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Enjoy this collection of quotes by photographer Arnold Newman.

“There are many things that are very false about photography when it is accepted without question. You must recognize and interpret it as you would any other art form, and then maybe it is a little more than real.” – Arnold Newman

“A lot of photographers think that if they buy a better camera they’ll be able to take better photographs. A better camera won’t do a thing for you if you don’t have anything in your head or in your heart.”
― Arnold Newman

“We don’t take pictures with cameras – we take them with our hearts and minds.” – Arnold Newman

“The camera is a mirror with a memory, but it cannot think.” – Arnold Newman

“Visual ideas combined with technology combined with personal interpretation equals photography. Each must hold it’s own; if it doesn’t, the thing collapses.” – Arnold Newman

“Influences come from everywhere but when you are actually shooting you work primarily by instinct. But what is instinct? It is a lifetime accumulation of influence: experience, knowledge, seeing and hearing. There is little time for reflection in taking a photograph. All your experiences come to a peak and you work on two levels: conscious and unconscious.” – Arnold Newman

“There are very few Cartier-Bressons, Brassais, and W. Eugene Smiths in the world, but to me these men are photographers. They are artists because they make statements that all of us wish we could have made.” – Arnold Newman

“I didn’t set out to do something different so much as do something that interested me. I wasn’t trying to be avant-garde – that’s being fashionable. You don’t set out to revolutionize art, you make statements for yourself.” – Arnold Newman

“The photographer must be a part of the picture.” – Arnold Newman

“I don’t think any student, any photographer, any person should take pictures the way I take pictures. I build them because it’s the way I am, and that’s the way I should be. If I try to be something else and try to take pictures or talk to you humorously because I think I’ll get a few laughs, no. Somebody else, like Duane Michals might be basically funny. He is that way, he makes me laugh all the time. But he is being himself. A writer must be himself, a painter, all of us – or else suddenly we lose what we have.” – Arnold Newman

“A preoccupation with abstraction, combined with an interest in the documentation of people in their natural surroundings, was the basis upon which I built my approach to portraiture. The portrait of a personality must be as complete as we can make it. The physical image of the subject and the personality traits that image reflects are the most important aspects, but alone they are not enough…We must also show the subject’s relationship to his world either by fact or by graphic symbolism. The photographer’s visual approach must weld these ideas into an organic whole, and the photographic image produced must create an atmosphere which reflects our impressions of the whole.” – Arnold Newman

“There are no rules and regulations for perfect composition. If there were we would be able to put all the information into a computer and would come out with a masterpiece. We know that’s impossible. You have to compose by the seat of your pants.” – Arnold Newman

“I am always lining things up, measuring angles, even during this interview. I’m observing the way you sit and the way you fit into the composition of the space around you.” – Arnold Newman

“I think photography is a matter of controlling what’s in front of you and making it do your will. This, of course, implies absolute mastery over camera, medium, techniques, and the ability to work with the subject and get him willingly and happily without any self-conscious feeling to fall into those things which are natural to him. This is a very complicated thing to do in portraiture. Mine are deliberately self-conscious portraits and therefore contain no forced feeling of candidness… the subject is unaware of the fact that I am waiting – things begin to happen – the man begins to reveal himself. If the background becomes overwhelming and you lose the personality, then I have not made a good portrait and it is not a good picture. I think the world is full of intelligent people who are not really trying to be flattered; what they really want is to be understood”. The more I get to know my subject the more he gets to know me, and so often the pictures taken at the end of a sitting are much better both creatively and interpretively… A photographer is always in a state of preparing himself for a given moment… we have only an instant in which to think and act.” – Arnold Newman

“It seems to me that no one picture can ever be a final summation of a personality. There are so many facets in every human being that it is impossible to present them all in one photograph.” – Arnold Newman

“I’m convinced that any photographic attempt to show the complete man is utter nonsense, to an extent. We can only show, as best we can, what the outer man reveals; the inner man is seldom revealed to anyone, sometimes not even to the man himself. We have to interpret.” – Arnold Newman

“Photography, as we all know, is not real at all. It is an illusion of reality with which we create our own private world.”- Arnold Newman

“Fantasy is like poetry; it can point to the truth.” – Arnold Newman

“I don’t care what you do with that negative, you can retouch it, you can spit on it, you can grind it underfoot. The only thing that matters is if it is honest. If (the picture) is honest, you and everybody can tell. If it is dishonest, you and everybody can tell.” – Arnold Newman

“I often wonder whether I would have done as well in painting.” – Arnold Newman

“Photography is 1% talent and 99% moving furniture.” – Arnold Newman

Read more in The Essential Collection Of Photographers’ Quotes.

View 12 Great Photographs By Arnold Newman.

View more in The Essential Collection Of Photographers Videos.

Find out more about Arnold Newman here.

Keith Carter shares inspiration and insight into photography.

Learn more about Keith Carter here.

View 12 Great Photographs From Great Photographers.

View more in The Essential Collection Of Documentaries On Photographers.

Read more in The Essential Collection Of Quotes By Photographers.

Sam Abell shares inspiration and insight into photography.

Learn more about Sam Abell here.

View 12 Great Photographs From Great Photographers.

View more in The Essential Collection Of Documentaries On Photographers.

Read more in The Essential Collection Of Quotes By Photographers.

England Garden Tour May 2008

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Enjoy this collection of photographs by Sam Abell.

Learn more about Sam Abell here.

View 12 Great Photographs From Great Photographers.

View more in The Essential Collection Of Documentaries On Photographers.

Read more in The Essential Collection Of Quotes By Photographers.

“In a world so motivated by the future, how can we use modern technologies to capture the wisdom off the past?

Using the power of photography, Chris Rainier National Geographic Society Fellow takes us on a journey to cultures that are using modern technology smart phones, computers, cameras, and video to both preserve their quickly disappearing ancient traditions, as well incorporate traditional knowledge with cutting edge technology to find sustainable solutions for the pressing
global issues.

Traveling the planet for over thirty years, Rainier has been in a race against time – to document ancient communities struggling to save their ways of living for future generations. Now with the advent of technologically driven storytelling and social media – he focuses his energy on helping empowering indigenous communities to gather around the “fireplace” of the web to tell on a global level, socially important story’s for the survival of the planet – story’s of what it means to be alive and human in the 21st Century.

As a National Geographic Explorer and Photographer, Chris is most acclaimed for his documentation of Endangered Cultures around the globe. He is also Director of The Last Mile Technology Program, preventing traditional cultures from being left on the wrong side of the Digital Divide.”

Learn more about Chris Rainier here.

Read my conversation with Chris Rainier here.

View more 12 Great Photographs From Great Photographers.

View more in The Essential Collection Of Documentaries On Photographers.

Arthur Meyerson shares inspiration and insight into photography

Learn more about Arthur Meyerson here.

Read our conversation here.

View 12 Great Photographs From Great Photographers.

View more in The Essential Collection Of Documentaries On Photographers.

Read more in The Essential Collection Of Quotes By Photographers.

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Enjoy this collection of photographs by Arthur Meyerson.

Learn more about Arthur Meyerson here.

Read our conversation here.

View 12 Great Photographs From Great Photographers.

View more in The Essential Collection Of Documentaries On Photographers.

Read more in The Essential Collection Of Quotes By Photographers.

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 There are at many ways to convert an image from color to black and white. Here’s a roundup and evaluation of the top seven plus a set of considerations to help you choose the best one for your needs.

1          Desaturate

Desaturate or use the Saturation slider to make all the channels the same without control over the mix. Desaturaton is useful for near neutral images, otherwise it produces compressed tonal structure.

2          Convert Mode To Grayscale

Grayscale conversions eliminate all channels but one. The default mix is 59% Green, 29% Red, 11% Blue. This can be customized by targeting a single channel before conversion, to get 100% of any channel in any color space, including Lab. Quick and direct, this method eliminates future flexibility; its limited use is to create Grayscale images for reproduction but it’s not the best way to make a conversion from color to black and white.

3          Channel Mixer

The Channel Mixer set to Monochrome allows you to customize the mix of channels and can be used as an adjustment layer, which allows you to change the mix at any time in the future.

4          Black & White Adjustment Layer

The Black & White adjustment layer’s intuitive interface offers exceptional independent control over the conversion of individual hues.

5          Raw Converter

Using RAW converter (Lightroom or ACR) The settings in Lightroom can be changed indefinitely and this flexibility can be preserved if files are imported into Photoshop as a smart object. In Photoshop, the Camera Raw filter offers all of this and the ability to use dual adjustment layers. When compared to Photoshop’s Black & White adjustment layer, Raw converter sliders add two more points of control – Purple and Orange.

6          Dual Adjustment Layers

Place a Hue/Saturation adjustment layer below another adjustment layer that converts color to black and white (Camera Raw filter , Black & White or Channel Mixer adjustment layers) and you’ve got the ultimate conversion preview. Move the Hue slider and cycle through all possible global conversion permutations in seconds. For more control add masks to multiple Hue/Saturation adjustment layers to make localized conversions.

This is my preferred method for all but the most challenging black and white to color conversions.

 

7          Turn Channels Into Layers

Channels as layers give you all of the above and the ability to use Blend If sliders and masks to make conversion selective. Consider adding channels from multiple color spaces like the L channel from LAB or the K channel from CMYK. This more complex method produces is less intuitive and produces a larger file size, but it still offers the ultimate in control.

Which option should you choose?

Here are a few criteria to weigh.

1          Power and precision

Get the control you need to get where you want to go.

2          Flexibility

Favor methods that offer the flexibility of being able to change any aspect of a conversion at any time in the future, including returning to the full color version. In Adobe Photoshop use adjustment layers or layers. When using Adobe Camera RAW open images as a Smart Object.

3          A good preview

View before and after states simultaneously to help you make more informed decisions.

4          Easy to use

When faced with multiple options with equal functionality favor the simpler one.

5          Simpler file setup

Apply the KISS principle whenever possible.

6          Leaner file size

Smaller files are faster and easier to store.

This is my preferred ranking of these criteria, you’ll want to modify these according to the needs of a given situation.

I favor using dual adjustment layers (Camera Raw filter and Black& White) 90% of the time and occasionally use channels as layers for files with special needs.

Learn more in my digital photography and digital printing workshops.

Learn more in my Black & White Mastery workshop.

Read more about black & white photography here.

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View more 12 Great Photographs By Great Photographers.

Read more in The Essential Collection Of Quotes By Photographers.

View more in The Essential Collection Of Documentaries On Photographers.


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