

The exhibit in Rockport, Maine runs from October 02 – December 05, 2010.

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My Annual Open Studio Exhibit is now open – July 31 – August 1 only

Gallery talks are at 2 pm.

Over 100 new images and 3 new books.

All prints are 25% off current price this weekend only.

If you’d can’t attend but would like to inquire about purchases contact us here.

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Here’s an interesting sampling of images from my upcoming exhibit – New Work 2010.

All of the source images for the ground in these composites are drawn from Iceland.

While the body of work (Reflection) isn’t site specific, it’s interesting to note that many of the images are drawn from similar locations. In the case of the ground exposures a majority of the sources came from Iceland, Utah, and California.

When successful work becomes more site specific like this I ask “What was it about that place that worked so well?” or “What was it about my experience of that place at that time that worked so well?”

Then I plan to return to that location and/or that state of mind.

Find out about my Iceland workshop here.
Preview the book here.
Learn more about my upcoming exhibit here.

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You’re invited! Come visit my annual open studio event July 31 – August 1 from 10-5. Gallery talks are at 2.

It’s been one of my most prolific years to date. Producing more than one hundred new images, four bodies of work, in progress for ten years, have been brought to completion. The results are surprising, even for me.

Three new books featuring this work have been released – Reflection, Condensation, and Correspondence – which you can preview and purchase online.

Also on hand will be my playful iPhone photo sketches, some of which are featured in my column on the Huffington Post. I’ll even take, process, and transmit some during my daily artist’s talks at 2 pm.

Come enjoy prints, books, web galleries, performances and conversations during this very special event.

Click here for more information including directions, previews, reviews, statements, audio, video, and press kit.

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I had the pleasure of jurying The Center for Fine Art Photography’s upcoming exhibit – Elements of Water.
50 images were selected from over 4,000.
You can see them now online at CFAP.

Juror’s Selection – Barbara M Ventura
Juror’s Honorable Mention – Kathy Beal
Juror’ Honorable Mention – David Novak
Director’s Selection – Jennifer Trausch
Director’s Honorable Mention – Gina LeVay

Elements of Water will be on display in the Center’s online gallery and physical gallery from February 17 – March 11, 2009. The public and artists’ reception will be held in Fort Collins on March 5, 2009 from 6-9pm.

AAASExhibitInviteEmail

Gary Braasch’s large-scale color photographs from the book  “Earth Under Fire: How Global Warming is Changing the World”  ( a book called “essential reading for every citizen” by Al Gore ) are currently on exhibit.

A companion exhibit for kids, parents and school groups, “How We Know About Our Changing Climate” will highlight how scientists study climate change and how youth can learn to be citizen scientists. Includes kids taking action, in the films “Young Voices on Climate Change,” produced by Lynne Cherry

The opening is tonight November 18.

The exhibit runs from November 12 – March 15, weekdays 8-5 at …
American Association for the Advancement of Science
1200 New York Avenue NW
Washington DC 20005

Find a preview and and the book here.
Read Gary Braasch’s insights on global warming here.

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I’m selecting the winners for The Center for Fine Art Photography’s upcoming juried exhibit Elements of Water.

You could be included if you enter by November 17 .

Theme

Water is both physical and symbolic. Water can be a solid, liquid or gas. It covers 71% of the earth’s surface. Water fascinates us with the way it moves and transforms. It can be a destructive force and a life giving element. Without it we would not survive, but too much and our lives would be drastically altered. Elements of Water will showcase how diverse water can truly be.

Exhibition and Awards
With selection for this exhibition, artists and their work will be seen by an international audience of collectors, curators, art consultants and others who appreciate the fine art of photography.
• Juror’s Selection Award: $300
• Director’s Selection Award: $200
• Artists’ ShowCase Online Awards: Two artists will receive a year subscriptions to Artists’ ShowCase Online, a $120 value (preview at www.artists-showcase.org)
• Gallery Visitor’s Choice Award: $100
• All exhibitors are included in the Center’s online gallery

Entry Fee
• The entry fee for non-members is $35 USD for the first three images.
• The entry fee for members of The Center for Fine Art Photography is $20.00 USD for 3 images.
• Additional images may be submitted for $10 each. There is no limit to the number of images that may be submitted. Applicants signing up for membership at the time they submit their work for jurying may become a member and meet the entry fee for a total of $77.00 USD.

Important Dates
• Entries due: November 17, 2009
• Notice of acceptance: November 30, 2009
• Exhibition dates: February 19 – March 13, 2010
• Reception: March 5, 2010

Note: images accepted by The Center for Fine Art Photography for exhibition in the previous 12 months are NOT eligible. Images previously submitted but not accepted for exhibition may be resubmitted as often as you wish.

Find out more here.

Joyce Tenneson currently has two exhibits in Maine.

July 15 – August 5 at The Dowling Walsh Gallery in Rockland, Maine. July 26th lecture.

July 11 – Oct 4 at the Portland Museum of Art in Portland, Maine.
The catalog for the dual exhibit in Portland, Kindred Spirits, reveals strong between the works of Joyce Tenneson and Julia Margaret Cameron, whose work is also on display. Noted critic Vicki Goldberg contributes text. At $15 it’s a steal.

Find out more about PMA here.

Find out more about Dowling Walsh Gallery here.

Read the Portland Press Herald’s piece here.

Find out more about Joyce Tenneson here.

For over 10 years I’ve been mentoring a select group of individuals. Their progress has been thrilling to watch. It’s been a true privilege to be a part of their growth. July 7 their first Group Exhibit will be unveiled at the Maine Media Workshops. (link)

The members have produced a Group Blurb book to accompany the exhibit. The book includes images and statements from all 24 artists currently featured in the Group Exhibit.

You can preview and purchase the book here.

See the Next Step Exhibit at the Maine Media Workshops July 7 – 30.

Find out more about my workshops here.

Find individual member’s websites and Blurb books by clicking More.

Read more

For over 10 years I’ve been mentoring a select group of individuals. Their progress has been thrilling to watch. It’s been a true privilege to be a part of their growth. July 7 their first Group Exhibit will be unveiled at the Maine Media Workshops. (link)

Robert Eckhardt has been a member for 1 year. Here are his insights.

Alumni Insight

(NSS) It seemed innocent enough at the time. I was attending my first
workshop with John Paul, who repeatedly urged everyone to reconsider
(i.e., break) entrenched habits, thinking, and ways of seeing. At one
point, expanding upon the list “rules” we might choose to violate,
John Paul suggested that we take our cameras off our tripods and
intentionally move them as we pressed the shutter. I found this idea
rather provocative, tried a few shots, and, after reviewing my handful
of failures, quickly abandoned the effort. But when I got home I
couldn’t get the idea out of my head. For some reason, I took this
particular idea as a personal challenge, a puzzle to be solved.
Eventually, after weeks of trial and error, I solved the puzzle, and
the resulting photographs became the series I now call “motion |
pictures”. That series has become the primary focus of my current
photographic work.

About a year later, while discussing some “motion | picture” images, I
confessed that I found photographing trees almost irresistible and
felt that I should make a greater effort to broaden my horizons. John
Paul challenged me to find ways to photograph subjects that I thought
were impossible with this technique. And I have (stay tuned). Then he
said, “But don’t stop photographing trees.” And I haven’t.

See more of Robert’s work here.

See the Next Step Exhibit at the Maine Media Workshops July 7 – 30.

Find out more about my workshops here.

Read more

For over 10 years I’ve been mentoring a select group of individuals. Their progress has been thrilling to watch. It’s been a true privilege to be a part of their growth. July 7 their first Group Exhibit will be unveiled at the Maine Media Workshops. (link)

Paul Tornaquindici has been a member for the past 4 years. Here are a few important things he learned from other members and his work.
Alumni Insights

John Paul Caponigro was the first photographer I showed- on a Russian science vessel in Antarctica- my landscape work to for review. It was at his studio in Maine- during a workshop- that I first summoned the courage to show my work to members of the Next Step group. And it has been together with the Next Step family that I have learned what truly matters to me in my photography. The lessons are important ones-
A. Know who you are and what you like to photograph. Stay on the path! Not trying to be like, or imitate others work or ways- but to have a genuine understanding of what you are passionate about and photograph that.

B. It is okay not to photograph! It is okay to cancel the contract with yourself that you have to take photographs. As I only photograph a few times a year there is an obligation to always be photographing and to strive to get a great photograph- to not take pictures somewhere is almost unthinkable. But part of being a photographer, I learned, was knowing when to put the camera away.

Next Step has given me a place of privilege to learn, grow and share the remarkable experiences of photography.

Artists’s Statement

I love going to an unfamiliar place, seeing it for the first time, looking and listening intently and photographing what and how I feel in that place.

In an workshop John Paul Caponigro said, “This is the most important thing I will say all week- don’t miss it. Notice when the energy is in the photographs being shown it gets quiet in the room. When there is little energy in the photographs we have to create it.“

I want to quiet the room. Take your breath away and leave you still- and listening- where the only sound you hear are the notes from a song of praise. Those are the photographs I am waiting, listening and looking for. I trust what has so moved my heart will resonate in yours.

Paul Tornaquindici – Notes of Praise

Notes of Praise is a much anticipated collection of Paul Tornaquindici’s serene, meditative landscape photographs. From the majestic glaciers of Antarctica to the mountain dunes of Namibia he explores the grand vistas with sensitivity. Seen through Tornaquindici’s eye they are transformed into scenes of wonder and worship. The images selected in Notes of Praise are a testimony to his love of creation and his appreciation for its beauty.

Find the book Notes of Praise here.

See more of Paul’s work here.

See the Next Step Exhibit at the Maine Media Workshops July 7 – 30.

Find out more about my workshops here.

Read more

For over 10 years I’ve been mentoring a select group of individuals. Their progress has been thrilling to watch. It’s been a true privilege to be a part of their growth. July 7 their first Group Exhibit will be unveiled at the Maine Media Workshops. (link)

Justin Hartford has been a member for the past 2 years. Here are a few important things he learned from other members and his work.

Alumni Insights

1)    Kathy Beal taught me to respect, ask permission, and thank the land that I am photographing. Keeping this practice helps to bring a sensitivity to my work that otherwise would not be there.
2)    At the first Next Step summit I attended in Utah, many of the attendees suggested I work with self-portraiture. This suggestion has helped guide me down a path that I otherwise might have been scared to go.
3)    Shooting along side many different Next Steppers has shown me different ways to approach photography and to see my subject.

Artist’s Statement

Proserpina is a Greek Goddess whose name means “to emerge”. She is synonymous with springtime when she emerged from her six months of residing in hell. This series is about how we as humans so often stay in our own caves not letting the real us be seen so that we can be accepted by society. It can be comforting to stay hidden away and not be judged. It can also create an inner hell to keep who we really are deeply hidden away for fear of judgment.
See more of Justin’s work here.

See the Next Step Exhibit at the Maine Media Workshops July 7 – 30.

Find out more about my workshops here.

Read more

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