“Issue 15 of PHOTOGRAPH magazine is dedicated to the art of landscape photography and seeks out the ideal web of trees, explores what makes a good impressionistic landscape, catches the perfect wave, and examines at how including yourself in a vast scene can tell bigger photographic stories.
Portfolios and interviews include Ray Collins, a coal miner-turned-award-winning-photographer who’s job injury led to his discovery of seeing the sea from a whole new angle; the calm, impressionistic work of former painter Chris Friel, widely known and respected in the intentional camera movement world for his landscapes; Charles Cramer, a classical pianist who studied with Ansel Adams and developed a deep love for creating beautiful prints; and Paul Zizka, who became widely known for his self-portraiture after including himself in his hard-to-reach landscapes.
Regular contributors John Paul Caponigro, Michael Frye, Guy Tal, Chris Orwig, Martin Bailey, Adam Blasberg, and David duChemin—each recognized for their respective landscapes—have contributed articles on audience, perspective, flexibility, how everyday conversation can spark creativity, the natural landscape as metaphor, optical filters, and how negative space can make a positive impact on your photography.”
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This installment in my column Creative Composition explores the power of Size.
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“Issue 11 of PHOTOGRAPH magazine celebrates the power of movement, from the strength and elegance of African beasts, to heading across town via public transportation, to the muscular physicality of dancers, to traveling across the country and documenting it all in black and white.
Portfolios and interviews feature the work of Ken and Michelle Dyball, who open up about how they find life—and wildlife—on the savannahs of the Maasai Mara; impressionistic photographer Valda Bailey, who found unexpected grace and beauty while riding the No. 8 bus; Thomas David, who took a concept of dust and dance and created a powerful series; and Russell Grace, who—in trying to impress a girl—inadvertently switched to infrared photography, with beautiful results.
Regular contributors John Paul Caponigro, Bruce Percy, Guy Tal, Chris Orwig, Martin Bailey, Piet Van den Eynde, Adam Blasberg and I discuss seizing time, the strength of numbers, the starkness of nature, creative flow (and getting unstuck), the art and science of photography, depth of field, telling the story of your subject through lighting, and how to create a photo panel.”
This installment in my column Creative Composition explores the power of Number.
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“Portfolios and interviews feature the work of cover girl Brooke Shaden, whose self-portraits exude a brooding melancholy in a light and whimsical way; the incredible Susan Burnstine, who modifies all of her cameras to best tell the stories of her dreams and nightmares; the portraits of Clive Charlton, who discusses how his art is influenced by his admiration of the Dutch masters for their use of Chiaroscuro; and Jim Kasson’s Staccato series, borne of the idea to make a short set of exposures at night and reassemble them in Photoshop, resulting in a painterly effect of complex lighting patterns, a sense of place, and compelling gestures.
Regular contributors John Paul Caponigro, Michael Frye, Guy Tal, Chris Orwig, Martin Bailey, Piet Van den Eynde, Adam Blasberg and David duChemin open up about patience, flow, creativity, finding rhythm, the beauty of natural light in both landscapes and portraits, the meaning of success, and the magic of the lens.”
Flow is this issues topic in my Creative Composition column.
“Issue 8 proudly showcases portfolios from Ami Vitale (storyteller and National Geographic photographer), Charles Adams (fine art landscape photographer), Jon McCormack (documentary humanitarian photographer), and Tom McLaughlan (abstract photographer).
This issue includes articles by our columnists John Paul Caponigro, Bruce Percy, Guy Tal, Chris Orwig, Martin Bailey, Piet Van den Eynde, Adam Blasberg, and David duChemin.”
In my column Creative Composition I discuss the uses of and relationships between Simplicity & Complexity.
I’m delighted to see that included is the work of Charles Adams, who has been my assistant for the last five years.
Preview PHOTOGRAPH 8 here.
Issue 5 of PHOTOGRAPH (A Digital Quarterly Magazine For Creative Photographers) is out.
It’s packed! Portfolios and Q&A’s from Anja Buehrer, David Jackson, Marcin Sobas, and David duChemin. Columns from David duChemin, John Paul Caponigro, Chris Orwig, Piet Van den Eynde, Martin Bailey, Al Smith, Bruce Percy, and Adam Blasberg.
I discuss Abstraction in my column Creative Composition.
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There’s lots of inspiration in Issue 2 of PHOTOGRAPH magazine, which includes featured portfolios and interviews with Martin Bailey, Andy Biggs, and Chris Orwig, as well as articles from David duChemin, Nicole S. Young, John Paul Caponigro, Martin Bailey, Al Smith, Jay Goodrich, Piet Van den Eynde, Younes Bounhar, Kevin Clark, and Chris Orwig.
My Creative Composition article discusses using the frame creatively, perhaps the most essential skill in photography.
Purchase it here – $8 single issue or $24 quarterly subscription.