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In this video you’ll discover how to use the Clone, Heal, and Content-Aware Remove healing modes in Lightroom Classic to quickly remove dust spots, imperfections and distracting elements in a photograph.
For more check out Julieanne’s blog.
Learn more in my digital photography and digital printing workshops..
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“Discover an incredible tool to instantly remove anything from a photo, no matter how complex the image is!
In this video, we will compare Photoshop’s Content-Aware Fill to the free Dall-E A.I. image generator for removing objects from challenging photos. We will discuss the limitations of Photoshop and see whether Artificial Intelligence can bridge the gap; and test whether artificial intelligence can fill in empty areas when there is nothing to sample from.”
Find more of Unmesh Dinda’s PiXimperfect here.
Learn more in my digital photography and digital printing workshops.
Remove shadows from your photographs! It’s magic! It’s Photoshop!
Find out more from Colin Smith at Photoshop Cafe.
Find more of Unmesh Dinda’s content here.
Learn more in my digital photography and digital printing workshops.
Julianne Kost demonstrates new enhancements made to Photoshop’s Content Aware Fill Workspace.
For more check out Julieanne’s blog.
Read more in my Blurring resources.
Learn more in my digital photography and digital printing workshops.
Discover the new enhancements to Lightroom’s Advanced Healing Brush including the ability to heal and clone non-circular brush spots as well as remove easy-to-miss sensor dust using the new Visualization tool.
View more Lightroom Videos here.
Learn more in my digital photography and digital printing workshops.
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“Lightroom 5 has a great new non-circular spot removing/healing brush. However, there’s a feature that many will overlook for using the tool for what it was originally intended for. It’s always been great at removing dust spots from dirt on your lens or sensor dust as long as you could see the spots in your images. Now with the new Visualize Spots feature you can find them much easier.”
This new feature is included in ACR / Photoshop CC too.
View more on Terry White’s blog.
Learn more in my digital photography and digital printing workshops.
The four most important lines of any image are the ones that are often least recognized consciously – the frame. Second only to these are the lines that divide the frame, creating frames within the frame. Becoming more aware of how the frame can be used and how it can be divided will help you make more successful compositions.
There are many ways the frame can be divided. You can divide the frame horizontally, vertically, or diagonally; in each case the layers included define the virtual space presented. Different areas in an image can be divided differently. You can divide the frame (or a frame within the frame) multiple times; the more times the frame is divided the more packed and dynamic it becomes, progressively growing more design oriented and finally being reduced to pure texture. Each operation has significant consequences.
One of the most significant results of dividing the frame is the creation of specific proportions. (The combination of the individual aspect ratios of each element creates a new unified aspect ratio.) Much has been made of the ‘rule of thirds’. Dividing the frame into three parts (left/center/right or up/middle/down) is a simple and often useful strategy for making images more directed, by prioritizing one element over another, and dynamic, through imbalance. Too little has been made of other ratios. What of fourths, fifths, sixths, sevenths, or eighths? No musician would be content to only divide an octave into halves and thirds. Every proportion produces particular effects, which are further modified by placement (high/low or left/right) and content. Rather than a rule to be adhered to, proportion is a force to be explored expressively.
When it comes to controlling the division of the frame in your images, you have more options available to you than you might think. You can crop, retouch, distort, or composite. These four operations can be used in combination with one another. For instance, you may decide to first crop an image and then distort it to a standardized aspect ratio. Or, while maintaining a frame of the same aspect ratio, you might increase the scale of a selected area only and in the process crop a portion of it. Many other permutations are possible.
If you find these many new possibilities dizzying, you get it. The only way to understand this intuitively is to explore your options. The development of new possibilities encourages us to ask new questions and develop new habits. For what effect are you dividing the frame? To that end, how many different ways can you think of dividing the frame? My advice? Develop the habit of exploring your options before settling on final solutions, ones that help you create your strongest statements.
Read more at Digital Photo Pro.
See my related post Exploring The Expressive Possibilities Of Aspect Ratio.
Learn more in my digital photography and digital printing workshops.
Patch images with greater control using Content-Aware Patch, which allows you to choose the area that Content-Aware will use to create your patch.
View more Photoshop CS6 videos here.
Learn more in my digital photography and digital printing workshops.
Learn more about Photoshop and Lightroom in my DVDs and Workshops.