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Images That Sizzle & Fizzle Versus Sleepers That Are Keepers

Keeper

The strongest images combine immediate impact and staying power.

 

Sizzles & Fizzles

Color immediately grabs attention, yet other aspects of this image could be stronger and clearer, making its impact less durable than others.

Sleeper

Easily overlooked initially, the appeal of this image grows when it reinforces themes in related images.

 

It happens to me all the time. I’m excited by what I see on location and hopeful about the images I’m making. Afterward, the final results aren’t as exciting as I had hoped. I rarely leave a location with confidence that I have truly excellent images. I can phone in competent and even good most of the time, but getting to great is another matter.

It’s essential to know the difference between good and great. I measure my current successes against my past successes – I’m always trying to raise the bar. If the images you’re making aren’t making the cut for you, I’d take that as a sign that you’re being more discriminating, and based on that, I would bet that means you’ve got more good images in your portfolio and are well on your way to making even better ones. The world doesn’t need more mediocre images, but it does need more discerning eyes.

While this syndrome of “sizzling and then fizzling” is common. The opposite dynamic is often at work, too. You’ll make images that don’t catch your attention immediately, but you find yourself doing a double or triple take, and your appreciation of these images grows with each viewing. These “sleepers” are very interesting; they tend to be smarter and/or more deeply felt. Because they don’t grab your attention quickly, passing these types of images by is easy. That’s one of the reasons it’s important to look back through your images again after some time to find what you missed. Developing bodies of work will offer you additional useful perspectives.

Sometimes, when you present a sizzler together with a sleeper, they make each other more interesting. The attention-getter does just that – it gets attention. It draws viewers in and sets the stage for seeing related work that might not be as eye-catching but has more substance and depth. Similarly, if it’s related to the attention-getter, in some way beyond proximity, the strong silent type can reveal hidden depths within its flashier counterpart and even transfer some of its depth. Both can “rub off” on each other in a beneficial way. Their relationship can be mutualistic.

When you find the rare few images that achieve immediate high impact and extended durability, you’ve got real “keepers.” These are the images that should be celebrated most. These images set the course for many others. All the other images that come close but fall short, which are collected with the great images, should in some way support, amplify, and expand that greatness. Keep these fires burning and fan the flames. Carry this vital energy forward. Keep this energy flowing with new moves. Find out how long you can stay in the zone and when you fall out of it what it takes to return to it. See where it will lead you and how far you can run with it. Work of this quality often gets beyond you, which doesn’t mean you can’t sustain it or return to it, but instead means you probably won’t fully understand it until long after you’ve done it. Work like this expands you. It raises your bar and calls you to new heights. Answer these calls.

 

Read more in my Storytelling resources.

Learn more in my creativity and digital photography workshops.

The Graduated Filter and Adjustment Brush In Lightroom 4 – Julianne Kost


Julianne Kost demonstrates the power of making selective adjustments like dodging and burning, color corrections and noise removal using the Graduated Filter and Adjustment Brush in Lightroom 4. Note: although this video was recorded in Lightroom, the same techniques are available in Adobe Camera Raw in Photoshop CS6.
View more Lightroom videos here.
Learn more from Julianne Kost on her blog.
Learn more in my digital photography and digital printing workshops.

Photoshop Masking Key Commands

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The following key commands do not require clicking on the mask.

X                                               reverses Foreground and Background colors
Numbers                               number keys change the Opacity of a brush
[ and ]                                     makes a brush smaller and  larger
Shift [ and Shift ]               makes a brush softer and  harder
Opt Delete                             fills a mask with the Foreground color
Command I                           inverts a mask

The following key commands require clicking on the mask.

Control Click                        displays mask options
Opt Click                                 displays a mask in black and white
Shift Opt Click                      displays a mask as a red overlay

Command Click                   loads the mask as a selection
Shift Command Click        adds the mask to a selection
Option Command Click    subtracts the mask from a selection
Shift Option Command     loads the intersection of two masks
Shift Command I                  inverses a selection

Drag & drop                           to move a mask from one layer to another
Option drag & drop            to copy a mask from one layer to another

Read more about Selections & Masks.
Learn more in my digital photography and digital printing workshops.

Video Quick Tip – 2 Masks For 1 Layer In Photoshop

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In this Photoshop Quick Tip I show how and why to make two masks for one layer.

Read more about Selections & Masks.
Learn more in my digital photography and digital printing workshops.

Video Quick Tip – Feathering Selections & Masks In Photoshop

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In this Photoshop Quick Tip I show when and how I feather selections for maximum control.

Read more about Selections & Masks.
Learn more in my digital photography and digital printing workshops.

Jerry Uelsmann & Maggie Taylor – This Is Not Photography


“He experiments in a darkroom. She composes on a computer screen. Together, husband-and-wife artists Jerry Uelsmann and Maggie Taylor create haunting, layered dreamscapes that push the boundaries of photography’s possibilities. This documentary from lynda.com explores both the technical and emotional aspects of Jerry’s and Maggie’s work, from the composition to the criticism, with insight from other preeminent voices in photography.”
Find out more about this 1.5 hour documentary at Lynda.com.

Increase Your Awareness Of Your Body Through Meditation


Our bodies, the vessels that carry us through life, are miracles of engineering to be marveled at and provide us gateways to both our minds and our emotions. For much of our daily lives we are unconscious of our bodies. When we do become aware of our bodies, our awareness is usually highly selective, often focused only in the presence of heightened pleasure or pain, either physical or psychological. Body images, both self-imposed and inherited, often lead us to judge, either inflating or repressing our direct experiences of our bodies. Developing greater body awareness helps reduce these tendencies and increase our understanding of and appreciation for our bodies as a single harmonious system. Tune in to the miracle that is your body.

1               Observe the way you sit. What is your experience of your general posture? How are your spine, torso, neck, head, arms and legs positioned? How long can you sustain this before you feel the urge to change positions? What positions are you most comfortable holding for long periods of time? What positions are you uncomfortable holding?

2               Observe the way you stand. What is your experience of your general posture? What is the position of your spine, neck, head, torso, arms and legs? How is your body balanced? Do you find yourself continually making small adjustments to maintain balance? How long do you feel comfortable maintaining this posture before wanting to change it? How often do you want to change it?

3               Observe the way you walk. What is your experience of your general posture? What is the position of your spine, neck, head, torso, arms and legs? What is the sequence of motions your body routinely makes? How do you maintain balance through this range of motions? What rhythms do you naturally tend towards? How do these things change with increased speed or extended time? Apply this type of observation to any repetitive type of motion you tend to make, such as exercise, dance, or yoga.

4               Observe the way you respond with your body to external stimuli. What do you respond to with increased calm? What do you respond to with increased alertness? What do you respond to with increased tension? How many of these responses are you typically consciously aware of? Are any of your responses surprising to you?
Spend a little time in isolation observing your body with minimal outside distractions. Later, extend your practice to increasing body awareness with increased external stimuli. Try to make this kind of observation a habit. With practice, you’ll find that your awareness of your body will increase, with little or no need for mental direction, growing more frequent, durable, and more deeply felt.

Find more on Mindfulness here.

Video Quick Tip – Combining Gradient Masks In Photoshop

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In this Photoshop Quick Tip I show how to combine gradient masks to quickly make complex selective adjustments.

Read more about Selections & Masks.
Learn more in my digital photography and digital printing workshops.