Antarctica XLII

There are many ways to achieve neutrality in your images. The results they offer are not same. You need to know the differences so you can make better choices and get solutions that are right for you and your images. Explore them and you’ll be more likely to make better choices for your images in the future. Keep exploring them and you’ll open up a world of possibilities within your images.

WB

Antarctica XLII

Lightroom & Camera Raw White Balance Dropper and Sliders

The simplest way to achieve neutrality is to correctly set white balance during Raw conversion, with Lightroom or Camera Raw. Click on the eyedropper tool and click on a target area within the image. It’s that simple.

What’s not so simple is identifying a good target. This will be easy if you photographed a color checker within the image or in a separate exposure at the same time, but few do. If you’re like most photographers you’ll have to identify a good target visually, introducing a margin of error equal to your discernment. Usually the best choices are midtones. This tool also works well with highlights; but they’re more likely to carry color casts that you won’t see at first glance.

After you click on a target, the results can be refined further with the Temperature (blue to yellow) and Tint (green to magenta) sliders.

Remember, you can use Camera Raw as a filter in Photoshop too.

17_MatchColor

Antarctica XLII

Normal blend mode

Color blend mode

Antarctica XLII

Match Color

Match Color is Photoshop’s often unfound and overlooked feature that offers such sophisticated results when neutralizing colors that it’s often surprising. Not all colors will be affected equally – and that can be a good thing. Using Match Color is even easier than using Lightroom / Camera Raw’s white balance eye-dropper because you don’t need to click on a target. Simply check the box Neutralize – and leave all the other sliders and drop down menus alone.


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  • One idea I’ve used for white balance (from Joe Cornish, IIRC) is to set the white balance and tint to neutral – say 5500 and 0 for tint, and then crank the saturation up. Way up – say 70% or so. Now, move the temperature slider back and forth, back and forth and you’ll start to see the ‘right’ temperature – for you, for this image. Now do the same thing with tint. Reset the Saturation slider to 0 and you’ll find the image looks almost monochromatic and you’ll have to add a bit of Saturation or Vibrance to bring it back to ‘normal’.

    Mike.

    Or you could use a Color Checker Passport or gray card.

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