W Scott Olsen made this podcast for FRAMES deep, rich, and fun! We talked about origins, the creative process, connecting with nature, and so much more. Clear, flowing, heartfelt … I’m really pleased with this one.
“Issue 16 of PHOTOGRAPH magazine highlights the diversity of vision and creative expression. Issue 16 is a stylish send off (It’s the final issue!), featuring the work of Cynthia Haynes, Karen Divine, David duChemin, Takashi Kitajima, and Alain Laboile, and articles from regular columnists Martin Bailey, John Paul Caponigro, David duChemin, Chris Orwig, and Adam Blasberg. We hope this magazine inspires you to see differently as you continue to hone your vision.”
I discuss Using Psychology To Strengthen Your Composition.
Get your copy here.
This installment in my column Creative Composition explores the power of Size.
Get 25% Off through Wednesday June 24.
“Issue 8 proudly showcases portfolios from Ami Vitale (storyteller and National Geographic photographer), Charles Adams (fine art landscape photographer), Jon McCormack (documentary humanitarian photographer), and Tom McLaughlan (abstract photographer).
This issue includes articles by our columnists John Paul Caponigro, Bruce Percy, Guy Tal, Chris Orwig, Martin Bailey, Piet Van den Eynde, Adam Blasberg, and David duChemin.”
In my column Creative Composition I discuss the uses of and relationships between Simplicity & Complexity.
I’m delighted to see that included is the work of Charles Adams, who has been my assistant for the last five years.
Preview PHOTOGRAPH 8 here.
OnStage Magazine is proud to announce that veteran tour manager/photographer Harry Sandler has come on board as our Director of Photography. Harry brings a wealth of musical history to the table, and we are certain that this partnership will help us develop the magazine in new and exciting ways. Harry plans to contribute both published and unpublished photos from his time in New York during the late 60’s early 70’s right up to the present day. Together with our writers, he will also recount his experiences working with some of the top talent in the music industry.
Read more at onstagemagazine.com
There’s lots of inspiration in Issue 2 of PHOTOGRAPH magazine, which includes featured portfolios and interviews with Martin Bailey, Andy Biggs, and Chris Orwig, as well as articles from David duChemin, Nicole S. Young, John Paul Caponigro, Martin Bailey, Al Smith, Jay Goodrich, Piet Van den Eynde, Younes Bounhar, Kevin Clark, and Chris Orwig.
My Creative Composition article discusses using the frame creatively, perhaps the most essential skill in photography.
Purchase it here – $8 single issue or $24 quarterly subscription.
There’s a new electronic magazine in town – and I’m delighted to be a part of it.
The 132 pages in Issue One of PHOTOGRAPH, A Digitial Quarterly Magazine for Creative Photographers. features …
Columns include Martin Bailey’s The Art of the Print, John Paul Caponigro’s Creative Composition, Kevin Clark’s The Studio Sketchbook, David Duchemin’s Without The Camera, Chris Orwig’s Creativity, and Piet van Den Eynde’s Lightroom Before + After.
Portfolios by Art Wolfe, Nate Parker, and Bruce Percy are followed by short interviews.
Featured articles by Younes Bounhar, Andrew Gibson, Jay Goodrich, Al Smith, and Nicole Young.
PHOTOGRAPH is available now through Craft & Vision, as a PDF download, for USD$8. A 4-issue subscription for US$24 (or buy 3 issues and get one free). You can subscribe today, or, if you want to do so risk-free, we’ll send a short email to everyone that buys Issue One and give you the chance to top-up your subscription with the remaining 3 issues for US$16, as long as you do it before the end of November 2012.
Find out more and subscribe on David Duchemin’s blog.
Here’s an excerpt from the first article in my column Creative Composition.
Dynamics Not Rules
“When it comes to composition, there are no rules . . . except, perhaps, never say never and always avoid saying always. I recommend you don’t ask, “Should I . . .?”; rather, ask “What happens when I . . . ?”. But there are principles. Each element has a unique force and contributes to the whole. Each element influences the other, creating a cascading chain of action, reaction, and interaction. These forces are definable and consistent, so you can understand them and apply them repeatedly. An understanding of what these elements are will open up possibilities and create opportunities for you. An understanding of how each element works will help you apply it so that you can improvise given the unique characteristics of a specific situation and your own con- cerns. Versatility with many strategies enables you to be more successful in more varied situations and to make more varied statements. Understanding the principles of visual dynamics will help make your decision making pro- cess more informed, but it won’t make choices for you. Awareness is the key. Better awareness brings better choices. Better choices bring better results …”
The latest issue of View Camera Magazine features my father, Paul Caponigro with a special portfolio of unpublished work from 1959-2009.
64 pages of images with inspiring and insightful text.
“The eminent designer Eleanor Morris Caponigro has established a pace and rhythm here that allows each picture to breathe. See how each refers to the one before it and sets up the next. A record of an amazing life – an astonishing achievement – climbs to elusive harmonious heights. ” – Michael Moore
Find more at View Camera
Read our father son conversation
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