“Chris Orwig brings unique perspective, creativity and passion to all that he does. As a photographer, he subscribes to Marc Riboud’s observation that “Photography is about savoring life at 1/100th of a second.” For Chris the adventure is now, and the journey has already begun – discover, look, listen, learn and live.”
Chris shares that what’s imperfect or broken can be a source of depth, strength, and inspiration.
Find out more about Chris Orwig here.
Find Chris’s new book The Creative Fight here.
Chris Orwig lives by this quote.
“Photography is savoring life at 1/100th of a second.” – Marc Riboud
What quotes do you live by?
Read a collection of Chris Orwig’s favorite quotes here.
Find out more about Chris Orwig here.
Read more Photographers’ Favorite Quotes here.
Chris Orwig provides quick candid answers to 20 questions.
What’s the best thing about photography?
Life is short and time moves too fast. Yet, photography has provided me with the way to try to stop, slow and savor moments that otherwise would have been lost. Even more, good photographs seem to be a concentration of life, a distillation like evaporated sea water where only the salt remains. And photography has become a means and a passport to get out into the world and to live life with more focus, intensity and passion. In a sense, what’s best about photography is that it has saved me. It’s saved me from myself and helped me to focus on others and on the grand mystery of life. And in doing so, photography has given me a new way to see and live.
What’s the thing that interests you most about photography?
The idea that the camera can help you dig more deeply, see more clearly and live life more fully.
What’s the thing that interests you most about your own photographs?
In my own photographs I am always struck by the autobiographical nature of them. In a sense, I can look at a photograph and remember who I was when I took it and how I changed because of it. And collectively, these photographs help me appreciate, remember and make sense of my own life story.
Read more of this Q&A with Chris here.
Find out more about Chris Orwig here.
Find Chris’ new book The Creative Fight here.
Read more Q&A’s with photographers here.
© Dee Pepee
From the nineteenth century on, Maine and its scenic beauty has drawn some of the nation’s most prominent photographers to depict its many natural wonders, and its people, and to look beyond to the realm of the imagination. This exhibition, drawn The Farnsworth Art Museum’s collection in Rockland, Maine, showcases past and present perspectives by photographers who have worked in Maine including Berenice Abbott, John Paul Caponigro, Paul Caponigro, Eliot Porter, Joyce Tenneson and many others.
Picturing Maine opens October 03, 2015 and closes March 27, 2016.
Plus, see more photographs in the exhibit Maine Collects through March 6, 2016.
Find out more here.
Enjoy this collection of quotes by photographer Paul Strand.
“Your photography is a record of your living, for anyone who really sees.” – Paul Strand
“I’ve always wanted to be aware of what’s going on around me, and I’ve wanted to use photography as an instrument of research into and reporting on the life of my own time.” – Paul Strand
“Your photography is a record of your living – for anyone who really sees. You may see and be affected by other people’s ways, you may even use them to find your own, but you will have eventually to free yourself of them. That is what Nietzche meant when he said, ‘I have just read Schopenhauer, now I have to get rid of him.’ He knew how insidious other people’s ways could be, particularly those which have the forcefulness of profound experience, if you let them get between you and your own personal vision.” – Paul Strand
“Look at the things around you, the immediate world around you. If you are alive, it will mean something to you, and if you care enough about photography, and if you know how to use it, you will want to photograph that meaningness. If you let other people’s vision get between the world and your own, you will achieve that extremely common and worthless thing, a pictorial photograph.” – Paul Strand
“The material of the artist lies not within himself nor in the fabrications of his imagination, but in the world around him. The element which gives life to the great Picassos and Cezannes, to the paintings of Van Gogh, is the relationship of the artist to context, to the truth of the real world. It is the way he sees this world and translates it into art that determines whether the work of art becomes a new and active force within reality, to widen and transform man’s experience. The artist’s world is limitless. It can be found anywhere far from where he lives or a few feet away. It is always on his doorstep.” – Paul Strand
“The camera machine cannot evade the objects which are in front of it. When the photographer selects this movement, the light, the objects, he must be true to them. If he includes in his space a strip of grass, it must be felt as the living differentiated thing it is and so recorded. It must take its proper but no less important place as a shape and a texture in relationship to the mountain tree or what not, which are included.” – Paul Strand
“The decision as to when to photograph, the actual click of the shutter, is partly controlled from the outside, by the flow of life, but it also comes from the mind and the heart of the artist. The photograph is his vision of the world and expresses, however subtly, his values and convictions.” – Paul Strand
“I go and get the camera and do it. Photography is a medium in which if you don’t do it then, very often you don’t do it at all, because it doesn’t happen twice. A rock will probably always be more or less there juts the way you saw it yesterday. But other things change, they’re not always there the day after or the week after. Either you do it or you don’t. Certainly with things as changeable as shy and landscape with moving clouds and so on, if they look wonderful to you on a certain day and if you don’t do it then, you may never see them again for the rest of your life. So as a photographer you become very conscious – at least I do – that everything is in movement.” – Paul Strand
“The documentary photographer aims his camera at the real world to record truthfulness. At the same time, he must strive for form, to devise effective ways of organizing and using the material. For content and form are interrelated. The problems presented by content and form must be so developed that the result is fundimentally true to the realities of life as we know it. The chief problem is to find a form that adequately represents the reality.” – Paul Strand
“All good art is abstract in its structure.” – Paul Strand
“Objectivity is of the very essence of photography, its contribution and at the same time its limitation…” – Paul Strand
“Honesty no less than intensity of vision is the prerequisite of a living expression. This means a real respect for the thing in front of… the photographer… this is accomplished without tricks of process or manipulation through the use of straight photographic methods…” – Paul Strand
“The existence of a medium, after all, is its absolute justification, if as so many seem to think, it needs one and all comparison of potentialities is useless and irrelevant. Whether a water-color is inferior to an oil, or whether a drawing, an etching, or a photograph is not as important as either, is inconsequent. To have to despise something in order to respect something else is a sign of impotence. [emphasis added] Let us rather accept joyously and with gratitude everything through which the spirit of man seeks to an ever fuller and more intense self-realization.” – Paul Strand
“Did I express my personality? I think that’s quite unimportant because it’s not people’s selves but what they have to say about life that’s important.” – Paul Strand
“It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness.” – Paul Strand
“No matter what lens you use, no matter what speed the film, no matter how you develop it, no matter how you print it, you cannot say more than you can see.” – Paul Strand
“The important thing is, you have to have something important to say about the world.” – Paul Strand
“The artist is one who makes a concentrated statement about the world in which he lives and that statement tends to become impersonal—it tends to become universal and enduring because it comes out of something very particular.” – Paul Strand
“It has always been my belief that the true artist, like the true scientist, is a researcher using materials and techniques to dig into the truth and meaning of the world in which he himself lives; and what he creates, or better perhaps, brings back, are the objective results of his explorations. The measure of his talent––of his genius, if you will––is the richness he finds in such a life’s voyage of discovery and the effectiveness with which he is able to embody it through his chosen medium.” – Paul Strand
“And if you can find out something about the laws of your own growth and vision as well as those of photography you may be able to relate the two, create an object that has a life of its own, which transcends craftsmanship. That is a long road, and because it must be your own road nobody can teach it to you or find it for you. There are no shortcuts, no rules.” – Paul Strand
“The artist’s world is limitless. It can be found anywhere, far from where he lives or a few feet away. It is always on his doorstep.” – Paul Strand
“If the photographer is not a discoverer, then he is not an artist.” – Paul Strand
“Photography is only a new road from a different direction, but moving toward the common goal, which is life.” – Paul Strand
“I think of myself as an explorer who has spent his life on a long voyage of discovery.” – Paul Strand
View 12 Great Photographs By Paul Strand.
View A Documentary On Paul Strand.
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Explore The Essential Collection Of Quotes By Photographers.
Every year, during my Acadia Maine Fall Foliage Workshop my assistant Charles Adams and I explore making photographs with our iPhones.
Charles talks about his experience.
“Making images with an iPhone can be a terrific creative exercise. If you regularly shoot with a DSLR, the iPhone can simplify things and offer a new experience. I find this to be the case during every fall foliage workshop. I leave my Canon in the car along with all of the photographic requirements and responsibilities that I usually attach to it. It’s a freeing experience. Suddenly the pressure to make the best photographs of my life is no longer there. I’m free to play.
Being able to process your images seconds after shooting them is also key to the iPhone experience. The many apps available make it possible to shoot, edit, share, and get feedback before even getting back in the car. In my case, apps have a direct effect on which pictures I chose to make. If I know I’m going to apply water color and oil painting filters to my images, I try to shoot accordingly. I set out to find good compositions with strong “bones” or solid structures that can benefit from the addition of dramatic effects.
The resulting images are fun to create. Changing the tools you use to make your images can offer new insights into your own photography. I strongly recommend allowing yourself to play.”
Visit Charles’ website here.
Find out about my Acadia Maine Fall Foliage workshop here.
This short clip previews a longer documentary on photographer Aaron Siskind and his work.
Find the full documentary here.
View more in The Essential Collection Of Documentaries On Photographers.
Read quotes by Aaron Siskind here.
View photographs by Aaron Siskind here.
Enjoy this collection of quotes by photographer Lee Friedlander.
“The world makes up my pictures, not me.”
“ … photographs are so loaded with information. They’re remarkable. As I said, you get both the tree and the forest.” – Lee Friedlander
“It fascinates me that there is a variety of feeling about what I do. I’m not a premeditative photographer. I see a picture and I make it. If I had a chance, I’d be out shooting all the time. You don’t have to go looking for pictures. The material is generous. You go out and the pictures are staring at you.” – Lee Friedlander
“The idea that the snapshot would be thought of as a cult or movement is very tiresome to me and, I’m sure, confusing to others. It’s a swell word I’ve always liked. It probably came about because it describes a basic fact of photography. In a snap, or small portion of time, all that the camera can consume in breadth and bite and light is rendered in astonishing detail: all the leaves on a tree, as well as the tree itself and all its surroundings.” – Lee Friedlander
“I only wanted Uncle Vern standing by his new car (a Hudson) on a clear day. I got him and the car. I also got a bit of Aunt Mary’s laundry and Beau Jack, the dog, peeing on a fence, and a row of potted tuberous begonias on the porch and seventy-eight trees and a million pebbles in the driveway and more. It’s a generous medium, photography.” – Lee Friedlander
“I suspect it is for one’s self-interest that one looks at one’s surroundings and one’s self. This search is personally born and is indeed my reason and motive for making photographs. The camera is not merely a reflecting pool and the photographs are not exactly the mirror, mirror on the wall that speaks with a twisted tongue. Witness is borne and puzzles come together at the photographic moment which is very simple and complete. The mind-finger presses the release on the silly machine and it stops time and holds what its jaws can encompass and what the light will stain.” – Lee Friedlander
“I take more to the subject than to my ideas about it. I am not interested in any idea I have had, the subject is so demanding and so important.” – Lee Friedlander
“Sometimes just the facts of the matter make it interesting.” – Lee Friedlander
“When you take a picture you haven’t a clue that it is going to be what it is. Maybe you have a clue but you don’t really know. There are too many possibilities. Part of the game is how many balls you can juggle. It is to me. When you are 12 you can juggle two. Maybe when you are 50 you can juggle five. That is an interesting concept to me: how much I can put in and still make it pull together?” – Lee Friedlander
“If one really knew what one was doing, why do it? It seems to me if you had the answer why ask the question? The thing is there are so many questions.” – Lee Friedlander
“Anything that looks like an idea is probably just something that has accumulated, like dust. It looks like I have ideas because I do books that are all on the same subject. That is just because the pictures have piled up on that subject. Finally I realize that I am really interested in it. The pictures make me realize that I am interested in something.” – Lee Friedlander
“Photographs also show the way that the camera sees. It’s not just me or you or anybody else. The camera does something that is different from our own setting.” – Lee Friedlander
“… a mysterious intersection of chance and attention that goes well beyond the existential surrealism of the ‘decisive moment’.” – Lee Friedlander
“With a camera like that [a Leica 35mm rangefinder] you don’t believe you’re in the masterpiece business. It’s enough to be able to peck at the world.” – Lee Friedlander
“I always wanted to be a photographer. I was fascinated with the materials. But I never dreamed I would be having this much fun. I imagined something much less elusive, much more mundane.” – Lee Friedlander
Read more in The Essential Collection Of Quotes By Photographers.
Read my conversation with Lee Friedlander.
You’re sure to find many insights in this collection of quotes by photographer James Nachtwey.
“There is a job to be done…to record the truth. I want to wake people up!” – James Nachtwey
“When the truth is spoken, it doesn’t need to be adorned. It just needs to be simply stated, and often it only needs to be said once.” – James Nachtwey
“I try to use whatever I know about photography to be of service to the people I’m photographing.” – James Nachtwey
“The worst thing is to feel that as a photographer I am benefiting from someone else’s tragedy. This idea haunts me. It is something I have to reckon with every day because I know that if I ever allow genuine compassion to be overtaken by personal ambition I will have sold my soul. The stakes are simply too high for me to believe otherwise.” – James Nachtwey
“I attempt to become as totally responsible to the subject as I possibly can. The act of being an outsider aiming a camera can be a violation of humanity. The only way I can justify my role is to have respect for the other person’s predicament. The extend to which I do that is the extent to which I become accepted by the other, and to that extent I can accept myself.” – James Nachtwey
“I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated.” – James Nachtwey
“I want my pictures to cut through political abstractions… and make a connection on a human level.” – James Nachtwey
“I want to record history through the destiny of individuals who often belong to the least wealthy classes. I do not want to show war in general, nor history with a capital H, but rather the tragedy of a single man, of a family.” – James Nachtwey
“Photojournalists know the horrors of war can only be exposed at close range. Kodak Film.” – James Nachtwey
“For me, the strength of photography lies in its ability to evoke a sense of humanity. If war is an attempt to negate humanity, then photography can be perceived as the opposite of war and if it is used well it can be a powerful ingredient in the antidote to war.” – James Nachtwey
“I used to call myself a war photographer. Now I consider myself as an antiwar photographer.” – James Nachtwey
“I want to record history through the destiny of individuals who often belong to the least wealty classes. I do not want to show war in general, nor history with a capital H, but rather the tragedy of a single man, of a family.” – James Nachtwey
“I want my work to become part of our visual history, to enter our collective memory and our collective conscience. I hope it will serve to remind us that history’s deepest tragedies concern not the great protagonists who set events in motion but the countless ordinary people who are caught up in those events and torn apart by their remorseless fury. I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated.” – James Nachtwey
“The greatest statesmen, philosophers, humanitarians … have not been able to put an end to war. Why place that demand on photography?” – James Nachtwey
“Is it possible to put an end to a form of human behavior which has existed throughout history by means of photography? The proportions of that notion seem ridiculously out of balance. Yet, that very idea has motivated me.” – James Nachtwey
“But everyone cannot be there, and that is why photographers go there – to show them, to reach out and grab them and make them stop what they are doing and pay attention to what is going on – to create pictures powerful enough to overcome the diluting effects of the mass media and shake people out of their indifference – to protest and by the strength of that protest to make others protest.” – James Nachtwey
“If there is something occurring that is so bad that it could be considered a crime against humanity, it has to be transmitted with anguish, with pain, and create an impact in people – upset them, shake them up, wake them out of their everyday routine.” – James Nachtwey
“I don’t believe there’s any such thing as objective reality. It’s only reality as we experience it.” – James Nachtwey
“If I’m feeling outraged, grief, disbelief, frustration, sympathy, that gets channeled through me and into my pictures and hopefully transmitted to the viewer.” – James Nachtwey
“None of the editors I’ve worked with have ever asked me to pull my punches. They’ve never asked me to give them anything other than my own interpretation of events.” – James Nachtwey
“I don’t think tragic situations are necessarily devoid of beauty.” – James Nachtwey
“It is very hard to say where you’re going until you get there. That kind of thing is based very much on instinct. As a photographer, one of the most important lessons I have learnt is that you have to learn to listen to and trust your own instinct. It has helped to guide me – this far at least.” – James Nachtwey
Read more from The Essential Collection Of Quotes By Photographers.
View more in 12 Great Photographs By Great Photographers.