.

Iceland – Prelude



(That’s Stephen Johnson on his recent trip to Iceland.)
I’m flying to Iceland today to scout for my upcoming workshop.
During my stay I’ll present a free lecture in Rekjavik hosted by Canon.
August 12 and 13 (Saturday and Sunday) I co-teach a free weekend workshop with Vincent Versace.
August 14 – 18 I lead my workshop Illuminating Creativity. This is a field workshop, a variant of my workshop by the same title, much like my Fall Foliage workshop, with a majority of the time spent on location in the field. Participants and I will engage many exercises to stimulate creativity and encourage versatility when coming up with solutions to visual challenges. I’ll tell you about many of them and show you our solutions here in the days to come.
Stay tuned!

I Use – LowePro Camera Bags


Nevermind what’s in my bag. What is my bag? It depends on the situation.
Often. I walk into the field completely unencumbered with a single camera and lens. But the rest of my gear is back in the car ready and accessible.
When I know that I’m going for a slightly longer walk and I only need one extra lens I’ll use my LowePro Top Load bag. It’s light and lean!
For longer walks, where I may need access to all of my gear. I use Lowepro Mini Trekker. It’s light and comfortable. And, it’s got wheels for the airport.
When I’m traveling with multiple camera bodies, I use my Lowepro Photo Trekker AW II. It’s got wheels too! It’s big but still fits under an airplane seat or in an overhead bin. I don’t check my camera gear. I always carry it. I prefer not to take long walks with this much gear, so I often take a second bag with me if I’ve got this much gear.
Finally, when I’m on the water I use my waterproof Lowepro DryZone bag. (I heard this model served as a flotation device for one photographer in polar waters. No, it’s not urban legend – but don’t test this.)
Bags? They’re more than fashion. Protection. Ease of use. Comfort. They’re all important.
What do you carry your camera(s) in?
Check out these and other products I use here.
Check out my field workshops here.
Get a 20% discount on my Iceland (8/18-22) workshop here.
Get a 15% discount on my Fall Foliage (10/17-20) workshop here – until 8/17.
The first 5 Insights Members get $1000 off South America (2/2-14/09), thereafter $250.
Space just became available in my workshop in Namibia.

Adobe's New Innovation in Raw Technology – Camera Profiles

This new Raw technology gives photographers access to flexible camera profiles. Camera profiles provide a visual starting point for a raw processing workflow. Adobe is supplying default camera profiles that closely emulate the look that photographers are used to seeing from their favorite camera, while also providing the ability to customize profiles to an individual’s taste. Camera profiles  for use with Lightroom 2 and Camera Raw 4.5, are available for immediate download on Adobe Labs.

Lightroom 2


Lightroom 2 shipped July 29.
Key features are …
– Regional Adjustments (now you can apply adjustments selectively)
– Graduated Filters
– Output Sharpening
– 16 Bit Printing
– Suggested Keywords
– Smart Collections
– Open LR adjusted files in Photoshop as Smart Objects
And many excellent improvements to existing features.
Lightroom 2 for new users is $299. Upgrades from Lightroom 1 are $99.
Get it here.
Check out Jeff Schewe’s post at Photoshop New here.
Check out Scott Kelby’s post here.
Check out Lightroom News here.
Check out NAPP’s Learning Center here.
Check out Photoshop Cafe’s Learning Site here.
Check out Colin Smith’s Lightroom 2 DVD here.
Check out Michael Reichman and Jeff Schewe’s Guide to Lightroom 2 here.
Check out Scott Kelby’s Lightroom 2 book here.
Check out Martin Evening’s Lightroom 2 book here.

The Future of Video Projection?


Princess Leiah, can you color manage that?
Now I know I’m a geek.
A bad Star Wars joke and color management in the same line?
But, this technology stuff is very cool.
Check this out.
Video in thin air?
The Helio display is a video projector that casts images on condensed air.

I Use – Opteka HotShoe TwoAxis DoubleBubble SpiritLevel


Alright, now I have to admit it. I like toys. This little item is stylish, inexpensive, and useful.
Straight lines are important to me. While I practice refining my eye for seeing when things are level and parallel, in some situations it helps to have a level that will double check things for you.
Check out more of the gear I Use on this blog (search for Equipment), on this site, and in my AStore.
Check out my field workshops here.
Get a 20% discount on my Iceland (8/18-22) workshop here.
Get a 15% discount on my Fall Foliage (10/17-20) workshop here – until 8/17.
The first 5 Insights Members get $1000 off South America (2/2-14/09), thereafter $250.
Space just became available in my workshop in Namibia.

Gloss Differential

Gloss differential is an uneven reflectance of the surface of a print. In inkjet printing, very dark colors are produced with substantial amounts of ink while very light colors are produced with little or no ink. This can produce differences in reflectivity throughout the surface of a print in many images. While this is not an issue for most matte surfaces, it can be distracting when looking at glossy prints under specific angles of light.

Recent ink technology includes additives designed to reduce gloss differential to produce more even print surfaces. In addition, some separation routines reduce it even further. Epson printer drivers include two features in their Advanced Black and White mode, Highlight Point Shift and Highlight Tonality slider, that can be used to reduce gloss differential. Running these settings to a maximum virtually eliminates gloss differential. Because clear and very light black ink are used in these delicate areas, this darkens the print only slightly. You can compensate for this by lightening the file before printing.

How can you identify gloss differential? Make a print with very bright highlight areas. Look at those printed areas under bright light while varying the angle of the surface of the print and compare the reflectance you see there to darker surrounding areas.

What can you do to reduce gloss differential? Use the latest inksets. Optionally, use the most recent black and white software routines to reduce it even further. (Epson’s Highlight Poiint Shift is designed for this.) Hold your highlights slightly full to avoid paper white, which will be less reflective. Finally, consider spraying, varnishing, or waxing the surface of your prints.

Read more with my online Printing Resources.

Learn more in my digital photography and digital printing workshops.

Bronzing

Bronzing is an iridescent flash of color, typically bronze, produced when viewing prints under varying angles of light. It’s produced by pigmented ink’s tendency to refract light. It’s most visible in black and white prints but affects color prints as well. It affects glossy surfaces almost exclusively.    

Optimum choice of ink and precise placement makes the difference. Recently, new separation routines and screening algorithms have been devised to place droplets of specific ink colors, in specific patterns, in combination with other inks to dramatically reduce bronzing.

How can you identify bronzing? Look at the surface of a glossy print in near direct light. Change the angle of the print and look for a flash of bronze near areas of glare.

What can you do to eliminate bronzing? Choose the best inksets and drivers. (Optionally, print on a matte surface.) This will all but eliminate bronzing in your prints.

Read more with my online Printing Resources.

Learn more in my digital photography and digital printing workshops.