Paul Caponigro – HMCP

“The Hallmark Museum of Contemporary Photography is privileged to exhibit a special group of Paul Caponigro’s photographs chosen by HMCP’s Director, Paul Turnbull, from Mr. Caponigro’s voluminous archives. Entitled, “Select Photographs: 1956 thru 2005″, the seventy-five silver gelatin prints can be seen in the museum’s...
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JPC on thirdeyephotozine.com

Recently Rayhaan Traboulay interviewed me for his online magazine thirdeyephotozine. Here’s an excerpt. RH I recently had a discussion with a friend about creativity within people. I find that people either generally “have it” or don’t. I believe that you can’t really teach it too...
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Certificates of Authenticity

How do you reduce forgery? One way is to issue certificates of authenticity. The artist issues a certificate of authenticity with the artwork. There are many ways to handle this. The artist can give the certificate to the client. The artist can keep the certificate...
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Printing – Ideal Viewing Distance

Scale changes ideal viewing distance. To see a 4×5” print you have to get close to it. You can’t see anything but its shape and color from the end of a long hall. To see a 6×10’ print in its entirety you have to stand...
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Printing – Test Scale

When it comes to scale, there are many factors involved – aesthetic, practical, commercial. To determine what scale(s) is most appropriate for your work, you need to weigh all of these factors and their importance to you. Only you can determine this. My recommendation is...
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Make Time to Review Your Work

Images (left to right, top to bottom) – Jim Graham, Andree Laliberte, Ginette Vachon, Barbara Myriam. This week’s workshop participants are all longtime alumni of my workshops. It’s a small intimate group – Ginette Vachon (Swiss based veteran world travel photographer), Andree Laliberte (Canadian installation...
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