Make Your Own Postcards


For a time, I swore off making photographs that were like postcards. I was looking for something else then. I was looking for my own unique approach to making images. My thinking was that if I took a vow of abstinence from what I knew I wasn’t looking for, I’d eventually find what I was looking for. Eventually, I did.
After some time, I reconsidered this aversion to making postcard-like images. I started making them, again. Making postcards is excellent practice. You have to be fairly competent to make good postcards. Postcards survey a subject, tell a story, offer human interest, present strong color, and are composed of relatively strong graphic structures. Sometimes, postcards make strong emotional appeals. When you think about it, that’s a pretty tall order.
Postcards try to do it all – and do it all competently. It’s interesting to note that to transcend postcards, all you need to do is emphasize one of these qualities over the others and do that one thing excellently. Making postcards is great practice. To make good postcards you have to understand them clearly. To transcend them, you have to know the difference between them and what you’re really looking for.
Below is a selection of iPhone postcards from my 2011 Iceland workshop.
Find out about my 2012 Iceland digital photography workshop here.
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Use Postcards As Quick Surveys


One of the first things I do when I arrive at a new location is look at postcards made in the area. Postcards give me a quick survey of the highlights of the region and the classic visual approaches that many other photographers have used to make images there. Postcards help me decide where to go and what to look for. Postcards also present me with a great challenge – transcend this.  Postcards help me up my game.
Here’s a selection of postcards I collected during my 2011 Iceland workshop.
3 out of 6 of them are by Ragnar Th Sigurdsson.
Find out about my 2012 Iceland digital photography workshop here.
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New Image – Refraction LXXVII


I issue quantum editions of select images from my series Refraction; the viewer can choose how many and which versions they would like created for them.
To date most of these editions offer variations in the number and position of the lights within them. In this image, variations in states of the background are presented.
Changing states and different rates of change are important themes in all of my work.
I find reversal to be the most rewarding creative strategy. Whether it succeeds or fails, I always learn something valuable from trying it.
Read my ebooks Reversal and Breaking the Rules.
See more new 2011 images here, here, here, and here.
The exposures for this image were made in Iceland.
Learn about my Iceland digital photography workshops here.

New Image – Refraction 56


My series Refraction has challenged the way I think in so many ways from the moment the first image appeared.
The series is informed by modern physics and the nature of light. An observer influences what’s observed. The questions they ask and the way they ask them influences the answers they get. The universe is similar to a holograph in that information in one location can be found in another simultaneously. Two people in different positions can see the same rainbow as existing in different locations. Perception is relative, to some degree.
In this series, I found that multiple compositions that worked were possible and that it seemed appropriate for the first time to present them simultaneously. So I produce ‘quantum editions’ for this series. People purchasing a given print can choose both which and how many variations they want produced for them.
I’ve never seen this done before –  but that’s doesn’t dissuade me.
I like to innovate!
See more new 2011 images here, here, and here.
The exposures for this image were made in Iceland.
Learn about my Iceland digital photography workshops here.

Iceland 2010 – Participant Images Second Reviews

Iceland2010_reviews2
We do lightning fast reviews of participant’s images in my digital photography workshops.
We discuss what works and why and what doesn’t and why not.
It’s wonderful to see how different the images are, made by individuals in the same situations using the same tools.
A lot of learning happens by simply sharing images and spontaneous responses.
Here’s a sampling of this week’s first selects during my Iceland 2010 workshop.
Reserve your space in my 2011 Iceland workshop here.
Find out about my digital photography workshops here.

Iceland 2010 – Workshop Participant Images First Selects

Iceland2010_reviews1
We do lightning fast reviews of participant’s images in my digital photography workshops.
We discuss what works and why and what doesn’t and why not.
It’s wonderful to see how different the images are, made by individuals in the same situations using the same tools.
A lot of learning happens by simply sharing images and spontaneous responses.
Here’s a sampling of this week’s first selects during my Iceland 2010 workshop.
Reserve your space in my 2011 Iceland workshop here.
Find out about my digital photography workshops here.

Lighting Midnight At Iceland's Glacial Lagoon

raggimidnightlagoon
Ragnar th Sigurdsson treated us to a midnight display of lighting techniques at Iceland’s glacial lagoon Jokullsarlon.
Multiple exposures for multiple Photoshop layers. Fantastic light. Glowing icebergs beached on black sand at tide line. Venus on horizon. Magic.
Taking artificial light into the field is just one thing we explore in our workshop. Have you ever tried it?
If you’re in Iceland, next Saturday is the annual firework display over the glacial lagoon.
Reserve your space in my 2011 Iceland workshop here.
Find out about my digital photography workshops here.