Jon Cone’s Inkjet Mall recently introduced Firefly Invisible Ink, an inkiest designed for viewing prints under black light only.

“Firefly™ ink is a sophisticated encapsulated dye ink that is invisible in ordinary daylight. Turn off the lights and expose with a black light and the color is vibrant and life-like. We make Firefly inks in cyan, lt cyan, magenta, lt magenta, yellow and white. Because the inks are invisible and require UV light in order to be seen, images must be printed in a false color in order to appear normal under black light. We produced Firefly™ ink Image Converter software so you do not need to experiment. You can open an image, convert it and save it as jpg or png file to print in any software of your choosing. We also put in some expert tools for those who wish to experiment.”

Kudos for innovation.
All bets are off on longevity.

Learn more about Firefly Invisible Ink here.

Learn more with my online digital printing resources.

Learn more in my digital printing workshops.

Ink Drips or Smears

January 25, 2010 | Leave a Comment |

My Fine Art Digital Printing DVD offers many simple solutions to common problems. Here’s one …

inksmears

Problem
I’m getting spots or streaks of ink on my print(s).

Solution
Clean the print heads, the rollers, and the inside of the printer.

Sometimes excess ink accumulates from previous printing sessions and gets smeared on the next print. This usually only happens when previous print errors have printed off the paper causing problems for the next print, even if it’s printed correctly.

Learn more in my Fine Art Digital Printing Workshops.

How do Epson’s three UltraChrome inksets compare?

White arrows
Areas Epson UltraChrome HDR exceeds gamut of previous inksets.

Blue arrow
Areas Epson UltraChrome K3 with Vivid Magenta exceeds Epson UltraChrome.

White
Epson UltraChrome K3 3800 on Epson Exhibition Fiber Paper

Orange
Epson UltraChrome K3 Vivid Magenta 3880 on Epson Exhibition Fiber Paper

Spectrum
Epson UltraChrome HDR 7900 on Epson Exhibition Fiber Paper

Find out more about Epson’s ProImaging printers here.

Get my free printing resources here.

Learn more in my The Fine Art Digital Print workshop series.

Sediment in ink can settle so agitating ink that’s been stationary (for more than a month or three) makes sense. Agitate gently, or you may damage the needle valve in the cartridge. You don’t need to do this for ink in a printer, unless you don’t use the printer for a long time. The printers gently rock during use, which provides automatic agitation.

Learn more at the Epson Print Academy.
Learn more in my workshops.

Printing at 2880 and 1440 resolutions uses about the same amount of ink. The difference is 2880 only uses the finest dot (3.5 picoliter) rather than a variable dot structure. (2880 may look a little darker, particularly on matte papers, because the dots tend to bleed together. Use 1440 if you get excessive dot gain – pooling in shadows, spattering in highlights.)

Learn more at the Epson Print Academy.
Learn more in my workshops.

Ink cartridges first have to prime the printer tubes on initial installation. They have to purge shipping fluid designed to prevent clogging during storage. This doesn’t waste ink you paid for. Neither does the ink left in the cartridge when it runs out. There’s actually more ink in the cartridges than listed on the label.

Learn more at the Epson Print Academy.
Learn more in my workshops.


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