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New Statements


Writing is an integral part of my creative process. First, writing helps me clarify my thoughts and feelings about my work. Then, it helps me communicate about it to others.
Find out how writing can help you in my free Creativity PDFs.
I’ve written three new Artist’s Statements this summer …
The World is Speaking
Resacralizing Nature
Pilgrimage
You can read them here.
You can hear me speak about my new work in person at 2 pm during my Annual Exhibit 8/2-3.
Order your copy of my new Antarctica book here.
Stay tuned for more content from this weekend with multiple posts each day.
New images will be posted tonight!

New Book – Antarctica


It’s a r/evolution in publishing.
And it’s fueled by on demand book printing services like Blurb.
And content producers like you.
And me.
I’m finally in!
My first Blurb book Antarctica contains 45 images and 2 essays.
The size is 8×10 inches.
It sells for 34.95 for softcover and 49.95 for hardcover.
Get a signed copy of my book at my Annual Exhibit 8/2-3. Find out more here.
Order your copy of my Antarctica book here.
Note, there are two Antarctica books. One for the Blurb contest submission and one newly improved. Order the latest one that includes minor edits and better production values.
Get portable PDF galleries of my Antarctica images here.
Get this month’s desktop calendar image from Antarctica here.
Read about Antarctica here.
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Influences – Sculpture

Is there a pattern to the artists above? Yes. They’re all influential to me.

Who are your influences? If you’re an artist you hear this question all the time. Many of us resist the temptation to answer as our answers may lead others to a poor choice of words – derivative. The reality is we’re all being influenced all of the time. It’s interesting to separate your enduring influences (the ones that stand the test of time) and your current influences (the most recent). For instance, I just saw the Louise Bourgeois exhibit at the Guggenheim Museum in NYC. It’s influencing me. Will I do something with that influence immediately? Will that influence stay with me long enough to become significant? Time will tell. I also visited my favorite gallery in the Metropolitan Museum in NYC – the Rockefeller wing containing artifacts from primal cultures typically used for sacred or ceremonial functions. I go there every time I visit the museum. Every time I’m thrilled. The influence of this kind of art has been and will be with me my whole life.

Read more about my influences here.

Video – Participation Pieces


This video is a record of one of my new Participation Pieces. They use images projected in the dark – with no screen. You can’t see the image until you create one. That’s what I invite other people to do. Initially, I provide scattered flour. Other materials will surely be incorporated soon. The way the screen is created changes the image. The image is never the same twice. Sometimes you see it only partially. Sometimes the screen moves. Letting the flour fall produces a rain-like effect. Blowing the flour into the air creates a cloudy effect. The participant changes the image. Without a participant, there’s no image to see. And the viewer’s point of view changes what’s seen. If you’re a participant your activity limits your ability to see all angles. If you’re a viewer you have to move to see all angles and you can’t see all moments from all angles. It takes many people to create and view the entire event.
Projection changes the image. Two-dimensional images become three-dimensional. A point becomes a line. A line becomes a plane. A circle becomes a cylinder.
What kinds of images am I projecting? Images of celestial phenomena I normally exhibit in print form. Images of the light patterns I render in my series Refraction. Animations of those line patterns created in Photoshop. I’m sure I’ll find more locations, screens, and images in the days to come.
Many of these images are of eclipses. Coincidentally, August 1 and 16 there are eclipses (solar and lunar). Find out more about today’s solar eclipses here.
After thinking about environmental sculpture and projection for a long time, I finally started creating projections during a Creativity workshop with Sean Kernan. You can find my June posts on it right here on this blog. Just type in Kernan in the Search field and click Go.
You can see my Annual Exhibit in person 8/2-3. Find out more here.
Stay tuned for online releases all weekend long.

Video – Interview by Jay Tomioka

Jay Tomioka visited with me last winter for a video interview. He’s doing a very interesting project on photography that includes extensive video interviews. Other photographers he’s interviewed include Jerry Uelsmann, Maggie Taylor, Steve McCurry and many more. One of his themes is the relationship between eastern and western sensibilities and uses of photography. It’s an important theme for me. We spent hours talking. It’s an interesting series about to be released. You can preview video excerpts here. (Each video is just under 10 minutes long.)
Read the interview here.
See more Jay Tomioka videos here.
You can hear me speak about my new work during my Annual Open Studio Exhibit 8/2-3. Learn more here.

Read more of what I have to say in interviews here.
Read my conversations with other artists here.
Sign up for Insights to receive alerts on new content here.


Blurb – Books On Demand


It’s a r/evolution. You produce the content, Blurb produces the product. Design your own book with easy to use software. Update it whenever you want – even after it’s gone to press. Order as many copies as you want whenever you want. Let other people purchase as many copies as they want whenever they want. Print only copies that are sold. Warehouse nothing. Let someone else handle and ship the product for you. No publisher or distributor necessary. Artist to client with only one entity in between – Blurb.
Having watched my mother shepherd the creation of some of the finest photographic art books of the 20th century, I know what goes into creating a great book. Blurb’s production values aren’t the finest on the planet – but they’re surprisingly good! Blurb won’t make you a great photographer, a great picture editor, a great writer, a great graphic designer, a great book printer, or a great book binder. But you can do it all yourself. And there can be something unique about having a singular vision controlling all aspects of a book’s content. Blurb’s about getting the job done. It makes things possible that were never possible before. For instance, you can quickly revise or expand a book. You can make unique one of a kind books customized for an individual. You can even make a book by collaborating remotely and independently with other people.
If you’d like some help producing your book, Blurb offers BlurbNation, a community of expert bookmakers available for you to hire to help make your books.
You can also make a GroupBook. Invite people to contribute photos to your book. Your contributors can simply upload photos to Blurb’s Web site (via a personal email invitation that we help you send). Then you can access the photos directly in BookSmart. Then, when you’re making a book, instead of “hooray for me!” you can cheer “go team!”
The most important thing about this r/evolution is it empowers you. You don’t have to wait for a publisher to sign on to your project. You don’t have make a big investment in producing a large inventory to self-publish. You don’t have to warehouse and distribute the books. You, the artist can create your own book – from start to finish. And that means more books are being produced. It also means different kinds of books are being produced. These kinds of books can span a wide spectrum from family album to artistic journal to community project to artists collaborations to monographs to thematic essays.
It’s a r/evolution. We’ve seen it coming for over a decade. It’s finally here.
Check back here soon for an upcoming announcement on the release of my first Blurb book.
Check out Blurb here.
Get a signed copy of my book at my Annual Exhibit 8/2-3. Find out more here.
Sign up for Insights for alerts and special discounts on new resources.

New Uses for Printers – Posters


For years I’ve used Epson printers to print custom promotional materials in limited quantities.
Recently, we just finished printing posters for my Annual Open Studio Exhibit. I post them regionally to promote the exhibit and I sell a limited number of signed posters during the event.
Owning your own inkjet printer is like having your own offset press – only better. While each item takes longer to produce and costs more, the quality is better; resolution, color, and durability are exceptional. While this approach isn’t optimal for high volume production (thousands of copies), desktop printers are great for short runs. Because you don’t have to produce a large number of units to make a project cost effective (you don’t have to invest in the materials to produce a project or the time and space to warehouse a large inventory), inkjet printers make it possible to make certain things that might never have been made before.
Like what? Come and see! And stay tuned for more posts.
What do you use desktop printers to produce? Comment here.
Find out more about my Annual Open Studio Exhibit here.
Find Epson printers here.
Check out the Epson Professional Imaging website here.
Check out my Printing downloads here.
Find out about my digital printing workshop series The Fine Digital Print here.

Epson Printers – Cash Back


Now, for a limited time only, you can get cash back when you purchase select Epson printers.
Get …
$200 back when you buy an Epson Stylus Pro 4880
$300 back when you buy an Epson Stylus Pro 7880
$500 back when you buy an Epson Stylus Pro 9880
$3000 back when you buy an Epson Stylus Pro 11880
It takes 4 easy steps.
1  Make Your Purchase
2  Attach Your Receipt and UPC Code
3  Check Product Name and Code
4  Write Your Serial Number Down
5  Mail in your rebate form.
Claims must be postmarked 30 days from purchase date.
Get more information in PDF format here.
Find Epson printers here.
Check out the Epson Professional Imaging website here.
Check out my Printing downloads here.
Find out about my digital printing workshop series The Fine Digital Print here.

R Mac Holbert’s DVD – Nash Editions Master Class



The Dirty Dozen: Eliminating Common Imaging Mistakes – Mac Holbert’s first DVD is about to be released by Acme Educational.
Mac’s a pioneer in the field of digital printing. He’s also a dear friend. I can’t think of another person I’d rather teach digital printing workshops. We do it twice a year in special workshop sessions sponsored by Epson – The Fine Art of Digital Printing. (We just finished a great five day session at the Hallmark Institute of Photography.) Mac’s presentation on fine art workflow is first rate. I do similar workflow sessions in all of my workshops. We’ll be presenting a session on the topic together at PhotoPlus East this year. We also cover it in our Epson Print Academy sessions. It’s a corner stone of our workshop. And his new DVD covers many of the topics Mac demonstrates during these sessions.
Here’s what you’ll find on his DVD.
“When it come to fine art printing R. Mac Holbert along with Graham Nash started it all. If it was not for them fine art inkjet printing would not be what is today. Simply put Nash Editions is THE name in fine art printing and R. Mac Holbert is the talent behind that name. This DVD is the first of R. Mac Holbert’s Nash Editions Master Class. This is a truly unique opportunity to have access to the knowledge of one of the pioneering innovators of digital imaging.
Have you ever printed an image only to find you’ve overlooked a minor but critical mistake? Or have you made a small print, only to find a larger print shows issues that need to be fixed in Photoshop? Whether you print your own images or send them to a service, this Nash Editions Master Class DVD is an invaluable lesson on eliminating twelve common imaging mistakes. Distilled from 18 years of printmaking experience these elementary mistakes are made routinely, not only by the neophyte, but by the seasoned professional as well. Learning to avoid them will save you time, printing costs and ultimately will enable you to more precisely realize your vision on paper.
Learn how to correct contaminated neutrals with only one layer, doing the work of 4 -5 color correction layers. Learn how mid-tone contrast can add dimension to your images. Get these and other techniques on your workflow checklist, integrate them into your workflow and take your images from the ordinary to the extra-ordinary.”
Topics include …
Destructive Workflow
Oversharpening
Midtone Contrast
Image Alignment
Imprecise Cropping
Bad Masking
Contaminated Neutrals
Unreasonable File Size
Untagged Files
Cross Purpose Layers
Incorrect Layer Stack
File Extension Issues
It’s $39.95 until it ships and $49.95 thereafter.
Check out Mac’s DVD here.
Find out more about The Fine Art of Digital Printing workshop here.
Find out about my The Fine Digital Print workshop series here.