New Exhibit – The Spell of the Sensuous : John Paul Caponigro & Joyce Tenneson

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Opening & Artists Talk

July 25th

Artist Talk 3 PM
Opening Reception 6-8 pm

RSVP Here

Location

YJ Contemporary Fine Art Gallery
42 Ladd St. STE 107
East Greenwich, RI 02818

Get More Information Here

The Spell of the Sensuous: The Fluid Nature of Perception, featuring the photography of John Paul Caponigro and Joyce Tenneson, opens at YJ Contemporary Fine Art on Thursday, July 25th.  The exhibition celebrates the works of two of the nation’s foremost photographers known for their ability to create images that are poetic, evocative and mystical.   The exhibition will present iconic examples of Joyce Tenneson’s portfolio of work- including images from her figurative portraiture series, her “Intimacy” series, and images featured in her 2012 book “Trees and the Alchemy of Light”– alongside works by fine art environmental photographer John Paul Caponigro – including images from his Alignment, Exhalation, and Illumination series. A review of the exhibition is featured in the July/August issue of Art New England magazine.
The artists will give a gallery talk on Thursday, July 25th at 3pm to discuss their creative process and photographic style.  The talk is free and open to the public but requires advance registration. (Register here)  An opening reception will follow from 6-8pm that evening.
The exhibition at YJ Contemporary Fine Art runs through September 5th.

Get More Information Here

Melt Down – New Exhibit Opens March 23 @ Maine's CMCA

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Exhibit

Melt Down

March 23 – June 9, 2019

Center For Maine Contemporary Art

Rockland, Maine

Melt Down, features stunning photographs and videos by ten distinguished Maine artists whose work addresses climate change in the Arctic and Antarctic regions. “Melt Down” has been organized by CMCA curator emeritus Bruce Brown, and includes the work of artists John Paul CaponigroJohn EideElla HudsonJonathan LaurenceJustin LevesqueJim NickelsonJan PiribeckPeter RalstonShoshannah White, and Deanna Witman.
Through their experiences recording and responding to the visible and visceral markers of irrefutable change in the Polar Regions, the artists in “Melt Down” bring these physically remote places and the compelling need for action to a wider audience. Their work provides a route for inspiring awareness and response when overwhelming data and science have failed to motivate.
 

Opening Reception

March 23, Saturday, 5-7 pm

Sunday Salons present artists talks.

I talk May 5.

with World Ocean Observatory Director Peter Neill

The Best Of The Best Photographs Of 2018 Collected

Best Of Best Photographs 2018

The new year is a wonderful time to look at great photographs!

Dozens of media outlets collect their best of the best.

You’ll find links to the best of the best below.

Enjoy!

Pulitzer Prize Winners In Photography 2018

Time Top 100 Photos Of 2018

NY Times The Year In Pictures 2018

Magnum Pictures of the Year 2018

International Photography Awards 2018

World Press Photo 2018

The Guardian Best Photographs 2018

The Atlantic Top New Photos Of 2018

Reuters Pictures Of The Year 2018

The Atlantic Top 25 News Photos Of 2018

Bloomberg The Year In Pictures 2018

NY Times Best Travel Photographs 2018

CNN Best Travel Photos 2018

National Geographic Best Photos Of 2018

Sony World Photography Awards 2018

Lens Culture’s Favorite Photographs Of 2018

My Modern Met Top Photographs From Around The World 2018

Huff Po iPhone Photography Awards 2018

Drone Awards 2018

Audubon Photography Awards 2018

Nikon Small World Photography Winners 2018

The Guardian’s Astronomy Photographer Of The Year Shortlist 2018

Sports Illustrated’s Best Photos of 2018

Car and Driver’s Hottest Car Photos of 2018

Berify’s 11 Famous Portrait Photographers Of 2018

My Modern MET 20 Best Architecture Photos 2018

Best Photography Books Of 2018 – Part 1

Best Photography Books Of 2018 – Part 2

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12 New Images From Greenland’s Sublime Scoresbysund By Seth Resnick

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We just got back from our recent DPD workshop in Greenland’s Scoresbysund, the largest and fastest moving ice fiord system in the world.
Seth Resnick continued to explore his fascination with abstraction, getting in close and finding optical illusions.
View more of Seth Resnick’s images from Greenland here.
Find out about our Greenland Photography Workshops here.
Find out about our Antarctica Photography Workshops here.

Optic 2018 | Myth, Magic, and Mojo | Keith Carter


“At B&H’s Optic 2018, photographer Keith Carter talks about myths, magic, and mojo. He believes that the best way to elevate your photography is to tell the truth as you know it through your photos, and he stresses that there are great lessons to be learned by revisiting history. We can learn a lot about how to shoot well – even in this digital age – by studying classic photos that pre-date digital photography.”
Find out more about Keith Carter here.
Read our conversation here.
Read quotes by Keith Carter here.
View 12 Great Photographs By Keith Carter here.
 

22 Great Quotes By Photographer Dorothea Lange

 
Enjoy this collection of quotes by photographer Dorothea Lange.
“The camera is an instrument that teaches people how to see without a camera.” – Dorothea Lange
“Put your camera around your neck along with putting on your shoes, and there it is, an appendage of the body that shares your life with you.” – Dorothea Lange
“I realize more and more what it takes to be a really good photographer. You go in over your head, not just up to your neck.” – Dorothea Lange
“One should really use the camera as though tomorrow you’d be stricken blind. To live a visual life is an enormous undertaking, practically unattainable. I have only touched it, just touched it.” – Dorothea Lange
“While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see.” – Dorothea Lange
“To be good, photographs have to be full of the world.” – Dorothea Lange
“Photographers stop photographing a subject too soon before they have exhausted the possibilities.” – Dorothea Lange
“You know, so often it’s just sticking around and being there, remaining there, not swooping out in a cloud of dust: sitting down on the ground with people, letting children look at your camera with their dirty, grimy little hands, and putting their fingers on the lens, and you just let them, because you know that if you will behave in a generous manner, you are apt to receive it, you know?” – Dorothea Lange
“This benefit of seeing…can come only if you pause a while, extricate yourself from the maddening mob of quick impressions ceaselessly battering our lives, and look thoughtfully at a quiet image…the viewer must be willing to pause, to look again, to meditate.” – Dorothea Lange
“It is not a factual photograph per se. The documentary photograph carries with it another thing, a quality in the subject that the artist responds to. It is a photograph which carries the full meaning of the episode or the circumstance or the situation that can only be revealed – because you can’t really recapture it – by this other quality. There is no real warfare between the artist and the documentary photographer. He has to be both.” – Dorothea Lange
“Art is a by-product of an act of total attention.” – Dorothea Lange
“I would like to see photographers become responsible and photography realize its potential.” – Dorothea Lange
“My own approach is based upon three considerations. First – hands off ! Whenever I photograph I do not molest or tamper with or arrange. Second – a sense of place. I try to picture as part of its surroundings, as having roots. Third – a sense of time. Whatever I photograph, I try to show as having its position in the past or in the present.” – Dorothea Lange
“The contemplation of things as they are, without error of confusion, without substitution or imposture, is in itself a nobler thing than a whole harvest of invention.” – Dorothea Lange
“Photography takes an instant out of time, altering life by holding it still.” – Dorothea Lange
“Every image he sees, every photograph he takes, becomes in a sense a self-portrait. The portrait is made more meaningful by intimacy – an intimacy shared not only by the photographer with his subject but by the audience.” – Dorothea Lange
“Pick a theme and work it to exhaustion…the subject must be something you truly love or truly hate.” – Dorothea Lange
“As photographers, we turn our attention to the familiarities of which we are a part. So turning, we in our work can speak more than of our subject – we can speak with them; we can more than speak about our subjects – we can speak for them. They, given tongue, will be able to speak with and for us. And in this language will be proposed to the lens that with which, in the end, photography must be concerned – time, and place, and the works of man.” – Dorothea Lange
“I’ve never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning – but some phase of photographer I’ve always been.” – Dorothea Lange
“It came to me that what I had to do was to take pictures and concentrate on people, only people, all kinds of people, people who paid me and people who didn’t.” – Dorothea Lange
“I am trying here to say something about the despised, the defeated, the alienated. About death and disaster, about the wounded, the crippled, the helpless, the rootless, the dislocated. About finality. About the last ditch.” – Dorothea Lange
“The good photograph is not the object, the consequences of the photograph are the objects.” – Dorothea Lange

View more 12 Great Photographs collections here.

Explore The Essential Collection Of Quotes By Photographers.
Explore The Essential Collection Of Documentaries On Photographers.